Saturday, January 31, 2009

How We Are Grieving

-- This really is the last part of the Forgiveness piece.  I knew it would all have to come back to the kids. ---

"How We Are Grieving"

I.  Denial

Go home, Mom
I don't have much to say
Just go home

Look at you

Sitting around in London
And you hate London
And I know you hate London
And you're here
Asking me to tell you what to do

Well, I'm telling you
Go home
Go home already
It's been so long

I'm not here, Mom
I'm not in London
Why would I be in London?
You never even took me to London

You took me to Italy
You took me to Milan
But not London
Because I didn't want to go there
And I still don't
But here I am
Because here you are

Sitting in a hotel room
Waiting for Dad to come back
From whatever bar he's in
Looking for you
Because you're a drunk

Oops

Was I not supposed to say that?
Is it upsetting to hear?
Try watching it
It's torture

Those earrings
Are they mine?
Are you wearing my earrings?

Get them off
You can't wear my earrings
They look ridiculous on you
And wasn't I wearing them
When I was in the crash?

How on earth did you get them?
God, that's so morbid
Don't you know how morbid that is?
Get them off, for godsakes

You're like a woman possessed
And I don't know by you
Certainly not by me

Mother, please
Do us both a favor
Get Dad
Go to Italy
Have the pizza with the olives
And then go home

You're looking for me
Everywhere but where you know I'll be
And I don't know what the point of that is
Are you afraid to find me?
I'm not planning on haunting you, Mother
I'm not Casper
I'm not going to do parlor tricks
Make napkins dance or anything

I'd just like you to go home
Because you're tired
Because you're more than tired
Because you're exhausted
And it shows

Stop whispering prayers
Into stone walls in Jerusalem, Mother
I'm not there

Stop throwing bottles into the sea
The Dead Sea
The Red Sea
The Mediterranean
I'm not in any of them

Stop asking if I can hear you
On mountaintops
On cliffs overlooking metropolises
On rooftops in Bombay

Of course I can hear you
But that doesn't mean I want to listen
Everybody's telling you
Talk to Olivia
She'll listen
She hears you
She misses you

Well, I'm sorry, Mother
But I don't
I don't miss you
I'm dead
I'm happy
With the exception
Of having to come back here
And clean up your grief

I'm sorry you miss me
I'm sorry we didn't have more time together
I'm sorry I didn't drive that night
Not that it would have made any difference

I'm sorry you thought I'd be waiting for you somewhere
If you just looked hard enough
I'm nowhere, not everywhere
No matter what the self-help bullshitters might say
I'm nowhere, Mother
And it's a lovely place

So go home
I won't be there
But Dad will be
And that's more important

It's important to be with the people
Who are still around
And not chase after those
Who aren't anywhere

I kept hoping that one day you wouldn't find me
And you'd realize what you had to do
But I can't wait for that anymore
So instead I'm just telling you

Go home
Go home
Go home

I love you
But go home

II.  Anger

I almost walked by you
Isn't that scary?
My own mother
And I almost passed you
And kept going

What happened to you?
I'm supposed to be the dead one
Not you, Mom

Can I ask you a question?
Can I ask more than one?
Can I, Mom?

How many plates will you have to break?
How many screaming matches will you need to have?
How many nasty words?
How many horrible threats?
How many hurtful things?

How many, Mom?

Don't think that my love is unconditional
Just because I'm not here to monitor you
You can still upset me
You can still annoy me
You can still disgust me

That's all still possible

When you hold onto that anger
You're not holding me
You're pushing me away

At this point
I would even use the word shoving

The truth is
You love being angry
More than you ever loved me

That intensity that drives you
That keeps you up at night
That seduces you into thinking
That you're doing okay
Has eclipsed any sort of feeling
That you had for me

I don't care if you forgive Paul
For crashing into me that night
I don't care if you forgive Dad
For forgiving Paul
I don't even care if you forgive yourself
For becoming someone
Your own son wouldn't even recognize

But I do care about pictures
I care about the ones on the mantel
The ones of you and me and Dad
Back when you were still someone
I was proud to call my mom

If you can't be that person again
Then take those pictures down
And bury them like you buried me

If you won't allow for the possibility
That things could be good again
That they could get better
That you could get past his
Then bury it all
Just bury it

But don't stare at my pictures
And call me your son
If you're not going to be the woman
Who raised that son
Who raised him to be kind
And loyal
And forgiving

If that's not possible
Then I might as well have been a dream
My whole life
Up to the moment
Of that crash
Might as well have been nothing at all

If you can convince yourself
That it's possible to be so hateful
And still hold onto me
Then anything should seem possible

Shouldn't it?

I love you, Mom
But I'm so mad at you
Right now
I don't want to be anywhere near you

III.   Bargaining

Bad news, Dad

It turns out
That the whole
Eye for an eye thing
Is complete bullshit

Oh
And there are homos up here
Lots of them
And interracial couples
And atheists
And even no aborted fetuses
Although it's possible
That I just haven't seen them yet

This is heaven
This is my heaven, Dad
Maybe it's not yours
But I'm having a great time

And the woman you killed is up here
The woman you never told me about
She's here
And she forgives you
But you know what?

I don't

Perhaps if you'd been a loving
Tender father
I'd be able to get past what you did
But the fact
That you got up on a pedestal
And stayed up there
My entire life
Is a little more
Than I can forgive
When you add it to vehicular homocide

Are you surprised
That it's possible
To be spiteful
In heaven?

I suppose wonders never cease

Stop trying to make deals with God
It's gone from devotion
To obsessive compulsion disorder

'If I touch this light switch three times
I'll be able to spend eternity with my daughter.'

It doesn't work that way

Would you like to hear
How it does work?

Hug your son
When he says he hates you

Tell your wife she's beautiful
When she gains four pounds

Thank God you had a daughter
For as long as you did

And thank Him again
That she has a very, very long time
To get past what a horrible father you were

Do those things
Do them often
And you'll even be able
To skip a few Sundays

Life is full of injustices
And they don't get made right
Just because you get to heaven
They're just one more thing to laugh at
That you never thought you'd laugh at

I love you, Dad
Because I can't help it

But even angels have memories
And mine are so heavy
I feel like they're going to pull me down
Down so far
I might fall right out of heaven

IV.  Depression

Your honor
I would like to testify
On behalf of my parents
Unfortunately I'm unable to do so
Because I am deceased

Still
I would like to suggest
That you allow my parents
To divorce
As soon as possible

They have stopped making each other happy
They have stopped having relations of any kind
They have stopped having a life together
And as someone who no longer lives
I can't tell you how much that pisses me off

I would like you to free them
From their legal binding
And assure you
That it will in no way
Prohibit them from being with me someday

God does not want any of us
To be miserable
Life, as they say, is short
And sometimes marriages must be as well

I want this divorce
So that my Dad
Can jump in his car
And drive as far as he wants to

I want him to get his cabin
On a lake somewhere
Surrounded by giant trees
And mountains

I want him to fish
I want him to chop wood
I want him to camp twice a year
With men he calls friends
Who understand him
And what he's lost

I want my mother
To move to the city
And marry a rich man
Who can show her the world

I want her to shop
I want her to get plastic surgery
Until she looks like she's always wanted to
Even though she's always been perfect

I want her to get her nails done
I want her to spend too much on jewelry
I want her to walk on a beach when she turns seventy
I want her to develop a lovely addiction to something
And have it keep her warm
After her husband leaves her
And she gets it all in the divorce
Because by that time
She'll know how to pick a good lawyer

Your Honor
I had wonderful parents
But without me to parent
There's not much left
That's wonderful

I ask you to free them
From their joint grief
And let them be people again
Rather than just my parents

Let them be the caretakers
Of their own lives
Rather than the gatekeepers
Of my unnecessary legacy

I love them, your Honor
And seeing them so depressed
Is more difficult
Than you can understand

They'll never be able to let me go
Unless they let each other go first

V.  Acceptance

Somewhere
There are four teenagers
Sitting on a bench
At a train station
Waiting for someone

They look across the tracks
At another bench
Where another young man is waiting
And they're not sure who he is

They don't speak to each other
But they stay close
And when the train finally arrives
They board separate cars

They came to do something
They all had a task
A process
That had to be undertaken
In order to handle their grief

Now they could return
From whence they came
Their baggage still held
Tightly in their hands

But perhaps a little lighter
Perhaps a bit more manageable

None of them went to see Paul
Because only Paul can see Paul
He doesn't need to see them anyway
He'll be with them soon

The misconception would be
That they don't miss anything
That they don't feel anything
That they are fine
That everything is fine

But the truth is more complicated
And why wouldn't it be?
Isn't it always?

They are grieving
But they are competent
They are forgiving
But they are angry
They are atoning
But they are stubborn
They are saddened
But they are grateful
They are gone
But they are glorious

But mostly
They are hopeful

And hope
Hope is complicated

The Manitoba Theater Critic of the Year

-- I think this one should actually go with "Terminal."  If only because the key moment is the same in both.  Nothing says business like the closing of a door. --

"The Manitoba Theater Critic of the Year"

Tonight is a special night
Here in Raleigh
Tonight we are here
To give an award
To a man who has touched us all
In one way or another

Tonight
Everyone whose anyone
In the Raleigh theater community
Is here tonight
To honor you
Over there at Table 6
Mr. Price

It is my understanding
That the Manitoba Theater Critic of the Year Award
Is rarely given to someone
Who lives outside of Manitoba
But in your case
They made an exception
Because your contributions
Not just to theater here in Raleigh
But to the theater community at large
Are undeniable

I'm just going to wait for that last waiter
To drop his salad plate off
And then we'll move on
To the presentation of the--

Okay
That's it
He's gone

Shelly
Lock the door
Do it now

LOCK IT!

Okay, Arnie
Here's the deal
You haven't won any award
The fact that you were stupid enough
To think there was such a thing
As The Manitoba Bullshit Yada Yada Award
Is, in and of itself, irrefutable proof
That whoever gave you a job
Reviewing theater
Should be fired immediately

If there was any such award
They certainly wouldn't give it to you
And they wouldn't let you accept it
OUTSIDE OF MANITOBA

Jesus Christ, Arnie
Has dementia set in
Or are you just arrogant enough
To think that after twenty years
Of putting every actor, director
And artist in Raleigh
Through the bowels of Hell
And back again
That you'd actually be worthy
Of an AWARD

A FUCKING AWARD!

Sit down!
It's not a coincidence
That we put the Barton Brothers
On either side of you
Right there at Table 6
You make a run for it
And they'll scarf you down
Like a bowl of chili
On a cold winter's day

You're not leaving this room
Until we get a promise out of you, Arnie
A solemn vow
That you will make here tonight
And that you will honor
Until you die, retire
Or the Devil comes to claim your soul
In exchange for the cushy job he gave you
Ripping out other people's souls
While you sat on your ass and ate caviar
At our fucking cast parties

Whichever comes first

We're all gathered here tonight
Not because we like each other
We can barely tolerate each other
The Shakespeare snobs at Table 8
Tried to poison Table 12 earlier tonight
We despise each other

But we all have one thing in common
And I'm not talking about just the ladies
Although when I said earlier
That you were a man who touched us all
I was referring mainly to them

We all share one burden
And that's you, Arnie
You and your twisted pen

For the past twenty years
You have made little bon mots
At the expense of people's lives
Their livelihoods
Their love of their careers
Their joy
The only thing some of them
Were ever good at

You took that away
So that you could have a flashy headline
A cute little remark
A nasty jab at someone
And for what?
For what, Arnie?

Stop trying to signal Bernard at Table 14!
He's not your friend, Arnie
He's put up with you all these years
Because you got his predecessor fired
When you compared his production of Salome
With being bitten by a large animal
And even with all Bernard's ass-kissing
You still let him have it
Every couple of years

Why?
So you could keep him on his toes?
Well guess what, buddy
He's the one who came up with this little plan
Although in his version
We were supposed to strip you naked
And leave you on a highway
We're not doing that anymore
But we're still considering it Plan B
If you're uncooperative

It would be one thing
If you were a good reviewer
But you're horrible
Your writing is horrible
Your word choices are pathetic
Your similes are metaphors
And your metaphors are onomatopoeia

You're a joke, Arnie
And tonight
You get to hear the punchline

No more bad reviews
From now on
Nothing but upbeat
Accentuate the positive
Put on a happy face
Reviews, Arnie

That's all you're going to write
Trust me
Nobody's going to miss the bad reviews
Nobody's going to miss bitchy Arnie
Everybody's had twenty years of him
And they'll be glad to see him go

You really don't have a choice, Arnie
You either agree to this
Or we don't let you leave this room
Remember Plan B?

Nobody will believe what happened here, Arnie
An entire community of people
Conspire to make a critic change his tune?

...Okay, maybe some people will believe it

But nobody will look for you
Trust me on that, Arnie
You're old
You're grumpy
You're right around the age
When people get paranoid anyway
So don't even try

It's time to get happy, Arnie
It's time to put on that happy face
Which reminds me
You're going to write a retraction
Of your review for Table 19's production
Of Bye Bye Birdie
It may have been a shitstorm
But you have to start somewhere

Nod to show me
That you understand
Ronnie!
Stop nodding his head for him
He has to go along with this semi-willingly

. . . . .

That's good, Arnie
That's really good

Okay
Let the waiters back in
It's time for the main course

And wouldn't you know
We've decided to supply you
With a little entertainment, Arnie

No award
But new perspective
And a song and dance
From us to you

Who could ask for anything more?

The Startled Woman (Pt. 2)

-- Read the first piece, then read this.  I think they work better together. --

"The Startled Woman (Pt. 2)"

He's outside
Standing right outside
Now please
Please
Shut the door
Lock him out
Please

PLEASE!

No, he doesn't hit me
He doesn't hit me
I won't say that
I'm not going to lie
But he's...
He's bad
Just bad
Please lock him out
Please, sir

Look at me
I'm still young, aren't I?
Aren't I, though?
I'm not that old a woman
I've seen older
Older than me
And they got kids
They got lots of kids
And not me
Not me
I don't

Why?
Why don't I?
Him!
That's why
That's why I don't
Because he put them in me
He put them in me
And then they're gone
They're just gone
Why?
Why are they all gone?
Why do they all go?
Tell me why
If you're so smart

He'd bad luck
That's why
The day I married him
My mother put a curse on him
She didn't like him
Because she didn't like his father
Because she loved his father
And he broke her heart
Now there's a curse
A curse I can't lift
Because she's dead now
And I'm stuck with that curse
With that bad luck
I'm stuck with it

I love him
I love that man outside
I love him so bad my insides hurt
And maybe that's why none of my babies
Can stay inside me for very long
But I can't do it
I can't have him keep putting them in
And then taking them out again
No crying
No nothing
So just keep him out
I love him
But keep him away from me

I'm just going to sleep here
Is that all right?
Can I just sleep here?
Please
Please protect me
Protect me because I love him
Because I'll go back out there to him
If he doesn't come in here for me first

Please
Just let me sleep
Lock the door
Or go out there
And tell him to go away

Hide me from him
Cover me up then leave me
Make me disappear
Please
Please, sir
I just...

I just want to disappear

25 Random Things About Mrs. Brugel

-- Why should real people get to have all the fun? --

25 Random Things About Me!

Eleanor Euphralia Brugel

1)  I can't start my day without Diane Sawyer on Good Morning, America.  What a cougar!  Oh, wait, she might be a tad too old to be a cougar--What a lemur!  A leopard!  A Peruvian coyote!

2)  When I was a child, I dreamed of hunting down immigrants and throwing them back over the fence into God Foresaken Land.

3)  My favorite board game when I was a child was Candyland.  My brothers used to dress me up like the Gay Candy Cane Man whenever we played, and I didn't realize until I was older that it was NOT traditionally done when playing.  Hahaha...oh the memories.

4)  I teach third graders, or as I like to say, I open young doors, shove knowledge through them, and then run away to bingo!

5)  When the newest season of "The L Word" comes out on DVD, I turn off my cell phone, close the curtains, and open a fresh box of wine.  That Monday back at school is always the worst of the year.

6)  I can speak Portuguese--Brazilian Portuguese though, not the regular kind.  Sidenote:  When you a meet a girl at Carnivale, never bring her home with you.  You're not really in love, you're just telling yourself that you are.

7)  Puppet shows are my passion.  I can make puppets out of just about anything--socks, paper bags, 100 calorie pack boxes, and/or poorly made dioramas.  Once, I took Skip Toddy's diorama of "The Plant That Ate My Socks" and did a puppet show called "Mrs. Brugel Always Knows When You're Half-Assing Your Diagram," but I bleeped myself on the a-word.

8)  I'm allergic to cats, dogs, guinea pigs, furry toys, salons, barbershops, and especially hairy men.

9)  Everyday for breakfast I eat two munchkins and a kernel of popcorn.

10)  I once told a child that Santa wasn't real because she told me she didn't like my earrings.  I call that an important lesson in candor, and how it can sting.

11)  My last birthday party took place in Cabo with my partner, and it was what some might call--a brouhaha.

12)  My lucky number is 2.5.  It's how many times a week I get lucky.  Hahaha...but seriously.

13)  The first production I ever directed was "Cooper the Pirate King."  That was back when I taught kindergarteners.  Some say the method is too intense to use on five-year-olds.  I say--it's never too early.  Although I do regret the pillaging of Mrs. Wheeler's first grade classroom, and the throat-slitting of her hamster.  The kids got a little carried away, I'm afraid.

14)  I broke my mother's vase because she wouldn't let me leave the house to go hang out at the mall.  Although, that was a week ago, and I'm over it now.

15)  My partner says if we can't move out of my mother's house soon, she's going to leave me.  In those moments, I imagine that her head is just a talking jar of peanut butter, because who can't laugh at that?

16)  I've starred in dozens of community theater productions, some of them in actual theaters.

17)  I recently directed a production of South Pacific that was my finest achievement, or it would have been if they hadn't shut us down when somebody who no longer has use of their right arm forgot to acquire the rights in a timely manner.  Ohhhhhh well...

18)  To me, nothing says love like footrubs.

19)  I believe in teaching sex education, see my entry regarding my love of puppets.

20)  I find Hannity strangely erotic.  O'Reilly?  Not so much.  Maddow?  I'd need another box of wine and an extra sick day when Monday rolls around--hahaha--don't tell my partner that.

21)  I once had a camel spit on me.  I've repressed everything else about that memory.

22)  I've been Stevie Knicks on Halloween seventeen times!  That's got to be a record, right?  STAND BACK!  Hahaha!

23)  A dramatic role I've always wanted to tackle is Emily in Our Town.  Some say I'm too old to do it now, but I say you're never too old to grab your dream and suffocate it with talent!

24)  I recently found out that Pick Your Nose day doesn't actually exist.  Never take the word of a third grader who hates you regarding holidays.

25)  My favorite word is bum.  Like when you're writing about how a drum sounds and you write "Bum BUM Bummmmmmmmm."  It's so open to interpretation, just like art.  Don't you think?

Friday, January 30, 2009

Terminal

-- Let's turn the deathbed good-bye on its head, shall we? --

"Terminal"

Grandpa
Everyone's here
They've come to say good-bye

Aunt Anne is here
Uncle Stan is here
Cousin Beth flew in
From Hawaii

We're all, Grandpa
Mom just went downstairs
To get everybody some coffee
And gather her thoughts

So...

Anne, close the door

CLOSE IT, ANNE!
WE TALKED ABOUT THIS

All right, Grandpa
Here's the deal
We think you can pull through this
All of us have talked
And we are convinced
That you do not have to die today

Aunt Anne has seen you
Eat three steaks
In the span of one hour
Plus creamed corn

Granted
That may have been what you got you here
But nevertheless
That takes guts

Uncle Stan watched you wrestle a hog
When it broke out of its pen
On Great-Grandpa's farm
He says you wrestled it
And brought it down
In under a minute

He also says you spanked it a few times
As if taunting it
But that really doesn't lend itself
To any sort of point

Cousin Beth says she had to move to Hawaii
Because when you found out
That she was going to marry someone
Who wasn't Catholic
You raised your rocking chair above your head
And threw it through a window

She was so terrified of you
She left the continental U.S., Grandpa
That's what she knows of your strength

And now here you are
And you're dying
You're terminal
That's what the doctors say

But we know better
I remember when I was little
You used to lift up cars
Just to show off
And I've forgiven you
For dropping that Buick
On my pet turtle

Truth be told
We're all ready to let you go
We think you've led a long life
A good one?
Well, who's to say?
But Mom isn't ready yet
She's devastated
She
For some unknown reason
Is quite fond of you

Aunt Anne thinks
It's because you never shot at Mom's prom date
But I'm sure you did something horrible to her
And she's just suppressed it

Point being
Grandpa
You're not allowed to die
You can't

You don't have to
And we know this
Because you've never
Done anything
You didn't want to do

We think you're just mad
Because you can't threaten us
Or punch holes in walls
Or bend steel anymore
Well too bad
You're old now
You're feeble
You can't hurt us
And come to think of it
We want to be able to enjoy that

And Mom needs you
And we love her
So you're going to pull through this
Because if you don't

No funeral

That's right
You heard me
No funeral
No gravestone
No wake
Nothing fancy

We're fire up the furnace
And dump your ashes
In the nearest body of water
Puddles included

We know how much you want a legacy
So we thought we'd use that as initiative
To get you up and running again

So think it over
Survive
Or you might find yourself
Living out eternity
In a goldfish bowl
In some homeless person's shopping cart

It's really up to you

Oh
Here comes Mom
Do us all one more favor
Tell her you saw the light
And tell her God
Wants her to stop wearing beige

Love you, Grandpa

I Guess I Am That Type of Girl

-- This is Jen's title suggestion. --

" I Guess I Am That Type of Girl"

I guess I am
I guess I am that type of girl
I guess I like clothing
That shows too much
And the touch of a man
Before the eighth date
Cause it might be too late
By then he might be on
To other girls who don't make him wait
And maybe I wasn't looking
For a soul mate or a husband
Perhaps he came home with me
Because his pedigree was satisfactory to me

Really
Who can say?

I guess I am the constant shopper
A name dropper when I need to prove my point
I guess I can be quite the snob
And rob you of your feeling of belonging
When you're sneering at me from across the room
Trying to groom yourself
To not look like a hooker who strolled into this bar
Did you valet your car
At the bike rack outside?

I'm not one to put down
But this town is for women
Not girls from Fitzsimmons who took the train in
So they could start training themselves
To marry-rich-and-ditch the up-and-coming trial lawyers
Who frequent the foyers at parties I throw
So maybe I am one to put down
If you try climbing up
Without thanking the hand
That landed you on the ladder
In the first place
I guess I am

I guess I am that type of bitch
Who hitches herself to her best option
Adopting the whispering gossip
As my background music
I guess I am the town slut
Shutting down opinions
By confirming what they thought they knew

Yes, I did
Yes, I liked it
Yes, I'd do it again

But make no mistake, sweetie
This is my playground
I get to swing
For much longer than you do
Because I brought the swings
And the jungle gym too

I made the boys men
So I can play with them
Until they're tired
Then send them to your house
After they've perspired
So they can nap next to you
And you can call it 'cuddling'
Quite befuddling to me
How you can parade around
Second-hand boyfriends
Passing them off as lost gems

Sweetie, I was the one who lost them
And I hoped they wouldn't be found
Wait till their open their mouths
You'll put them down too
Or maybe you won't
Because who would you do better with?

I didn't think I was the type
To say all these nasty things to you
I didn't think I was infantile
Meanwhile I heard you saying
That I was a dressed up whore
Then hearing anymore
Seemed difficult

You say I make the rules
Then break the rules
And make everyone else play the same
I was game for challenging you on that
But then it hit me
You were right

That doesn't mean you're not being shunned
The sun will explode before you're invited
To anything worth going to
Here or nearby here
Every door has shut to you now, sweetie
So be on your way
Before the town slut has more to say

I didn't think it would be this easy
To exile someone
And watch them go poorly
Begging forgiveness
I thought I'd give in
I thought I was good-natured
Filled with compassion
And unending mercy

But alas, sweetie
I guess I'm not that type of girl

The Startled Woman

-- I saw the painting 'The Started Woman' and thought the title was too good to pass up. --

"The Startled Woman"

Back
Back, I say
Get back
I can hold you back
With sheer force of will
I can keep you at bay
If I don't take my eyes off you

Get back
Get back now
Go somewhere else
Where luck has lived
These past many years
Where nobody's wept
And nobody's died
And nothing's been broken

Go visit a house
With a multitude of children
Down by a waterfall
Perhaps
Or a bubbling stream
Where life is always present
And joy is bountiful

Haunt me not
Have I not been
Dragged over sorrow
So many times
The cuts on my body
Are shaped like soldier's tears?

I came here today
To kneel at the foot of Dionysus
So that his happiness
Would fall into me
Whether by his own will
Or the shifting fate
Of a woman
Who has clenched her fists
Around her own destiny
Determined that it will change

And it will change

I am here to beg
Like a common fool
On my knees
I am here
And I can see you
I can see you death
Waiting for me
Waiting to take another
From my miserable life
Where I have so little left
What more do you require?

My sight?
My hands?
My sanity?

Back
Back
Back

Dionysus
I beg you
Keep him at bay
Keep that dark sorcerer
That lingers in shadows
Locked in that dark embrace

Keep him away from me
Your dedicated minion
I know I have chided you in the past
Worshiped other gods
That I thought would do me better
Gods of productivity and chastity
Gods of harvest and fertility
But now
But now I see
The value of your gift
The destitution of a life
Lived like mine

Where the harvest comes in
But you can't taste the fruit
Where you have children
That leave you
And never return
Where you produce sterile things
And where chastity has you shunned
By those who you've judged
And don't you know
You end up judging them all
Making you the loneliest jury

Help me
Help a startled woman
Help me keep the blurred edges
From seeping into the center of my vision
And let me go back home
Without having that hatred follow me
Let me have sanctity
In my final years

Oh, he's there
I see him
I see lurking
Ready to strike

Please
Please let me stay here
Let down my hair
And close my eyes
Knowing you'll protect me
When he turns himself into wind
And blows on my old back
Making it hard and cold

I'll let you warm me
And when he tries
To take more from me
I will let you stand in his way
And hope that you forgive me
A poor old woman
And let me rest
Here in your arms

Wednesday, January 28, 2009

The First Time I Wore A Dress

-- Sorry Todd, but I'm going in a different direction with your title.  Hope you like it. --

"The First Time I Wore a Dress"

The first time I wore a dress
I was at my father's funeral
I was seven
Magpie was nine
Lee was ten
Daisy was eleven
And Hubert was twelve

There is a year
Between me
And the rest of my siblings
I like to believe
That those measly twelve months
Are what make my two brothers and two sisters
Feel like strangers to me

When I was seven
I hated wearing dresses
But when Daddy died
I understood that it was necessary
So I put it on
And hated every minute of it

I had never seen much of my father
So I can't say I was all that broken up
When he finally passed away
From a long and torturous bout
With some sickness that--
To this day
--Nobody will tell me the name of

When I was a kid
I imagined that he died
Of a disease where your arms fall off
Then your legs fall off
Until you're just a head
Talking to your wife
Telling her what you'd like to wear
At your funeral

My mother put me in that first dress
And read me the riot act
On how to behave
Since I was the wildest
Everyone just called me Wildcat
In case you haven't figured it out already
We are a family
That believes in nicknames

My mother told me to be still
All she would say is 'Be still'
That was her best advice
To a child
Watching her father's funeral
Be still
She was and is a woman of few words

She didn't even sit next to me
She sat in between Daddy's two sisters
While her five children sat next to Josie
Our housekeeper and nanny
When nannying was called for
And Magpie said 'Pray for Papa'
And Lee said 'Momma looks so pretty'
And Daisy said 'Stop picking your nose'
And Hubert just sat and stared
Not saying a word

The first time I wore that dress
I remember it itched so bad
I would have gladly torn it off
In the middle of the church
And gone storming down the aisle
In my purple underwear
God knows where I got purple underwear
It might have been Lee's even
Away from the rousing sermon
And the crying eyes
And the four siblings who hated me

. . . . .

The first time I wore a dress
After Daddy's funeral
Was to the prom
Where Lee was my unfortunate date
I hadn't wanted to go to prom
And I had hoped that Momma wouldn't find out
But she did
She always did
And she dragged out one of her old dresses
From the certified back wall
Of her endless closet

She stuck it me like she was handcuffing me
While Magpie and Daisy watched
Laughing the whole time
Because the damn thing didn't fit me
And it propped my already too-large boobs up so much
That they looked like they were going to swallow my head
And the bottom was frilly and ridiculous
But mostly I just didn't want to go to that stupid prom
Lee taking me was just another indignity
But it wasn't an especially awful one
As indignities go

We got halfway to the school
Lee in a tuxedo that he bought
On one of his many weekends in the city
With who-knows-how-much saved up allowance money
And he did look quite dapper
I have to say

At the halfway mark
Right where the road forks
Just like the poem says it does
Lee stopped the car
And looked at me with a serious gaze
So I'd know he wasn't being himself
But someone he needed to be

'You want to skip this thing?'
'Jesus, Lee--'
'I'm just asking.'
'Haven't I been screaming that I have all night?'
'But then we'd have to go somewhere else.'
'Where would we go?'

But I already knew where

The club was busy, real busy
And I suppose that's natural on a Friday night
But there I was in that awful dress
With my brother who looked like Fred Astaire
And everyone else was dressed like it was ninety degrees out
All short dress and t-shirts
Made me feel like the country bumpkin I was
In front of city people I'd never met
But Lee looked downright thrilled

'You want a drink?'
'I can drink?'
'You got a mouth, don't you?'
'Make it a good one.  My senior prom isn't until next year.  I might have to make it last.'

I sat at the bar
Trying to look casual
And failing miserably
Since that dress had a way
Of propping you up
To look like a lady with posture
And it was never designed
To be sat in on a barstool

I was wondering
How I was going to explain to Momma
Why her dressed like smoke
Since the air was filled with it
So much so that my eyes were too watery
To tell at first
Whether or not the person Lee brought back
Was a real big girl or a--

'Wildcat, this is Mason.'
'How do you do, Mason.'
'Hey, you're pretty.'
'Shouldn't I be?'
'Your brother always says you're a runt.'
'Oh well, he's right.  I'm the runt of the family.  It just happened to be a hell of a litter.'

Mason slammed his hand down on the bar
And let out a laugh that could have been a belch
If he'd have worked at it a little bit
He was a handsome man
And I noticed that Lee kept looking at him
With admiring eyes
But once he handed me my drink
Which might or might not have been turpentine
I didn't notice much else for the rest of the night

When we got home that night
Lee and I crawled into bed together
Both smelling up my sheets
With dirty city smells
And both laughing to each other
About how bad we were at swing dancing
And conferring on the answers we were going to give Momma
Once the morning rolled around
Which at that point was probably less than half an hour

I fell asleep next to my brother
And I remember thinking he was something
A real something
Not just a stuck-up Momma's boy
Like I had always thought

Maybe Lee's got some gumption, I thought
That was a word Hannah always used
And it always made me laugh

I watched my brother fall asleep
And I knew I had someone else in this family
Who wanted something more out of life
Than a pretty dance in a school gym
Before they handed over their life
To mediocrity

. . . . .

The first time I wore a dress
After the prom escapade
Was at Magpie's wedding
My last year of school

Leave it to Magpie, I thought
Here I was
Going to be the first in the family
To actually get a college diploma
And she scheduled her wedding
For the weekend of my graduation

I was ordered by Momma to come
She couldn't have cared less
That I was an academic
Getting myself on the right track in life
She was probably relieved
That she didn't have to suffer
Seeing one of her children
Actually accept a degree in medicine

'So you'll be a nurse?'
'No Momma, I'll be a doctor.'
'What's wrong with being a nurse?'
'Nothing, except I want to be a doctor.'
'You always have to take the rougher road, don't you?'
'I don't have to, Momma, but there's usually less traffic on it.'

To her, I was insufferable
But I couldn't honestly expect
That a celebration of my achievement
Could outdo the glorious wedded union
Of my sister and Tate Ponteran

So I showed up
Ready to be a bridesmaid
But not Maid of Honor
Thank God
Because Daisy would have that job
As Eldest Sister

Daisy was already two kids in
And she kept one on each hip
The entire weekend of the wedding
They were twins
One was named Cassie
And the other was named just Cass
Because my sister is an idiot
Who actually thinks
There's a difference between those two names

Either way
I couldn't tell the girls apart
But I'll admit that they were darling
And I did like being called Auntie Cat

Lee flew in from Chicago for the wedding
He and I crept up to my old bedroom
Smoked pot and told stories
About him being a musician
And not talking to Mason anymore
Because he up and got married
And that was fine by Lee
Because now he was friends with a new man named John
And they played in a band together
The band's name is Hat Trick
And I thought that was just terrific

(Well, I didn't really think that
But I couldn't break his heart now
Could I?)

Momma yelled for us to come downstairs
Daisy was explaining to Hubert
How he was going to give Magpie away
And for some reason we all had to listen
Who knows why?
In case Hubert tripped or something
Daisy maybe wanted to set up a plan
For somebody to catch Magpie
And keep right on walking with her

Magpie stayed quiet this whole time
And I just knew she wasn't happy
But I didn't think much of it
Since nobody was expected to be happy
Once they were married
And one more sister in a loveless marriage
Wasn't any surprise to me

The day of the wedding
I got in my awful bridesmaid's dress
And I walked up to Magpie's room
To see if she needed help with anything
Since Daisy was busy downstairs
Yelling at the caterers
For being three minutes late
And I thought maybe Magpie
Needed something pinned
Or whatever brides need

I opened up her bedroom door
And found her halfway out in the window
All dressed up nice in her wedding dress
I was going to whoop
I really was
Because it was a sight
But she hopped back in the room
And covered my mouth with her hand
With the other she shut the door behind me

'You can't tell.'
'What are you doing?'
'Tate and I are running away.'
'Why?  If you're going to run away with someone, don't do it with the person you were supposed to marry anyway!'
'We don't want a big wedding, but Momma wouldn't listen.'
'Has she ever?'
'Neither did Daisy or anybody else.  And we don't want to live here and Tate's father is going to make him and Momma will side with him, and we just...we just...'

She sat down on her bed
And burst right into tears
I waited for her to calm down a bit
Then I said--

'Well, what are you waiting for?  The window's still open.'

Magpie smiled up at me
And then jumped up
And gave me a big hug
First hug I ever got from her

'Promise you won't tell?'
'I'll say you knocked me out with a blunt object.'
'I can too, if I need to.'

I laughed at that
Who knew Magpie could make a joke?
Maybe she wasn't such a prude after all
In that moment
I wished I had actually tried to get to know her
Or at least opened the window for her

'Pray for me, will you?'
'I don't pray.  But I'll throw a bottle in the sea for you.'
'What are you going to put in that bottle, Wildcat?'
'A plea to the gods that Momma doesn't find you until after she's lost the use of her hands.'
'Why are you going to ask for that?'
'Because if she can still use them when she finds you, she's going to strangle you, Magpie.'
'Amen to that.'

I wasn't sure you could
'Amen to that'
But I didn't say anything
I just helped her out the window
And then walked back downstairs

Daisy was ironing Hubert's shirt
When I made the announcement
That Magpie had taken off
And had taken Tate with her
But that she looked just lovely
In her dress

It took smelling salts
To bring Daisy back to consciousness
And as for Momma
She was convinced I'd had something to do with it

'Momma,' I said, 'If I could take credit for this, believe me, I would.'

And with that
I packed up my suitcase
And headed for my graduation
Fully planning
On returning the teapot
I'd bought for Magpie's wedding present
And glad I'd kept the receipt

. . . . .

The first time I wore a dress
After Magpie's wedding that wasn't
Was at Daisy's anniversary party
Thrown by the grand dame herself

I don't think Daisy ever quite got over
Magpie backing out of her wedding
And since Lee, Hubert, and I
Were all confirmed spinsters
She was forced to throw herself
Another wedding
To hold her over
Until one of the twins tied the knot

The anniversary dinner was being held
At the nicest restaurant in town
Which meant it was a step above
Your average Olive Garden

Still, Daisy insisted on me
Wearing a dress
Granted, one of my choosing
But since I never did learn to shop
I didn't know that what I had picked
Made me look like a pastry chef
Until I saw the looks on Daisy and Momma's faces

'Something wrong, Daisy?'
'You look like a prison matron.'
'Good to know I have options in case being a heart surgeon doesn't work out.'
'Why did I give birth to such foolishness?'
'Hello to you, too, Momma.'

Lee brought some woman to the restaurant
I wanted to ask who she was
But he beat me to the punch
By jotting down something on a napkin
And handing it to me

'John's sister.  Daisy forbid me to bring John.'

I wrote back--

'I would have brought him.'

He giggled
Daisy shot us a look
He jotted down on last thing
When she wasn't looking

'Be good.  She's only asking for tonight.'

Still a tall order
In my opinion
Up to that point
I couldn't remember a single night
That Daisy had given me
One that was purely my own
And I doubt my wedding
That mysterious even that I knew would never happen
I don't think Daisy would have let that be mine either

After the meal was over
I gave Momma a polite peck on the cheek
Hubert got the usual light hug
And Lee and John's sister
A lovely woman who I wish Lee could marry
So that we'd have at least one sane woman in the family
The two of them got warm hugs
And promises to get together again soon

As I was walking back to my car
I saw Daisy sitting in hers
All alone in the parking lot
I walked over and tapped on her window
It only took a second to realize she'd been crying

'What's wrong?'
'Get in.'

I hopped into the passenger seat
Not asking where her husband was
She drove us to a nearby diner
Got out of the car without saying a word
And walked in

I followed her into the place
We sat down in a booth
And a waitress came over
Recognizing Daisy by name
And introducing herself to me as Tanya

Tanya already knew Daisy's order
A loaded sundae--and I mean loaded
Surprising since Daisy is fervent
About watching her calories
And considering we'd just eaten
Granted all she'd had was a piece of lettuce
With some parsley sprinkled on top

I asked Tanya for onion rings
And the biggest burger they had
She smiled and asked if I wanted a beer with that
I liked her instantly

Daisy waited until the food came
Then she started talking

'He's seeing a woman.'
'Only seeing?'
'Not funny.'
'Sorry.'

She reached over and grabbed one of my onion rings
I wasn't entirely sure that she wasn't just a robot
Who had taken over my sister's identity
But then she started crying again
And I reached over and touched her hand

'Kick him out.'
'And then what?  The girls--'
'You want to teach them to stay with a man who cheats?'
'All men cheat.'
'Daisy--'
'It's true.  They all do.  They all cheat.'
'And puppies piss on the rug.  That's why you tap their nose with a newspaper.  In your case, I'd suggest a cleaver and something harder than a tap.'
'You're so crass.'
'And you're Momma.'

That made her cry again
Tanya came over
With an onion ring refill
And another beer

'Tanya, if a man cheated on you--'
'Dick off with a cleaver.'
'See what I'm saying?'

Daisy drove me back to the parking lot
We sat in the car for a few minutes
Then she unlocked my door
And looked at me
With a hard look
That she usually saves for the twins
When she catches them enjoying themselves

'You've done well for yourself, Cat
And I'm proud of you.
Well, not proud.
Envious.
But I guess that's no secret.

You knew you had to get out of here
The minute Momma popped  you out
And the rest of us...
We got the message a little late.
But not all of us are Magpie.
Not all of us can just take off
When things get rough.
Some of us stick with what we were handed.
And hope that we'll be rewarded for it
And some greater way.

They say God helps those who helps themselves
But I don't believe you help anybody by running
I got two girls who love and depend on me
And I got a good-for-nothing husband
Who in two more years
Is going to be worth much more than he's worth now
And if I were to get rid of him now
The wife after me would get half of that
Or none of it
Depending on whether she was stupid enough
To sign the pre-nup I never had to.

Now give me a hug
And go change out of that dress.
I know it's making you crazy.'

I thought certain things about people
I thought housewives were people
Who were too stupid or not ambitious enough
To join the general workforce

I thought women who stayed with cheating husbands
Were hoping that their spouses would change
Or that the problem would just go away
And I looked down on them for it

I thought my sister was one of those women
I thought she was everything about women
That I couldn't stand
That I abhorred
And apparently I was wrong

What do you know?

. . . . .

The first time I wore a dress
After the night at the diner
Was for Hubert's birthday party
The big five-oh

Magpie had shown up
After a prolonged absence
With a grown-up son
And a very happy marriage
To someone who was not Tate

Lee came with John
Much to Daisy's dismay
Much more so to Momma's
Until Lee revealed that John's family
Is much, much richer than ours
Money cures all social woes

Apparently Hat Trick hadn't worked out
But John's family's stocks did
And now he and Lee were living the good life
John's sister sent her best wishes

Daisy was also doing well for herself
Her husband had made much more money
Than even she had anticipated
And it had allowed her to leave earlier as well
Momma now had two divorced daughters
And one who was a matrimonial atheist
For those reasons
We weren't allowing her near any sharp knives

Celebrating Hubert's birth
Was a bit like an afterthought
Since Hubert was always the quietest
Pretty much an afterthought to every family event
And family squabble as far back as I could remember

We brought out the cake
Candles all lit
And sang the birthday song
Clapping our hands when it was done

Then Hubert stood

'I'd like to say something'

We all sat down
More out of shock
Than anything else
I honestly couldn't remember
The last time I heard Hubert form a sentence

I remember the dress I was wearing
A high-end number
Given to me by an Austrian businessman
Who had hoped he could bed me
After I operated on his daughter
He wasn't so lucky
But I kept the dress

'Thank you all for coming tonight.
I know you have busy lives.
Families.
People you love.
And who love you.

I'm not a man of many words
As you all know.
But I just wanted to let you know...
That I'm...
I'm...'

He started to shake
And Momma rushed over to him
Daisy was right behind her
Lee and I just looked at each other
Magpie put her hand over her eyes
Probably wishing she had stayed away

Momma took Hubert up to bed
Then came back down
And let us in on the family secret
That she'd been keeping
For the past year

'He's sick.
Very sick.
He's glad you all came back.
Because he might not be here
For another birthday.
So thank you.
But I'm very tired.
And he's already sleeping.
So everybody should drive safe
And go home.'

Ever the hostess
She went to get our coats
We all sat in stunned silence
Except Daisy
Who probably already knew
Not because Momma told her
But because she's right below Hubert on the totem pole
And could probably sense
That the time had come
For her to rise up to the top

I went upstairs
And walked into Hubert's room
He was laying in bed
But I knew he wasn't sleeping
I figured I had a few minutes
Before Momma came hunting for me

'Were you trying to sneak in here, Wildcat?'
'I don't sneak in anywhere.'
'You sure don't.  Not with those heavy feet.'
'I suppose not.'
'What'd you come in here for?  A fancy speech?'
'No, I'm not much for speeches.'
'Good, because I don't have one.'
'Good.'
'Good.'

I sat next to my big brother's bed
We didn't speak
We just sat
I sat there in that dress
And stared at my brother
Until I knew he was asleep
And then
And only then
Did I let myself entertain the possibility
That I might never see him this peaceful again

. . . . .

The first time I wore a dress
After Hubert's somber birthday party
Was at my mother's funeral
A few years later

It was very different from my father's funeral
Not as many strangers
Just family
And friends of family

My dress was still uncomfortable
And my siblings teased me about it
How I squirmed and scratched
I allowed it
Because I knew we all needed something
To laugh about

Before she died
My mother and I still weren't very close
But I used to go to her in the hospital
And read to her from the tabloids
Somewhere in there
We developed a simple but satisfactory friendship
That made me very happy

I sat with my siblings
While our respective loved ones
Sat behind and around us
Waiting
To see if we'd need them

Lee held my hand
While John and his sister looked on
We whispered jokes to each other
Because we knew it would have driven Momma crazy
And it just wouldn't be a day with her
Without driving her a little crazy

Magpie had her arm around my shoulder
Her husband and son were there
We would all be attending her son's wedding
A few months later
Where Daisy had ordered all windows
Nailed shut

Daisy was shooting me looks
But I knew that was only because
She considered herself my mother now
And that was just fine with me
Her new husband was there
And both her girls look fantastic
One of them was studying medicine
But I honestly can't remember which
Still it thrilled me to no end

Hubert had beat the odds
He was still with us
And doing quite well
He had started seeing a very nice woman
And she was there in support of him
Daisy had offered to let him move in with her
When he called to tell me that
We both laughed for almost ten minutes

I sat there in my dress
Knowing it would be the last time I wore one
I'd wear a pantsuit to my nephew's wedding
And that would be fine

Right now
I'm just Crazy Auntie Wildcat
And I love that title more than you can know

I don't mind wearing dresses anymore
But my brothers and sisters don't care if I do
They're happy to have me there
In whatever I happen to be wearing
As long as I'm happy
And comfortable
And with them

I think of that while I'm slipping out of my dress that night
And into a nice, hot bath
Sipping wine
And thinking of Momma

'Why did I give birth to such foolishness?'

Cheers

The Bottom Two Drawers Are Yours

-- Christin's title suggestion --

"The Bottom Two Drawers Are Yours"

The bottom two
Those are yours
And the cupboard
Above the oven
In the kitchen
That's yours too

Use the blue towels
The green ones are mine
The garlic salt is mine
But you can use it
When you make sauce
If you want to

Your movies are in the living room
Mine are in the bookcase
Luckily, we don't own books
So there was plenty of room

This is the arrangement
These are the terms
This is how things are now
Do you understand that?

Don't look at me like that
I'm not the bad guy here
I'm not the one who makes this necessary
Do you think I don't get
How absolutely ridiculous this is?
I'm aware
But this is what has to happen
So it's happening
And we need to deal with it

The bottom two
Those are yours
Blue towels
Garlic powder
These are the conditions
Do you understand?

The kids won't notice
That's the wonderful thing about children
They're oblivious
And I don't care what the shrinks say
Kids think everything is fine
Because they want to
Because they need to
They're a lot like wives in that way

As long as we put on a good show
They'll keep being happy
It's only for a few years
Five with Tad
Seven with Lulu
Then we're done
Then you can move out
Then I can have my drawers back

I've worked out a situation with the bed
A sleeping arrangement
You might say
Short of getting us bunk beds
It was the best I could come up with

Twin mattresses
Put together
Side by side

We can't sleep in separate rooms
Because we don't have that many rooms
Plus the kids would notice that
So we'll just sleep side by side
And I'll try not to roll over in the night
Strangle you with my bare hands
And then fall back to sleep

Okay?

Don't tell me what this is
Don't tell me what this should be
Don't tell me about marriage
And what we promised
We're past that now

The only people I keep promises to now
Are my two children
And once my promise to them
Has been fulfilled
I'm out of here
So don't think you're getting any bonus time
For good behavior

We will not be having sex
If you want to have sex
Go have it with someone else
I don't want to know about it
But I don't particularly care if it happens

Me?
Oh Ray
Honey, I'm a woman
I can go years without sex
I'm like a camel when I want to be

Men are the ones
Who have to have their tank refilled
Every week
Or break down on the side of the road

From now on
You're self-sufficient
I'm cooking enough
For me and the kids
You eat whatever you can scrounge up
I don't care if you live off Spam and peanut butter
For the next seven years

From now on
You're making your side of the bed
You're washing your own clothes
You're ironing your own shirts
It's all on you from now

I'm sure the kids won't pick up on it
I'll just tell them Daddy is trying to learn
How to be a real human being
With responsibilities and chores
Rather than the third child
Mommy never wanted

Me?

Oh, I'll find something to do
Maybe I'll get around to watching
All those movies on the bookcase
Maybe I'll shop for myself again
Maybe I'll stop driving by that woman's house
And not drive my car into it

Maybe
Maybe not

Really
Who can say?

Yes, I know where she lives
Yes, I've driven by it
Not such a nice neighborhood, is it?
You must have been so terrified
Leaving your new car
Yet another symbol of your mid-life bullshit crisis
Parked outside
So vulnerable

Let me be clear about one thing
You're staying here
I don't want you here
But you're staying
Because my children

. . . . .

Because our children
Need you here
So you're staying
And if I find out
That you've parked your car
In that shitty neighborhood again
I'll take the kids
And the garlic powder
And the whole damn dresser
And you'll never see any of us again

Do you understand?

The what?
Divorce?
Oh
Forget that
That's a long way off

You don't have to worry about that, Ray
That's not your concern just yet
Your only concern
Are those two drawers
As long as anything and everything that is you
Stays in the bottom two drawers

We'll get along just fine

Monday, January 26, 2009

No, I Can't Introduce You to Connery

-- At Bob's request, this is the first monologue I've written as part of my "Give Me a Title" challenge.  Let's see how it goes. --

"No, I Can't Introduce You to Connery"

Yes
Take the canape
Eat it slowly
Look around the room
Be awed
But don't show it

No
We can't stay long
The woman over there
She hates your dress
Because she owns it
And now she can't wear it
So she hates you
So we have to leave
Sooner rather than later
Which is fine

Don't
Spit
Out
The
Canape

I know it's disgusting
But you need to swallow it
Swallow it and smile
Pretend you love it
Of course you hate it
We all do
Everybody hates it
But we're all swallowing
And you can too
Just gulp
Don't savor
There's no savoring that shit
Just swallow

No, I can't introduce you to Connery

Because he's not here
That's Mark Tanker
Head of Digimont
He's producing 'Sugar'
Superhero movie
Based on a graphic novel
That a bunch of eternally pubescent
Too-good-to-call-it-a-comic book
Never-getting-laid geeks just adore

It'll open at number one
It'll stay there for two weeks
It'll kill in foreign markets
It will make a star
Out of whoever sucks off Mr. Tanker tonight
And gets that role

That's going to be you
You're going to be Sugar, Jan
Nice and sweet
You get it?

Don't walk away
Let me talk
This isn't a casting couch situation
I'm not pimping you out
This isn't Fame
And you aren't Coco
So don't worry
No lollipops
Just good old dicks
You can handle that
Can't you?

You think Charlize Theron never did it?
You think Jessica Lange never did it?
You think Kim Novak never did it?
They all did it
And you're going to do it
Hell, I'd do it
If that asshole would let me

Do you know what it took
To get you into this party?
Do you know
That the only reason you're here
Is because my brother
Happens to play in a band
That Mark Tanker's grandson
Happens to like

Do you know the odds of that?
Do you understand how lucky we are?
Do you think I'm going to stay with you
Any longer than tonight
If you turn down this opportunity?

This is it, Jan
This is our Indecent Proposal
Never mind
I see getting Netflix
Was a complete waste

I need you to do this, sugar
See how good that sounds?
My sugar
So nice and sweet

Eat the fucking canape
I don't care
Have more
Everyone else is having more
You have more
And you work your way over there
You talk to Mr. Tanker
Imagine he's Connery if it helps
Mrs. Tanker's already upstairs
Passed out or fucking her own age
Which means significantly younger than her husband

You go over there
And you charm that old bastard
You make him think he's Hugh Fucking Hefner
And you're a kitten waiting for him in the grotto
Or I'm sending you back to Seattle
And you can rot there
And do bad poetry
And your fucking bad coffeeshop
Guitar bullshit
Every Tuesday with the patchouli fucks

I'll find another girl
Right here at this party
With the drive I got
With the ambition I'm sporting
With the will to make something of herself
And do the time-honored tradition
Of screwing the Important
Rather than just the Available

Go get that role, Jan
Or get lost

. . . . .

Hey
Wait a minute
Before you go
Swallow
Swallow the canape
And see if you can smile
While you do it

Let's Be Clear

-- This is my stab at a political monologue. If it sounds like my Bible Man monologue, there's a reason-I think the two would sound similar because they're similar types of people. If you're wondering if I agree with this guy, then you don't know me very well. Just so we're clear. --

"Let's Be Clear"

The numbers were bad
They were very bad
They were...
I'd rather not
If that's all right
I'd rather not talk about
Results
Here
Or
The numbers
Because
The numbers were bad
And that's something we need to...

We need to face that
The numbers
We need to face the numbers
And the fact
That the numbers
Were bad
Very bad
Really quite bad
And that's a fact

Let's be clear
I'm not interested
In the numbers
Because numbers change
They change all the time
People feel one way
Day changes
They wake up
They feel differently
Happens all the time

So am I worried?
No
I'm concerned
There's a difference
But let's be clear
I'm not worried
Numbers change
Things happen
It's all...

It's open
It's very open
To interpretation
Perhaps
Maybe
It's not closed
It's not a closed issue

. . . . .

Is it...
Is it bad to
Some would say
Bash
They use the word
Bash
Your opponent?

Yes

I think it is
I think it shows...
Lack of character
Lack of creativity
Really
Because
I mean
Talk about the issues
Cliche
Right?
But true
Talk about the issues

Attack the opponent?
Okay
But that's expected
Of course you could do that
Of course you feel differently
Otherwise why would you be running?
Why would you be running
Against someone
You felt could better
Than you?

Let's be clear
I'm not attacking my opponent
I'm not merely attacking my opponent
That's not...
That's not all I'm doing
My opponent happens to be part
Of a much bigger issue
And the issue is what I'm attacking
Addressing, rather
It's what I'm addressing
When I say
That I don't think
Someone
Who does what my opponent does
Should be put
In any sort of position of...

Let's be clear
I'm not going to go into the mire
That's not what I'm about
I don't like doing that
But
Okay
Let's
Okay
And for those of you
Who think I'm doing this
Because of the numbers
That's not...
That wouldn't be effective
I wouldn't do that
So no
Not because of the numbers
Absolutely not

I'm doing this...
I'm bring this up because...
My opponent
Well...

He's a fucking moron

. . . . .

I'm sorry
Well
No
I'm not actually
I'm not sorry he's a moron
I didn't make him that way
After all
I didn't birth the idiot
I just have to listen to him talk
Which is probably more painful

Did you hear his last speech?

'I believe in America, because America is worth believing in.'

Wow
Brilliant
I can hear Whitman
Trying to claw his way out of the grave

'America is worth believing in'

Start making the bumper stickers
And the stuffed dolls of my opponent
'My Antonia' wishes it could have been that eloquent

This man
Is a giant colon
Spewing shit onto the general populace
And they're putting that shit on t-shirts
They're smearing it on pins
On poster boards
On signs they hang up
In their bay windows
Don't you just love
When liberals have bay windows?

'Oh yes, we're rich
But we're very sorry about it.'

I hate the poor
How do you like that?
I hate 'em all
They should all get jobs
And they could to
It's just that this entire country
Has collectively decided
That we're all too good
To do ANYTHING!

I'm sorry
No, I'm not
I'm not sorry
Aren't there still McDonald's?
Aren't there still meat packing plants?
Isn't there still tons of garbage
Pouring out of the houses with the bay windows
That have the signs in them
Pushing the shit that my fucking moron opponent
Keeps spewing out?

Soooooooo
Why are there jobless people then?
Too good to be pizza delivery men?
My grandfather used to shine shoes
For eight hours a day
Until his hands cramped up
And then do you know what he did?
He shined for eight more hours
Then came home
Beat up my father
Ate half a turnip
And went to bed

THAT WAS HIS WHOLE LIFE
THAT WAS AMERICA
THAT WAS ALL YOU FUCKING BELIEVED IN!

Put that on a goddammed poster
Shit-Shovelers 'R Us

I love when I go to the theater
And I have to
Because I have to look cultured
Because the numbers show
That people want to vote for candidates
Who seem cultured
Except in the South
Where if you admit to having seen a musical
They call you a faggot and throw lit matches at you

Anyway
I go to the theater
And I sit and watch plays
About how liberals feel about the war
The war that they're not sending their kids to
Oh, but they feel the need to protect
Children that aren't theirs

Let's be clear
Those kids wanted to go to war
They wanted to kill Arabs
They wanted to feel important
You know why?
Because if they didn't go to war
They'd have knocked up their girlfriends
Or gotten knocked up
Since girls want to kill Arabs too now
They would have become pizza delivery men
And they wouldn't have bitched about it

The war is the new way
We make stupid people
Feel like they're doing something
With their lives
Liberals have that too
It's called getting a college degree

My opponent
The fucking moron
Let's be clear
Thinks we should do away with the war
He calls me a war-monger
Says I'm war-crazy
Probably thinks I live in a giant tank
And that I fuck a machine gun
Every night before bed

Yes
I like war
It gives people something to do
When you don't have war
You have people blowing up their own country's buildings
You have serial killers
You have the Power Puff Girls
People have homocidal urges
That need to be released
And war does that
Tree hugging?
Mmmm....
NO

Let's be clear
I like war
I like money
I like being better than people
That's why I should win this election
Because the person running things
SHOULD be better than the people he's in charge of
That's just common fucking sense

Let's be clear
I hate the poor
I hate watching what I say
I hate my opponent
BECAUSE
I hate fucking morons
And why am I not allowed to say that?

Why can we not
As a society
Denounce stupid people?
Instead of polling them
Asking their opinion
Letting them have a say

When I was younger
We put stupid people in asylums
NOW
We give them shows on cable
And let them blog about their thoughts
They don't need blogs
They need crayons and colored paper
Just like they used to have
Before everybody got SENSITIVE

'I believe in America, because America is worth believing in.'

I believe my fucking moron opponent
Is full of shit
And I believe America knows that
And I believe they're going to elect him anyway
Because most of them
Are as dumb
If not dumber
Than he is

. . . . .

I love this country
But I don't have to love all of it
I don't have to love
Every decision that's made in it
Or every leader who leads in it
Or every person who lives in it

Hell
I'm not expected to love
Everybody in my family
So why am I expected to love
Everything about my country?

I'm mad at my country
I'm mad at the people
Who are supposed to be making it better
Because they're not telling people the truth
They're not saying--

'Things suck.
Work harder.
Get down off the high horses
And get dirty for a change.'

There's no truth anymore
Just numbers
And as for the numbers
Well...

They just don't add up
Not to me, anyway

Do You Wanna?

-- This comes from a lot of places. One, I wanted to write a monologue about a guy who isn't 50 Cent talking about how he just wants to get with someone, and why does that make him a bad person? Two, I know a cutie who does a mean version of "Do You Wanna Touch?" Three, my goal of late has been to write confrontational, in-your-face monologues for the solo show that's coming up and how can you do that without taking on sex? I don't particularly feel a fondness for this character, as you can imagine, but that doesn't mean I don't want to hear what he has to say.--

"Do You Wanna?"

Do you wanna?
Stop
Talking
No
Never
I don't talk
Let's not talk
About you
I'm not interested
In you

Do you wanna?
Damn
Shut up
Flash yourself
And all your parts
And tell me that you wanna
What?
Talk
Fuck
Screw you
I don't want to talk
I wanna
Let's
Come on
Don't you?
Do you?
Fuck
Talk
Fine
Talk

What do you wanna
Talk
Go ahead
Don't cry
Screw your crying
Bang your head
I don't care
But you're not getting
More out of me then
Fuck
Talk
Go ahead
I don't care
That your Dad didn't love you
That your Mom was jealous of you
That your sister's your biggest competition
And that all your girlfriends won't be impressed
Unless you're best dressed
With the boy from the club
Who was so untameable
They were right
You were wrong
And you aren't taming me
Or making me
Your trophy
Fuck
Talk
Go ahead
Or do you wanna?
Cause we're gonna
Or you're gonna leave

I didn't sign up for this
Sweetheart
Baby
Angel
I didn't sign up
For marriage
A relationship
Or anything more
Than gratuitous nudity
And a good time
That's what you proposed
When you slut it up
And slum it down
You get thrown on a bed
And made to feel good
Sorry that it won't last
Past next week

Sorry we won't be cuddling
Dining
On nice dinners
Or meeting your parents
Who you hate
Or your friends
Who you hate
Or your ex-boyfriends
Who you want back
Fuck
That
Fuck
You
Take
Your Fucking
Clothes
Off

Do you wanna?
Do you wanna be bad
Is that why you're here?
I'm not into play-acting
So if I'm dealing with a schoolgirl
Who wants to be a hooker
I suggest you find another outlet
For your repressed energy
Your conflicted feminist ideology
You want to have sex like a man
This is sex with a man
Like a man
On top of a man
Dealing with men
Is a tricky business
Don't you know that?
Did Mommy not tell you that?
Sorry
Don't
Cry
If you cry
Then you're leaving
Got it?

Juliet
Check out
The notches in the bedpost
And tell me
If you think
I'm your Romeo
Or the father
Of your future children
Or the knight in shining armor
Or Zach Morris
Or Johnny Depp
Or your father
Tell me
Tell me
Tell me
Do you wanna?
No
Good
Go

Fuck
I'm not
Into this
Bullshit
Reasons
Why you're different
From other girls
You're not
You're a girl
There's no difference
All the same parts
All the same problems
All the same box of tissues
Go
Leave
Fuck
I'm tired
Of doing this
With every
Grown-up Lolita
Trying to hide her wrinkles

You think you know
What I'm looking for
But what if
I'm not looking
For anything
But tonight
In this bed
And what if
After you leave
I plan on getting a gun
And blowing my brains out
Because maybe I'm sick
Of listening to girls like you
Tell me
About themselves
Maybe
It's turned into
A parade of white noise
That crawls into my ears
And begins pounding
On the insides of my skull
Until I can't take it anymore

Maybe
Just maybe
I'm not this way
Because of my childhood
Or past hurts
Or past break-ups
Or my past
Maybe
I'm just an asshole
Would that be too scary for you?
To think
That maybe
There are guys out there
Who can't be healed
Because there's really
Nothing
Wrong with them?

Would that be too much
For you
To wrap your self-help book around?
Well
Sorry
What?
Talk
Don't cry
Talk
Fuck
Never mind

You want a prince
Fine
Find one
But don't fuck the frog
Then wait for a miracle
Cause sometimes
He's just a frog

Sometimes it's not Say Anything
Sometimes it's not a prince
Sometimes there's disappointment

So

Do you wanna?
Do you still wanna?
Do you?
Well?
C'mon
Do you?

. . . . .

Thought so

Saturday, January 24, 2009

Fuck the Zebra

-- So sorry for the title, but what else could I call this? --

"Fuck the Zebra"

Fuck the zebra
Fuck the motherfucking
Goddammed zebra
From fucking zebra hell
I hope it fucking dies

I hope the fucking lions
Eat their way
Out of their fucking pen
And then hop over the fucking fence
Into the fucking zebra pen
And eat the fucking zebras

That's what I'm hoping for
You zebra-fucking no-good
Goddammed motherfucker

You're going to fire me
Because the fucking zebra
Won't let me feed it?

Fuck you
And fuck the zebra
Fuck the fucking horse
The zebra rode the fuck in on
You fucking prick-licker

Is it my fucking fault
That the fucking zebra
Won't eat food I've touched
Because it thinks it's too good
To eat fucking food that I fucking made for it?

Is it my fucking fault
That the zebra saw me getting head
From the fucking koala expert
And got all fucking depressed
Because we can't get the fucking lady zebra
To do to him what she did to me?

Huh?
Is that my fucking fault?
Tell me!

You know what?
I'm sorry
I'M FUCKING SORRY

I'm sorry that the zebra food
Takes three hours to make
Because the fucking zebra
Has to be on a special fucking diet
So it doesn't fucking die
Like the other eighteen million fucking other animals
We brought over for the fucking Africa exhibit

Here's a fucking genius thought
Did you ever think
That maybe African animals
Would have a hard time surviving
In Minne-fucking-sota?
You dumbass motherfucker

Why don't you just stick them in a freezer?
And save us all the goddammed time and energy
Trying to keep the fucking asshole zebras alive?
Have you seen the fucking elephants lately?
They're eating their own fucking noses
Because they're going crazy
Because it's like three fucking degrees out
And they still think they're in fucking Mombasa!

So yeah
The fucking zebra food
Takes too long to make sometimes
And it's fucking tiring
Especially after I've spent all day
Trying to get the fucking monkeys
To stop throwing their shit
At the fucking fourth graders on fucking field trips!

SO
I end up smelling like shit all the time
Fucking monkey shit
That smells like human shit
After it's been left in an armpit
For three weeks
And the fucking zebra won't come near me
Because apparently zebras have extra-sharp smelling powers
And he can smell the fucking armpit monkey shit on me
So he stays away

LIKE HE'S NOT A FUCKING ZEBRA!
LIKE HE'S ZSA ZSA FUCKING GABOR!
LIKE HIS ZEBRA SHIT DOESN'T SMELL

Oh wait
He doesn't shit anymore
Because that shit food you make him eat
So that he won't die
Clogs him up so bad
That when he finally does shit
It fills up the fucking fake watering hole
We built for him
And makes it look like the fucking East River

Then who has to clean it up?
That's right, you motherfucker
That's right
ME

So yeah
Sometimes I don't make him the fucking food
Like I should
Sometimes I just feed him fucking french fries
From McDonald's
How do you like that?
You fucking jizz junkie

You want to know what?
He likes those fucking french fries
LOVES THEM
That's the only time he'll come over to me now
When he smells those fucking fries
And he's not dead yet
So who knows?
Maybe it's the fucking fries keeping him alive
Maybe once you stop giving them to him
He'll die of heartbreak or some shit like that
Since he's so goddammed sensitive
Probably a fairy zebra

That's right
You heard me
You probably got a fairy zebra in there
And that's why the fucking lady zebra won't touch him
But she licks the fucking sweat off my face
Whenever I go near her
That striped bitch is fucking horny
Let me tell you
You can tell that fucking queer zebra whatever you want
But trust me
That girl zebra would suck the silver off a soup spoon
If you put a real man in that fucking pen

I don't care that you fired me
Fuck no, I don't care
I hate that fucking zebra
I HATE HIM
I'm sorry I didn't sell him to a fucking poacher
When I had the fucking chance
I'd have made a fucking blanket out of him
And sold it to a pimp
If I knew I'd get canned
Just because he won't eat his regular food now
Cause I gave him shit he actually liked
Like that's my fucking fault
That he acts like Princess Fucking Margaret

Give me five minutes with him
I'll make him eat his fucking food
Believe you me
He'll eat it
I'll shove it down his fucking striped throat
Get him all clogged up again
Then send him to the river
So his fucking zebra bowels
Can explode so bad
They'll hit the fucking ostrich pen

That's all you need at this fucking zoo
Shitty ostriches

. . . . .

You know
I'm a professional
I know how to work with people
Even when I don't like them
I hate that fucking zebra
But I worked with him
I treated him with respect
And this is what he does to me

If you ask me
He needs to be the one in here
Getting talked to
Getting his ass canned
He's the one that should go
That's what I think

Yeah
Whatever
Fuck the zebra

I'm out