Saturday, September 22, 2018

Light for the Dark Places


She hangs up black curtains
To keep the time out

Crusts of pizza
Stuck to plates
She keeps forgetting to wash

Nails that need painting
Teeth that need a dentist
Carpets that haven’t seen a vacuum
In a long, long time

She did go to the dollar store
And get a few candles
To light up
For when the blizzard hits

There’s no blizzard predicted yet
But winter’s only a few months away
And she knows that the new apartment
Is right in the sweet spot
For all the bad weather

That’s why she picked it
But she told her mother
It was because
Utilities were included

She finds time for emptying out the pantry
And sorting the wedding invitations
But opening up the curtains
And letting some good old-fashioned daylight in
Isn’t something she can get around to

There are no clocks
The one on the stove is taped over
With black duct tape
She found in the everything drawer

Her phone sits in a box
In her bedroom closet
Buzzing every so often
Even though she hasn’t charged it
In days

She wonders what the buzzing could be
Since she doesn’t talk to anybody
And nobody ever wants to talk to her

A pile of books
Sits next to her bed
All of them in Latin

Some she means to translate
When she can work up the energy

Her clothes are clean
So there’s that at least

Her hair is a mess
But it’s not dirty

The shower is fine
The bathroom sink is fine
The space between the tiles
Is still white

There are clues everywhere
That her life
Is not the shambles
She knows it is

Specks of light escape around the black curtains
She’s hung over every window
And she thinks about buying more curtains
To hang around the edges of the ones
That are already there

Would that keep the light out
Or would it keep trickling onward
Like the toppled glass of iced tea
She keeps forgetting to mop up

Despite her best efforts
She knows when it’s early
And when it’s late

She notices a calmness in herself
As soon as the specks are gone
And the black curtains seem to relax
As if whatever they’ve been holding back
Has retreated for the time being

Her couch comes up around her
And the television goes from food
To news
To home design

Someone walks by in the hallway
A door opens
Then shuts

She grabs a blanket off the floor
And wraps herself up in it

There’s a quiet way
Time evaporates
When you hide it
Behind something

It’s not that she’s never owned clocks
She just shut them up
In boxes of Christmas decorations
Two—maybe three years ago?

The money in the bank account
Is running low
So she’ll have to call her father
In about a week
And get more put in there

He’ll make a comment
About her getting on with her life
Which will make the muscles in her throat seize up
But she’ll tell herself
That it’s the price she has to pay
To keep things
The way they are

She hears birds chirping outside
But she knows it’s late
Very late

The birds get confused
By the street lights

Someone told her that once

The poor things

Convinced it’s time to sing
When it’s really time to sleep

I’ll sleep for you, she thinks
Organizing herself
Amongst the steady cushions
And the lazy water bottle

Her eyes close
And hours later
The tiny pieces of light
Crawl back along the edge
Of the black curtains
And push back against
All the darkness
They can find

Tuesday, September 11, 2018

Coffee's Always On


                (A front door.  3am.  ANNE opens the door to reveal MARK.)

ANNE:  Mark?

MARK:  Hey Anne.

ANNE:  Uh, what are you—it is Mark, right?

MARK:  Yeah, Karen’s cousin.

ANNE:  Right, I—is Karen okay?

MARK:  Oh yeah, she’s great.  I think.  We haven’t talked in a couple of months.

ANNE:  So—I’m a little confused.

MARK:  Oh?

ANNE:  Yes, uh, why, um—why are you here?

MARK:  Well, I saw what you posted on Facebook.

ANNE:  On Facebook?

MARK:  Yeah.

ANNE:  You mean that thing about my brother’s birthday party?  That was two days ago, and he’s fine now.  He just spent the night on my couch because he got food poisoning from the salmon.

MARK:  No, the thing about your door always being open.

ANNE:  What?

MARK:  You know, ‘My door is always open.  My house is safe.  There’s coffee.’

ANNE:  Oh, that was—my friend Natalie posted that, you remember Natalie?

MARK:  The one who dated Tim?

ANNE:  No, the one who dated—oh wait, did she date Tim?

MARK:  I think she did.

ANNE:  See now I’m—you’re right.  She did.  Anyway, she posted that—that thing.  Was it a meme?

MARK:  It wasn’t really a—

ANNE:  Anyway, she posted it and I just reposted it.

MARK:  Oh.  So…your door really isn’t always open.

ANNE:  I mean—it is.  You know—

MARK:  But not now?

ANNE:  Well, it is open now, but, you know—

MARK:  Yeah?

ANNE:  Not for long, because—

MARK:  Oh.

ANNE:  Because it’s 3am, Mark.

MARK:  Right, but see, the word ‘always’ usually means—

ANNE:  I know what ‘always’ means—

MARK:  See, I don’t think you actually—

ANNE:  But yeah, I mean, I’m here for y—people.  For people.  If they want to talk or whatever.

MARK:  Well, I’m people and I want to talk.

ANNE:  Okay, uh, but we don’t—we don’t actually know each other.

MARK:  We’re friends though.

ANNE:  We’re not friends.

MARK:  We’re Facebook friends.

ANNE:  That’s not—

MARK:  So your door isn’t always open and you’re not friends with people you say you’re friends with—is that what you’re saying?

ANNE:  Are you okay, Mark?

MARK:  I mean, I’ve been better.

ANNE:  Well, we’ve all been better.

MARK:  Look, I’m happy to listen to you too.

ANNE:  Why don’t you try talking to someone that, you know, you actually—know?

MARK:  Because you posted that thing—

ANNE:  I reposted it.  I didn’t write it or anything.

MARK:  But if you didn’t believe it—

ANNE:  I believe it I just don’t believe it in this particular moment.

MARK:  So there’s no coffee?

ANNE:  No, I don’t—I mean, there’s coffee in my cupboard somewhere, but I don’t know if it’s still good.  I mean, it’s been in there since—

MARK:  Coffee doesn’t go bad.

ANNE:  Are you sure about that?

MARK:  Yeah, it’s coffee.

ANNE:  If you want, I can go get it for you and you can take it home with you.

MARK:  No, the point is that it’s on.

ANNE:  What?

MARK:  That it’s on.  The post said ‘The coffee’s always on.’

ANNE:  I didn’t—Mark.

MARK:  I just think this is really deceptive of you.

ANNE: Deceptive?

MARK:  Did somebody twist your arm?

ANNE:  What do you mean?

MARK:  Natalie, did she twist your arm and make you repost that—

ANNE:  I thought it was a nice sentiment.

MARK:  Were you trying to tell people to go to Natalie’s house if they need to talk?

ANNE:  Are you trying to say my house isn’t as nice as Natalie’s house?

MARK:  No, your house is a lot nicer than her’s, why do you think I’m here?

ANNE:  I’m sorry, Mark.  I didn’t—

MARK:  You didn’t think anybody would actually take you up on it?

ANNE:  Not at 3am!

MARK:  So…what if I came back in the morning?

ANNE:  I got my nephew’s birthday party.

MARK:  Tomorrow afternoon?

ANNE:  I have this thing at Pete’s house.

MARK:  Tomorrow night?

ANNE:  Mark, I don’t know you!

MARK:  The post said your table was a place of peace and non-judgment.

ANNE:  Mark, you’re a mess now get the hell off my property before I smack you.

MARK:  You said there was food in the fridge!

ANNE:  All I have is a jar of mustard and two pears.

MARK:  You eat pears?

ANNE:  No, they’ve been in there awhile.  Just like the coffee.

MARK:  God, how do you live like this?

ANNE:  I wasn’t expecting company.

MARK:  Are you hungry?  Do you want to come to my house?

ANNE:  I want to go to bed.

MARK:  Okay, okay.  I’m sorry.  I’m not trying to be a jerk.

ANNE:  If you need to talk to someone, just—I don’t know—find somebody else who posted that thing.  Somebody you know better than me.

MARK:  You seem nicer than everybody I know.

ANNE:  Mark, I just told you I was going to hit you if you didn’t get lost.

MARK:  Still nicer.

                (A beat.)

ANNE:  Can you come back Tuesday?

MARK:  Tuesday?

ANNE:  Yeah, Tuesday.  I go to the market on Tuesday.  I’ll get some coffee and I’ll throw out the pears.

MARK:  You mean it?

ANNE:  Yeah, I guess—I guess I need to put my money where my mouth is, but I’m not putting anything anywhere at 3am, all right?

MARK:  All right.

ANNE:  I can’t believe you really showed up here just because—

MARK:  The thing said it’s no good suffering in silence.

                (A beat.)

ANNE:  Yeah well—that’s true.

MARK:  But yeah, I’ll come back Tuesday.

ANNE:  Okay then.

MARK:  Okay.

                (He starts to leave.)

ANNE:  Hey Mark?

MARK:  Yeah?

ANNE:  You sure you’re alright?

MARK:  Yeah, I’ll be alright.

ANNE:  You sure?

MARK:  Yeah.

ANNE:  You sure you’re sure?

MARK:  I’m sure.

ANNE:  Okay.

MARK:  Thanks for opening the door, Anne.

ANNE:  Yeah well—anytime.

                (A beat.)

Almost.

                The End

Sunday, September 9, 2018

I Can Give You Anything But Rent

I can sit here on a Saturday night
And wait for you
To get home
So you can tell me
All about Greg
And how great Greg is
And how much fun you had with Greg
And I can give you
Precious hours
Of my dwindling life
On the peak hours
Of what is supposed to be
A youthful weekend

I can do that
And I can do more
And I can give you anything
But rent

Because the job search
Is mired in inadequacy
And insecurity

I’m not qualified
For anything
I want

And I don’t want
Anything
I’m qualified for

Which
If you think about
Sums up every aspect of my life

My brother won’t return my calls
About my nephew’s birthday party
Which is leading me to believe
That, you know, maybe I’m not, uh--

Uh

--Actually invited to the fucking birthday party

Probably because
I made it clear
That I can’t afford to give presents this year
But, you know, it doesn’t seem like that should be--

If you’re going to eat what’s in the fridge
Can you replace it
So I don’t starve to death?

Thanks

You have money
I don’t
But I buy all the food
And then you ask about rent
So, like, this is me saying
Can you replace the food, orrrr--

Don’t

But in that case
I’m not giving you rent
And
Honestly
I can’t give you rent anyway
So I guess, you know, enjoy the pasta salad
On the second row
But leave me the beer
Because if I can’t be drunk
I might as well be dead

I know the beer is yours
But I already had some
And I can’t afford to replace it
But I’ll drive a hammer
Into your skull later if you want
Because I know you’re depressed
And you’re sick of adjusting the meds
So if you just want me to end it all for you
I can do that

I’ve always thought that I didn’t have the courage for suicide
But homicide always seemed like an eventuality for me

I’ll let you talk about Greg
And how you’re going to get married
And how when you do
You’re going to buy a house
Which means you’ll move out
Which means I’ll have to move out
Because I can’t get another roommate
Because change terrifies me
So I’ll regress
I’ll move back in with my aunt
Because my mother can go fuck herself
And I’ll take that job at the doll marketing firm
Which, yes, is a fucking thing
And my cousin runs it
And he hates me
Because I don’t have a lazy fucking eye like he does
And I fucked him girlfriend once
And he’s never gotten over it
But
But
But

I can’t give you rent

Not this month
Not next month
Not the month after that

But you can’t kick me out
Because I need to be here
Because I am implanted here
I am present here

I am on this couch
And and and
Sometimes I’m in my bed
But that’s it

Even the shower depresses me
The kitchen sink depresses me
The depressing little mat in the hallway
In front of the neighbor’s door
That says ‘Have a great day’
Makes me want to slit my fucking throat

So…

You have to leave me here

You have to leave me here
And go out
And have fun
And do things
And then come home
And tell me
If you can handle rent
Because I can’t handle it

I can’t
And I can’t anymore
And I
And I
And I…

I can’t handle anything

Anymore

Rover Waits

Rover waits
And cars go by


Rover waits
And Rover waits


Rover sees the lid is up
Rover’s been good
Rover’s been very good


Rover gets treats
Rover gets a pet
He’s the pet
And he gets petted
He’s the noun and the verb
And he waits
The verb is wait


To wait
He waits
Rover waits


Rover scratches behind his ear
The sun becomes obscured
By a semi-sweet cloud
Of possible rain


Rover is thirsty
And the water bowl is full
But across the room
Is away from the window
And Rover wants to wait
So Rover waits


Rover wants to know the time
But Rover doesn’t understand time
How to tell it
Or what it is


Rover understands that there are moments
And moments pass
And if enough moments pass
Things begin to look different


The grey in the air
Becomes silver


Hair’s the same way
And the color of skin
And the tops of counters
Cloth and clothes
And grass


Rover waits for permission
To stop waiting


But the only thing moving
Is the fridge
Which inches forward
A bit every day


Rover used to bark about that
But Ken and Angie thought
He was upset about a squirrel
And begged him to calm down
So finally he just gave up
And made it his mission
To keep an ever-present eye
On the sneaky fridge


A squirrel?


Why would he be interested
In a squirrel?


Squirrels don’t bother him
Hunger doesn’t bother him
Thirst doesn’t bother him
Music in the den doesn’t bother him


Unless it’s opera
And it’s usually opera
But when it’s not opera
It doesn’t bother him


Rover waits for a call to pull up
Instead of go by


Rover waits for the turn of a key
Footsteps on the walk
Laughter in the driveway
The mail slot being checked


Rover waits
For something to happen
And nothing will
Until it does


Rover finds the moment
When nothing is happening
And tries to hold onto it
So that when something does happen
He can spin and spin
And bark
And yelp
And make the most of it


The most of the moment
That hasn’t arrived yet


He sees it
Like he can see the future
If he understood the future
Or the past
And not just
The moment


Rover waits
And chews on
The shoe he stole
From Angie’s closet


Something will happen soon
He knows it will


And when it does
He’ll be ready


The waiting
The waiting makes you ready


And the waiting
Is something

He understands