Look...this just isn't going to work.
For one thing, when we first met
You looked a LOT different
I don't know if it was the lighting
Or the glass shoes
Or the really cool pumpkin we made out in
But things just seem...different now
You're still super nice
But you're also really dirty
I mean, do you bathe? At all?
Yeah, yeah, yeah--evil stepmother
I know, I know
But couldn't you throw some of that water you were scrubbing the floor with
Onto your face every once in awhile?
I'm not asking for a lot here
Plus, you talk to mice
Huh?
Oh right--they talk back...suuuurrreeee....
Look, the point is
I don't think we're a good match
We barely even know each other!
Do you even know my first name?
It's...um...okay, it's something Charming, I know that...
Anyway, I think it's best for both of us
If we call it quits
I need a girl who understands me
A girl who knows what it means to be a princess all the time
Not just until midnight
I need a girl with long hair I can climb up
And swing down, and wrap around myself like a sweater
A hairy blonde sweater and--
What? Is that weird?
Ew, don't judge
You're the one who hangs out with dwarves!
Oh wait, is that not you?
Oh my God, I'm so sorry
That must be the princess from the East Kingdom
Where are you going?
YOU'RE NOT BREAKING UP WITH ME I'M BREAKING UP WITH YOU!
I AM WITTY AND STRIKING IN APPEARANCE!
Ugh, being charming is so difficult.
Thursday, September 30, 2010
Sunday, September 26, 2010
Play the Beatles
I have some advice
Play the Beatles
Wait, hear me out
I know some people don't like the Beatles
And by 'some people' I mean--
Fools
Regardless of whether or not you like them
Play the Beatles
On your daughter's first day of Kindergarten
While you hide in the bushes
And tell yourself that's healthy
Play the Beatles
At your son's high school graduation
Where you see that he's painted the words
'This School Can Suck It'
On his graduation cap
Play the Beatles
When you drop your daughter off at college
And you're driving home
Trying to figure out if you should take up
Stamp collecting or archery
Play the Beatles
When you fix your son's tie on his wedding day
Right before you remind him
That if he calls off the whole thing
You can have a taxi there in under an hour
Play the Beatles
When your marriage ends
When you change jobs
When you find a gray hair
Or when you turn sixty-four
Play the Beatles
Play something by the greatest band ever
And remember--
“In the end, the love you take is equal to the love you make.”
Tell me that's not good advice
Play the Beatles
Wait, hear me out
I know some people don't like the Beatles
And by 'some people' I mean--
Fools
Regardless of whether or not you like them
Play the Beatles
On your daughter's first day of Kindergarten
While you hide in the bushes
And tell yourself that's healthy
Play the Beatles
At your son's high school graduation
Where you see that he's painted the words
'This School Can Suck It'
On his graduation cap
Play the Beatles
When you drop your daughter off at college
And you're driving home
Trying to figure out if you should take up
Stamp collecting or archery
Play the Beatles
When you fix your son's tie on his wedding day
Right before you remind him
That if he calls off the whole thing
You can have a taxi there in under an hour
Play the Beatles
When your marriage ends
When you change jobs
When you find a gray hair
Or when you turn sixty-four
Play the Beatles
Play something by the greatest band ever
And remember--
“In the end, the love you take is equal to the love you make.”
Tell me that's not good advice
Monday, September 20, 2010
This Is a Town You Leave
This is a town you leave
Before the road goes down too far
And the early nineties paint dries off
Peeling back and revealing your name
Tattooed on the fence
In front a gas station
Where your house used to be
The house picked up and left
While you were still lingering out front
Trying to decide if now was the time
Before the road goes down too far
And the early nineties paint dries off
Peeling back and revealing your name
Tattooed on the fence
In front a gas station
Where your house used to be
The house picked up and left
While you were still lingering out front
Trying to decide if now was the time
The Mirror House
Some people swore that the house was haunted. Potts was the only one willing to go in every year and dismantle it. The mirrors had to be taken down separately, then the walls, then the platform. By the time Potts was done, it wasn’t anything much. Once you saw the skeleton of it, the house didn’t seem like something to be scared of.
The year Potts left the carnival was the first year he broke a mirror. It came down on him like a father’s hand—swift and sharp. He was lifting it off the wall when he saw Linda staring back at him.
She was all distorted probably because the mirror she was standing in was the one that makes you look like a snake that just ate a gazelle. The cut went up and out of her waist and he could see the scar tissue wrapping itself around her like her own injury was going to smother her.
Instead of pushing the image away from himself, he pulled it closer. He needed to see her, and the image was so clear despite the distortion the he felt like he could pull her down on top of him the way he used to when they’d be on the Ferris Wheel at night, and he’d pay Rich to leave them up top once most of the customers had gone.
She’d wrap herself around him, and they’d make love looking out over the remains of what used to be farmland—now just parking lots for retail stores where carnivals came to erect bumper car halls and a house of mirrors where people could pretend they were tall or short or someone other than who they were. A place where they could look damaged on the outside for a change.
The mirror house was the only place Potts wouldn’t go in until it was time to take it down, and Linda used to tease him. She asked him if he was scared of looking at himself, and he’d just say he didn’t think there’d be much to see.
When the carnival sat down in Espejo, Linda went into town with the boys before the opening day. She wanted Potts to come, but he had mirrors to mount.
They all left that night in one pick-up, Linda riding in the back. The last thing Potts saw was her standing up, dancing around the back of the truck, like she was riding on a parade float.
Rich said she was still dancing when they blew a tire and flipped over. Linda landed on a fence next to the road, but the guys just got banged up.
When Potts looked in that mirror, he didn’t notice that Linda’s face was all stretched out and purple. He didn’t see that the fingers on her hand went all the way down her legs. He didn’t notice that the deepest part of her wound matched the color of her lips.
He just wanted to reach in and grab her, whoever she was.
. . . . .
They found the broken mirror, but they didn’t find Potts. He took off in the opposite direction with a couple hundred bucks he’d been saving and a picture of him and Linda playing Test Your Strength.
It was seeing Linda in the mirror that made him leave. It was what he saw when the mirror broke. A thousand pieces of him staring back up at him. Some jagged. Some blurry. Some split into two halves.
It was looking at himself that did it.
Nothing was ever the same again after that.
The year Potts left the carnival was the first year he broke a mirror. It came down on him like a father’s hand—swift and sharp. He was lifting it off the wall when he saw Linda staring back at him.
She was all distorted probably because the mirror she was standing in was the one that makes you look like a snake that just ate a gazelle. The cut went up and out of her waist and he could see the scar tissue wrapping itself around her like her own injury was going to smother her.
Instead of pushing the image away from himself, he pulled it closer. He needed to see her, and the image was so clear despite the distortion the he felt like he could pull her down on top of him the way he used to when they’d be on the Ferris Wheel at night, and he’d pay Rich to leave them up top once most of the customers had gone.
She’d wrap herself around him, and they’d make love looking out over the remains of what used to be farmland—now just parking lots for retail stores where carnivals came to erect bumper car halls and a house of mirrors where people could pretend they were tall or short or someone other than who they were. A place where they could look damaged on the outside for a change.
The mirror house was the only place Potts wouldn’t go in until it was time to take it down, and Linda used to tease him. She asked him if he was scared of looking at himself, and he’d just say he didn’t think there’d be much to see.
When the carnival sat down in Espejo, Linda went into town with the boys before the opening day. She wanted Potts to come, but he had mirrors to mount.
They all left that night in one pick-up, Linda riding in the back. The last thing Potts saw was her standing up, dancing around the back of the truck, like she was riding on a parade float.
Rich said she was still dancing when they blew a tire and flipped over. Linda landed on a fence next to the road, but the guys just got banged up.
When Potts looked in that mirror, he didn’t notice that Linda’s face was all stretched out and purple. He didn’t see that the fingers on her hand went all the way down her legs. He didn’t notice that the deepest part of her wound matched the color of her lips.
He just wanted to reach in and grab her, whoever she was.
. . . . .
They found the broken mirror, but they didn’t find Potts. He took off in the opposite direction with a couple hundred bucks he’d been saving and a picture of him and Linda playing Test Your Strength.
It was seeing Linda in the mirror that made him leave. It was what he saw when the mirror broke. A thousand pieces of him staring back up at him. Some jagged. Some blurry. Some split into two halves.
It was looking at himself that did it.
Nothing was ever the same again after that.
Saturday, September 18, 2010
I'm Going to Make You Breakfast
I'm going to make you breakfast
Just as soon as I find the eggs
And go out and buy some bacon
Make sure the milk is still good
Find a suitable frying pan
And a bowl to mix the pancake batter in
And a pumpkin
You know, to make the pumpkin muffins with
Oh, and do we have a waffle iron?
Ah, you're already crying--that's sweet
Just as soon as I find the eggs
And go out and buy some bacon
Make sure the milk is still good
Find a suitable frying pan
And a bowl to mix the pancake batter in
And a pumpkin
You know, to make the pumpkin muffins with
Oh, and do we have a waffle iron?
Ah, you're already crying--that's sweet
I Saw the Monster Yesterday
I saw the monster yesterday
It's name was Adam Rondat
And he's a psych major
With twenty questions
That I can't answer
And he keeps asking me my major
And I keep saying 'Like my Dad? He's pretty major.'
But then he says no and asks me where the quad is
So I told him my sister's room
Because...I panicked?
It's name was Adam Rondat
And he's a psych major
With twenty questions
That I can't answer
And he keeps asking me my major
And I keep saying 'Like my Dad? He's pretty major.'
But then he says no and asks me where the quad is
So I told him my sister's room
Because...I panicked?
Stretched Out in Blue
I'm all stretched out in blue
Like Dylan, but not so tangled up
Laid back like a comforter
Supporting comfort and consideration
Parading my fingers down my stomach
Showing you where to go
And how to get there
And how to take your time
And I don't mind the feeling
Of being all stretched out in blue
Like Dylan, but not so tangled up
Laid back like a comforter
Supporting comfort and consideration
Parading my fingers down my stomach
Showing you where to go
And how to get there
And how to take your time
And I don't mind the feeling
Of being all stretched out in blue
Go Ahead and Get Your Feet Wet
Go ahead and get your feet wet
Your mom said it's okay
You spend most of your life dry
Standing aside and watching other puddle jumpers leap
Keeping your feet nice and safe
But one day I won't be standing in front of you
Guarding you from experience
In the event that it might be unpleasant
So for now get your feet wet
And remember I said it was okay
Your mom said it's okay
You spend most of your life dry
Standing aside and watching other puddle jumpers leap
Keeping your feet nice and safe
But one day I won't be standing in front of you
Guarding you from experience
In the event that it might be unpleasant
So for now get your feet wet
And remember I said it was okay
Thursday, September 16, 2010
The Departure
I'm going to wake up in a bed I've never slept in
With keys for new doors
And new memories
Building themselves up
Over the present
Weighing down a life I didn't want to leave
Do I believe I'm doing the right thing?
Do I believe I have a choice?
They're calling my name to board
And I can't let go of my old keys
With keys for new doors
And new memories
Building themselves up
Over the present
Weighing down a life I didn't want to leave
Do I believe I'm doing the right thing?
Do I believe I have a choice?
They're calling my name to board
And I can't let go of my old keys
The Dogs Are Asleep
The dogs are asleep
We'll never have children
Because we can't master dogs
They make noise and run around and destroy
All without checking with us first
Reminding us that even together we have limited control
Over other, smaller beings
Because ultimately our unconditional love
Brings appreciation instead of ambition
And we decide to let sleeping dogs lie
We'll never have children
Because we can't master dogs
They make noise and run around and destroy
All without checking with us first
Reminding us that even together we have limited control
Over other, smaller beings
Because ultimately our unconditional love
Brings appreciation instead of ambition
And we decide to let sleeping dogs lie
Wednesday, September 15, 2010
Before Sarie Comes Back
Tickle my toes with your toes
Put your lips against my neck and breathe in
She's getting us soda and ice cream and beer
And my mom doesn't even know I'm here
Tell me you like my brand new jeans
Make all your lies sound just like the truth
I'll watch the clock so I know when to leave
Sarie thinks sex ties you up to someone
Why don't you try tying me up to you then see if we can let go
If you do we have to do it before Sarie comes back
Put your lips against my neck and breathe in
She's getting us soda and ice cream and beer
And my mom doesn't even know I'm here
Tell me you like my brand new jeans
Make all your lies sound just like the truth
I'll watch the clock so I know when to leave
Sarie thinks sex ties you up to someone
Why don't you try tying me up to you then see if we can let go
If you do we have to do it before Sarie comes back
I'll Close My Eyes Tomorrow
I'll close my eyes tomorrow
Then I'll finally rest
Assured that I'm mistaken
That I've deceived myself
My better judgment has gone sour
And that's the sound I'm hearing
The curdling of my instincts
Leading me astray
I'll close my eyes tomorrow
To what I see today
Then I'll finally rest
Assured that I'm mistaken
That I've deceived myself
My better judgment has gone sour
And that's the sound I'm hearing
The curdling of my instincts
Leading me astray
I'll close my eyes tomorrow
To what I see today
All We Know Are Lights
All we know are lights
We don't know you're fighting
Not a one of us understands volume differentiation
Or what it means to scream
Things startle us, yes
But we simply fly away
Rising above you and looking down
Wondering if something is coming
Or if you'll be okay
When the lights go dark
We don't know you're fighting
Not a one of us understands volume differentiation
Or what it means to scream
Things startle us, yes
But we simply fly away
Rising above you and looking down
Wondering if something is coming
Or if you'll be okay
When the lights go dark
She Can Lay Right Here
She can lay right here
Next to my blue tattoo
Up against my chest
In front of where the clock ticks
Inside my thoughts
Around my atmosphere
Nearer to me than the air I breathe
And much more necessary
She can lay right here
Here's where she can sleep
Next to my blue tattoo
Up against my chest
In front of where the clock ticks
Inside my thoughts
Around my atmosphere
Nearer to me than the air I breathe
And much more necessary
She can lay right here
Here's where she can sleep
Tuesday, September 14, 2010
The Wind's Coming In
The wind's coming in
Knocking out the electricity
Pulling the plugs
Out of the sockets
Complaining about the heat
The wind's coming down
From two states up
To see if we've been good
Or if we need to be reminded
To be good
The wind's stirring up
Bringing up things we forgot
Pointing out our secrets
Showing us our hidden places
Cleaning up the messes we keep forgetting
To mop up
The wind's blowing by
Trying to catch our attention
Turning off the television
Opening up the cupboards
Pouring beer down the sink
The wind's coming in
And it's not going out
And rather than acknowledge it
We choose to live in it
From here on in
We're the people in the wind
And we're already used to it
Knocking out the electricity
Pulling the plugs
Out of the sockets
Complaining about the heat
The wind's coming down
From two states up
To see if we've been good
Or if we need to be reminded
To be good
The wind's stirring up
Bringing up things we forgot
Pointing out our secrets
Showing us our hidden places
Cleaning up the messes we keep forgetting
To mop up
The wind's blowing by
Trying to catch our attention
Turning off the television
Opening up the cupboards
Pouring beer down the sink
The wind's coming in
And it's not going out
And rather than acknowledge it
We choose to live in it
From here on in
We're the people in the wind
And we're already used to it
When the Giants Dance in France
When the Giants dance in France
They tango casually around the Eiffel Tower
Sometimes putting their fingers on the top
To see how sharp it is
Marguerite can barely stand it
How much she wants to pick up the Tower
And lob it across the country
Like a javelin
She's the one that enjoys her height
She tosses it around like hair in the wind
Phillipe likes to pretend he's an apartment building
So that people will climb up the stairs on his legs
And settle into the beds on his arms
And make bacon in the morning in the kitchens on his stomach
All the while never knowing that he was watching
Fascinated by their little interactions
Nalie would spend each night
Carefully removing the roofs off the museums
So she could look down at the works of art
After several years of this
She finally took to painting
And would create her own work
Using a mud mixture she'd make
By wetting her finger in a lake
And then dipping it the farmers' fields
She liked to paint Philippe
And his little people
He was her favorite subject
Arju never came out of the sea
They would stand on the shore and watch him splash
One time he splashed so hard
A whale flew up out of the sea
And landed on a yacht carrying some men on a fishing trip
The other Giants chastised Arju
But he said that life inside a whale could be very pleasant
And the whale was sure to burp at some point
And send them all back out again
So what was the problem?
Arju was the careless one of the group
During the day, they would carry on with their own personal activities
And then unite at night to let the lights tickle their toes
Marguerite does the singing
And Philippe teaches them all the new dances
He sees the little people doing
In their living rooms
On his shoulders
Nalie is the only one who can get Arju to dance
But when she does, he lets her stand on his toes
Like a little girl
And he dances her across the city
While she throws her laughter into the sky
High and loud
Where it turns into a joyful rain
And comes down everyday
Onto the city below
They tango casually around the Eiffel Tower
Sometimes putting their fingers on the top
To see how sharp it is
Marguerite can barely stand it
How much she wants to pick up the Tower
And lob it across the country
Like a javelin
She's the one that enjoys her height
She tosses it around like hair in the wind
Phillipe likes to pretend he's an apartment building
So that people will climb up the stairs on his legs
And settle into the beds on his arms
And make bacon in the morning in the kitchens on his stomach
All the while never knowing that he was watching
Fascinated by their little interactions
Nalie would spend each night
Carefully removing the roofs off the museums
So she could look down at the works of art
After several years of this
She finally took to painting
And would create her own work
Using a mud mixture she'd make
By wetting her finger in a lake
And then dipping it the farmers' fields
She liked to paint Philippe
And his little people
He was her favorite subject
Arju never came out of the sea
They would stand on the shore and watch him splash
One time he splashed so hard
A whale flew up out of the sea
And landed on a yacht carrying some men on a fishing trip
The other Giants chastised Arju
But he said that life inside a whale could be very pleasant
And the whale was sure to burp at some point
And send them all back out again
So what was the problem?
Arju was the careless one of the group
During the day, they would carry on with their own personal activities
And then unite at night to let the lights tickle their toes
Marguerite does the singing
And Philippe teaches them all the new dances
He sees the little people doing
In their living rooms
On his shoulders
Nalie is the only one who can get Arju to dance
But when she does, he lets her stand on his toes
Like a little girl
And he dances her across the city
While she throws her laughter into the sky
High and loud
Where it turns into a joyful rain
And comes down everyday
Onto the city below
The Whale
Personally, I like it in here
I do
It's cozy
I mean, it's not ideal
You know, it's...dank
But then again, so are basement apartments most of the time
So really, who's to say?
And what's to say?
And what's to say about who's to say?
Whom? Whose? Who?
Who knows?
I like it in here
The belly of the whale
I feel like Ahab!
The whale ate Ahab, right?
I don't know, I never read the book
I just figured it would end with Ahab being eaten
Because when you screw around with whales they eat you
I think we've all learned that lesson, haven't we?
But I like to look on the bright side
Granted, there isn't really a bright side inside of a whale
But there are perks
For one thing, we're not going to starve
There's plenty of fish
I wish he'd swallow a few lobsters
Liven things up a little
But beggars can't be choosers
Because when you're a beggar you smell
And people who smell can't be picky
That's what that saying means
Did you notice a nook over there?
I think that's his kidney enclave or something
I think I'm going to make that my reading nook
Then, if he swallows a copy of Moby Dick, I can read it
Wouldn't that be ironic?
Irony is when whales swallow books around whales
In case anyone ever asks you
Hmm?
A breakfast nook
Oh, I don't know
That really doesn't look like a breakfast nook to me
I mean, the lighting is all wrong
For a breakfast nook
Maybe a smoking section, but definitely not a breakfast nook
Who would want to eat breakfast there?
That's where the stomach bile pours down like a waterfall
I mean, it's soothing if you forget that it's churned up body waste
Hey, has anybody seen Carl?
I haven't seen him since the boat went under, but I could have sworn I heard him yelling something about his leg as we were going past the molars
Really, where?
The bladder?
That's not really--uh--okay.
Why doesn't he just come stay here with us?
Mad? Why is he mad?
Hey, I never said I wanted to steer the ship!
Besides, who can tell the difference between a whale and a small, tropical island at night?
It's not like I didn't apologize to him
He just didn't hear me because he was too busy moaning about getting his leg chewed off! If he doesn't want to listen...
Well, fine--let him just sit in whale piss for the rest of his life, see if I care
Geez, some people
. . . . .
So...
You wanna play a game or something?
You know, 'cause...
We have some time to kill
I do
It's cozy
I mean, it's not ideal
You know, it's...dank
But then again, so are basement apartments most of the time
So really, who's to say?
And what's to say?
And what's to say about who's to say?
Whom? Whose? Who?
Who knows?
I like it in here
The belly of the whale
I feel like Ahab!
The whale ate Ahab, right?
I don't know, I never read the book
I just figured it would end with Ahab being eaten
Because when you screw around with whales they eat you
I think we've all learned that lesson, haven't we?
But I like to look on the bright side
Granted, there isn't really a bright side inside of a whale
But there are perks
For one thing, we're not going to starve
There's plenty of fish
I wish he'd swallow a few lobsters
Liven things up a little
But beggars can't be choosers
Because when you're a beggar you smell
And people who smell can't be picky
That's what that saying means
Did you notice a nook over there?
I think that's his kidney enclave or something
I think I'm going to make that my reading nook
Then, if he swallows a copy of Moby Dick, I can read it
Wouldn't that be ironic?
Irony is when whales swallow books around whales
In case anyone ever asks you
Hmm?
A breakfast nook
Oh, I don't know
That really doesn't look like a breakfast nook to me
I mean, the lighting is all wrong
For a breakfast nook
Maybe a smoking section, but definitely not a breakfast nook
Who would want to eat breakfast there?
That's where the stomach bile pours down like a waterfall
I mean, it's soothing if you forget that it's churned up body waste
Hey, has anybody seen Carl?
I haven't seen him since the boat went under, but I could have sworn I heard him yelling something about his leg as we were going past the molars
Really, where?
The bladder?
That's not really--uh--okay.
Why doesn't he just come stay here with us?
Mad? Why is he mad?
Hey, I never said I wanted to steer the ship!
Besides, who can tell the difference between a whale and a small, tropical island at night?
It's not like I didn't apologize to him
He just didn't hear me because he was too busy moaning about getting his leg chewed off! If he doesn't want to listen...
Well, fine--let him just sit in whale piss for the rest of his life, see if I care
Geez, some people
. . . . .
So...
You wanna play a game or something?
You know, 'cause...
We have some time to kill
Monday, September 13, 2010
Spencer and the Fishnets
Spencer wears the fishnets
For Mara
Only for Mara
Because Mara likes guys
That don't care
That's what she says
'I like guys, who, you know, don't care'
And Spencer doesn't know
How to interpret that
So instead he stays quiet
And listens
And watches
Everyone Mara listens to and looks at
And one day they're at a club in Diceto
Next to, like, a Taco Hut
And Mara sees a guy walk by
With lip gloss and fishnets
And she goes--
'Fuck me, he's hot'
And Spencer dies
Because Spencer is a shirt and tie guy
Who goes to jeans and t-shirt for Mara
When they go out
And when he hears that
After he dies
He realizes what he has to do
So he buys the fishnets
And the guy at the Chop Shop store
Down on Tallusa
Laughs at him as he's leaving the store
Because the absurdity of it
Of Spencer buying fishnets
Is so palpable
It can be felt in the air
Like a sour odor
Spencer goes home
And puts on the fishnets
He even takes a photo of himself
So he can see how bad it is
And it's bad
It's really bad
It's not hot, not to Spencer
But maybe not to Mara
But how would he know?
How could he know?
Only one way to find out
He texts her and tells her to meet him at the club in Diceto
The scene of the crime
And she texts back 'YESSSSSS!!!'
Which is good
He wants her enthusiastic
Open to the possibility
Of Spencer being a fishnets kinda guy
But clearly that's not enough
So he puts on his sisters heels
Blush, eye-liner, a pink headband
A t-shirt he got at a D.T. Jones concert
And a tie, in order to keep some shred of identity
Before drowning in his new 'I don't care' attitude
When he showed up at the club
Mara wasn't there
So he sat in his car
And tried not to look down at his lap
Where the fishnets were exposing
A vast amount of leg hair
That probably should have been shaved off
If he was going to wear fishnets
But hey, 'I don't care' right?
That was when he got the text--
'Not coming. Sorry. Met a guy this afternoon at Cafe Caffeine. <3 you'
He felt like a empty yogurt carton
Ravaged and light
With little pieces of himself
Still sticking to the sides
Not enough to eat
But enough to see what was there
He sat in his car and imagined rain
He imagined what should be there
If his life were cinematic
Instead of just sad
Then he thought 'I don't care'
And he found that he didn't
He really didn't
He got out of the car
Walked up to the door of the club
And put both his hands on it
As if he were trying to sense a fire inside
Then he put his hands on himself
On his chest
On his stomach
On his legs
And he walks into the club
Feeling like a fish
Walking right out of the pond
For Mara
Only for Mara
Because Mara likes guys
That don't care
That's what she says
'I like guys, who, you know, don't care'
And Spencer doesn't know
How to interpret that
So instead he stays quiet
And listens
And watches
Everyone Mara listens to and looks at
And one day they're at a club in Diceto
Next to, like, a Taco Hut
And Mara sees a guy walk by
With lip gloss and fishnets
And she goes--
'Fuck me, he's hot'
And Spencer dies
Because Spencer is a shirt and tie guy
Who goes to jeans and t-shirt for Mara
When they go out
And when he hears that
After he dies
He realizes what he has to do
So he buys the fishnets
And the guy at the Chop Shop store
Down on Tallusa
Laughs at him as he's leaving the store
Because the absurdity of it
Of Spencer buying fishnets
Is so palpable
It can be felt in the air
Like a sour odor
Spencer goes home
And puts on the fishnets
He even takes a photo of himself
So he can see how bad it is
And it's bad
It's really bad
It's not hot, not to Spencer
But maybe not to Mara
But how would he know?
How could he know?
Only one way to find out
He texts her and tells her to meet him at the club in Diceto
The scene of the crime
And she texts back 'YESSSSSS!!!'
Which is good
He wants her enthusiastic
Open to the possibility
Of Spencer being a fishnets kinda guy
But clearly that's not enough
So he puts on his sisters heels
Blush, eye-liner, a pink headband
A t-shirt he got at a D.T. Jones concert
And a tie, in order to keep some shred of identity
Before drowning in his new 'I don't care' attitude
When he showed up at the club
Mara wasn't there
So he sat in his car
And tried not to look down at his lap
Where the fishnets were exposing
A vast amount of leg hair
That probably should have been shaved off
If he was going to wear fishnets
But hey, 'I don't care' right?
That was when he got the text--
'Not coming. Sorry. Met a guy this afternoon at Cafe Caffeine. <3 you'
He felt like a empty yogurt carton
Ravaged and light
With little pieces of himself
Still sticking to the sides
Not enough to eat
But enough to see what was there
He sat in his car and imagined rain
He imagined what should be there
If his life were cinematic
Instead of just sad
Then he thought 'I don't care'
And he found that he didn't
He really didn't
He got out of the car
Walked up to the door of the club
And put both his hands on it
As if he were trying to sense a fire inside
Then he put his hands on himself
On his chest
On his stomach
On his legs
And he walks into the club
Feeling like a fish
Walking right out of the pond
Helen and the Basketball
My brother says I can't play basketball
My mother says 'Helen, put down the basketball'
But my dad taught me to play basketball
And I still know how
When we packed up the house in Mantina
I remembered to take the basketball
But I left my party dress behind
My brother drove to Fresno
And I sat in the back with my mom
While she cried
The new apartment had burned rugs
And a grey spot on the wall
My brother was going to sleep on the pull-out
While Mom and I shared a bed
And they said--'This is temporary'
But misery isn't temporary
Misery stretches on forever
At least the place had a basketball court
I tried out for the school team
When I should have gotten a job
At the Wendy's down the street
My mom asked me what school clothes I'm going to buy
Knowing how to play basketball
I said I'd wear my brother's jeans
And at least I'd still have something
That means something to me
Dad would have understood
But Mom just went in the bedroom
And slammed the door
Like a kid, I thought
Just like a kid
I went down to the court
Where my brother was practicing baskets
He heard I made the team
I heard he dropped out
He missed a basket
I grabbed the ball
He told me to pass it
I said 'You're not the only one who needs a dream, you know'
He said, 'Helen, you dream so loud it wakes you up at night'
He's right
I threw the ball
And walked away
I knew I made the shot
Don't ask me how
But I knew
My mother says 'Helen, put down the basketball'
But my dad taught me to play basketball
And I still know how
When we packed up the house in Mantina
I remembered to take the basketball
But I left my party dress behind
My brother drove to Fresno
And I sat in the back with my mom
While she cried
The new apartment had burned rugs
And a grey spot on the wall
My brother was going to sleep on the pull-out
While Mom and I shared a bed
And they said--'This is temporary'
But misery isn't temporary
Misery stretches on forever
At least the place had a basketball court
I tried out for the school team
When I should have gotten a job
At the Wendy's down the street
My mom asked me what school clothes I'm going to buy
Knowing how to play basketball
I said I'd wear my brother's jeans
And at least I'd still have something
That means something to me
Dad would have understood
But Mom just went in the bedroom
And slammed the door
Like a kid, I thought
Just like a kid
I went down to the court
Where my brother was practicing baskets
He heard I made the team
I heard he dropped out
He missed a basket
I grabbed the ball
He told me to pass it
I said 'You're not the only one who needs a dream, you know'
He said, 'Helen, you dream so loud it wakes you up at night'
He's right
I threw the ball
And walked away
I knew I made the shot
Don't ask me how
But I knew
TNT and the Dentist
What happened was I got hit in the face by a...
...Microwave
Friggin' microwave came out of nowhere
Hit me right in the mouth
Can you friggin' believe that?
Yeah, I couldn't neither
Guy tries to mind his own business
And along comes a microwave
And screws his wife
Just talkin', here, Doc
Just talkin'
Don't you worry about that microwave though
I took care of it
I cut its fuckin' balls off
Yeah, microwaves have balls
Unless they sleep with my wife
Then they don't got 'em no more
Personally I'd rather be Tony No Teeth
Than Tony No Balls
Ain't like I'm looking to sing in a boys choir
Or some shit
So let's talk business, Doc
What?
Nah, don't worry
I'm not here looking for teeth
I'm actually looking for the two grand
You borrowed from my boss Ricky
To start this little dog and macaroni practice of yours
So why don't you close the door
And we'll have a little chat, you and me
Tell your nurse to leave the floss
I might find a use for it
...Microwave
Friggin' microwave came out of nowhere
Hit me right in the mouth
Can you friggin' believe that?
Yeah, I couldn't neither
Guy tries to mind his own business
And along comes a microwave
And screws his wife
Just talkin', here, Doc
Just talkin'
Don't you worry about that microwave though
I took care of it
I cut its fuckin' balls off
Yeah, microwaves have balls
Unless they sleep with my wife
Then they don't got 'em no more
Personally I'd rather be Tony No Teeth
Than Tony No Balls
Ain't like I'm looking to sing in a boys choir
Or some shit
So let's talk business, Doc
What?
Nah, don't worry
I'm not here looking for teeth
I'm actually looking for the two grand
You borrowed from my boss Ricky
To start this little dog and macaroni practice of yours
So why don't you close the door
And we'll have a little chat, you and me
Tell your nurse to leave the floss
I might find a use for it
Saturday, September 11, 2010
Charlie and the Tree
The last time I climbed you
You threw me out
I remember
I was nine years old
I made it up to your top branch
And you threw me
To the ground
You're lucky I didn't die
I could have died
Would you care?
No, because you're a tree
An evil tree full of darkness
Because of you
I broke my arm
And now I can't play the piano
I didn't even know I couldn't play the piano
Until I asked my mom what I couldn't do with a broken arm
And she said--
'Well, you can't play the piano, I guess'
And that's all thanks to you
My mom didn't believe me
When I told her
You threw me off you
She said it was just the trauma
Creating memories in my mind
Of something that didn't really happen
That might explain why I landed on a horse named Gus
Doing long division
But it doesn't explain
How I felt one of your branches
Grab me by the back of my leg
And fling me to the ground
It was almost as bad
As when my grandma hugs me
As soon as I got out of the hospital
I knew I had to stop you
Before you hurt any more innocent kids
Who do things their mom tells them not to do
Because they're sowing their wild goats
So I'm here
To chop you down
My mom wouldn't let me use my dad's saw
Because she says I'd cut my own head off
Which isn't even possible to do by accident
You'd have to really want no head
Instead I brought this pair of scissors
And to answer the question
You're asking yourself
No, they are NOT safety scissors
I got them from the drawer I'm not allowed to go in
Now, I may only be able to chop down part of you today
Because I still only have one hand free
And using it a lot makes me kinda tired
So I'm going to be a decent guy
And let you tell me
Which part of you
You want to lose first
. . . . .
Your top branch?
...Hmm, I guess I can make it up there with one arm...
Okay, fine
I'm coming up
But this time I'm going to keep my scissors in my hand
The whole time
In case you try anything funny
And to think my mother says I never learn
You threw me out
I remember
I was nine years old
I made it up to your top branch
And you threw me
To the ground
You're lucky I didn't die
I could have died
Would you care?
No, because you're a tree
An evil tree full of darkness
Because of you
I broke my arm
And now I can't play the piano
I didn't even know I couldn't play the piano
Until I asked my mom what I couldn't do with a broken arm
And she said--
'Well, you can't play the piano, I guess'
And that's all thanks to you
My mom didn't believe me
When I told her
You threw me off you
She said it was just the trauma
Creating memories in my mind
Of something that didn't really happen
That might explain why I landed on a horse named Gus
Doing long division
But it doesn't explain
How I felt one of your branches
Grab me by the back of my leg
And fling me to the ground
It was almost as bad
As when my grandma hugs me
As soon as I got out of the hospital
I knew I had to stop you
Before you hurt any more innocent kids
Who do things their mom tells them not to do
Because they're sowing their wild goats
So I'm here
To chop you down
My mom wouldn't let me use my dad's saw
Because she says I'd cut my own head off
Which isn't even possible to do by accident
You'd have to really want no head
Instead I brought this pair of scissors
And to answer the question
You're asking yourself
No, they are NOT safety scissors
I got them from the drawer I'm not allowed to go in
Now, I may only be able to chop down part of you today
Because I still only have one hand free
And using it a lot makes me kinda tired
So I'm going to be a decent guy
And let you tell me
Which part of you
You want to lose first
. . . . .
Your top branch?
...Hmm, I guess I can make it up there with one arm...
Okay, fine
I'm coming up
But this time I'm going to keep my scissors in my hand
The whole time
In case you try anything funny
And to think my mother says I never learn
Friday, September 10, 2010
Shania and the Snake Charmer
So what is it you do?
A snake charmer?
I've never had a snake charmer hit on me before
At least not at a vegan restaurant
I love that they put a bar in
Just because we don't eat meat
Doesn't mean we don't drink, right?
If anything, I drink more
Lettuce is depressing
Oh, it's a thing
I can't meat
It's, like, toxic or something
Really rare
They wrote about me in some medical journal
And then I had my photo taken next to this doctor
Who looked like Captain Kangaroo
That's all I remember about him
He looked like Captain Kangaroo
Yes, I'm too young to remember Captain Kangaroo
But I'm not too young to not be AWARE of Captain Kangaroo
There are people you should always be AWARE of
Regardless of if you've actually been exposed to them or not
Icons, you know?
Like Lucille Ball
The other day, I was talking to my friend
Who had never seen an episode of any Lucy t.v. show
And she was like, 'So how am I supposed to know who she is?'
And I was like, 'Um, you should still know'
I don't know anything about Grover Cleveland
But I still know he was a President
Awareness, you know
I'm sure you know
So how do you charm the snakes?
Is it a trade secret?
Some trick?
Or is it something you're born with?
Like an X-person
I should let you know
Before you start in
I'm not fucking you
So, let's just embrace that, okay?
I'm not in the mood
And you're ugly as fuck
So no fucking is going to be happening
Which is actually great for you
Because I'm drunk
And tomorrow morning
I'd wake up, look over at you
And probably vomit
On your mattress with no sheets
That's your mattress, right?
No sheets
On the floor
No actual bed
Yup, called it
So where do you do your charming, Charming?
Is there an Bombay boulevard somewhere downtown
That I'm just not aware of?
Some sort of bazaar?
You're unemployed?
Well, clearly
You're a snake charmer
You're a step above a street beggar
You're never actually employed
Huh?
You lost the snake?
Um, correct me if I'm wrong
Isn't keeping an eye on the snake
Sort of the only thing you have to do?
That's like being a mime
And losing your invisible box
What happened?
Was there a hole in the wicker basket?
Did the snake try leaping to freedom
When you took the top off?
Oh...really?
Was it at least sort of hypnotized
When it...um, slithered away?
Because if it was
I don't really see it
Having a good chance of survival
In the wilderness
Plus it'll pee every time
It hears a bell ring, right?
Isn't that how it works?
Oh my God
Is that a flute?
Do you honestly have a flute right now?
I have to tweet that
Like, immediately
Like three days ago I should have tweeted that
'I'm sitting with a snake charmer and he's got a flute'
Can you play it?
I want to take a photo of you playing it
And upload it onto my blog
So I have something to write about
When I get home
Because getting smashed at the vegan restaurant
Is probably only going to get me a few sentences
And I like to do at least a page a day
So my readers have a good-sized morsel
To get them through the work day
And by readers
I mean my sister
And I think she only scans the posts
To see if there's anything about her
Selfish bitch
So many issues there
Let's not get into it
Okay, play the flute
C'mon, don't pussy out on me
You can't bring a flute into a restaurant
And then not play it
There are laws about that in Austria
C'mon!
Okay, yay
Very excited right now
Commence fluting
. . . . .
Um...do you wanna get out of here?
I kinda...
Wow, I mean--
Your play is just--
Wow
Yeah
I think we should go
A snake charmer?
I've never had a snake charmer hit on me before
At least not at a vegan restaurant
I love that they put a bar in
Just because we don't eat meat
Doesn't mean we don't drink, right?
If anything, I drink more
Lettuce is depressing
Oh, it's a thing
I can't meat
It's, like, toxic or something
Really rare
They wrote about me in some medical journal
And then I had my photo taken next to this doctor
Who looked like Captain Kangaroo
That's all I remember about him
He looked like Captain Kangaroo
Yes, I'm too young to remember Captain Kangaroo
But I'm not too young to not be AWARE of Captain Kangaroo
There are people you should always be AWARE of
Regardless of if you've actually been exposed to them or not
Icons, you know?
Like Lucille Ball
The other day, I was talking to my friend
Who had never seen an episode of any Lucy t.v. show
And she was like, 'So how am I supposed to know who she is?'
And I was like, 'Um, you should still know'
I don't know anything about Grover Cleveland
But I still know he was a President
Awareness, you know
I'm sure you know
So how do you charm the snakes?
Is it a trade secret?
Some trick?
Or is it something you're born with?
Like an X-person
I should let you know
Before you start in
I'm not fucking you
So, let's just embrace that, okay?
I'm not in the mood
And you're ugly as fuck
So no fucking is going to be happening
Which is actually great for you
Because I'm drunk
And tomorrow morning
I'd wake up, look over at you
And probably vomit
On your mattress with no sheets
That's your mattress, right?
No sheets
On the floor
No actual bed
Yup, called it
So where do you do your charming, Charming?
Is there an Bombay boulevard somewhere downtown
That I'm just not aware of?
Some sort of bazaar?
You're unemployed?
Well, clearly
You're a snake charmer
You're a step above a street beggar
You're never actually employed
Huh?
You lost the snake?
Um, correct me if I'm wrong
Isn't keeping an eye on the snake
Sort of the only thing you have to do?
That's like being a mime
And losing your invisible box
What happened?
Was there a hole in the wicker basket?
Did the snake try leaping to freedom
When you took the top off?
Oh...really?
Was it at least sort of hypnotized
When it...um, slithered away?
Because if it was
I don't really see it
Having a good chance of survival
In the wilderness
Plus it'll pee every time
It hears a bell ring, right?
Isn't that how it works?
Oh my God
Is that a flute?
Do you honestly have a flute right now?
I have to tweet that
Like, immediately
Like three days ago I should have tweeted that
'I'm sitting with a snake charmer and he's got a flute'
Can you play it?
I want to take a photo of you playing it
And upload it onto my blog
So I have something to write about
When I get home
Because getting smashed at the vegan restaurant
Is probably only going to get me a few sentences
And I like to do at least a page a day
So my readers have a good-sized morsel
To get them through the work day
And by readers
I mean my sister
And I think she only scans the posts
To see if there's anything about her
Selfish bitch
So many issues there
Let's not get into it
Okay, play the flute
C'mon, don't pussy out on me
You can't bring a flute into a restaurant
And then not play it
There are laws about that in Austria
C'mon!
Okay, yay
Very excited right now
Commence fluting
. . . . .
Um...do you wanna get out of here?
I kinda...
Wow, I mean--
Your play is just--
Wow
Yeah
I think we should go
Thursday, September 9, 2010
Dennis in Providence
They tell you that you're landing in Providence
When you're actually landing in Warwick
From there, you can get a hotel room
Where you can watch tv
Go swimming in a hotel pool
Order room service
Or be brave and hop on the highway
See if you can find your way to Providence
There's a sign that says 'Welcome to Rhode Island'
And it's a Tuesday
You've landed here on a Tuesday
And in other places in the world
There are dynamic things happening
There is excitement
And as Tennessee's Tom would say--
Fuck, what did he say?
Oh well, he said lots of things
All very poetic
You're on a plane to Providence
You're not in Providence yet
But you're from Providence
You have Providence in your veins
Pushing out the blood
The two cannot coexist
One is life
One is a Tuesday night
And there are riots in Pakistan
And theater in New York
And a solar eclipse in Taiwan
Or there aren't
There isn't
There wouldn't be
It's a Tuesday
In Barcelona there are students
On a senior trip
And one of the students is missing
And his name is me
Dennis has disappeared
And the only one who knows is my friend Brenna
And she won't tell
Because I told her I'd come back for her
Because Barcelona fucking sucked
I mean, I guess it didn't, but--
I missed home
No, I did not miss Providence
Or maybe I did
I go back and forth--bashing it and loving it
I have an abusive relationship with my spot on the map
Up until this trip, I dreamed of escaping
I dreamed of a country
With never-ending buffet restaurants
Midnight showings of independent films
A burger joint where they'll cut up a pineapple in front of you
And slam one of the citrus slices
Right on the patty
Right in front of your eyes
I thought this place existed
And I would go home on the bus from school
Because my mother won't let me take Driver's Ed
Because I can't drive
Because her insurance rates would skyrocket
Because I'm going to school in Boston anyway
Why do I need to learn to drive
I would go home on the bus
And I would look out at the state passing by
The streets and the avenues
And the houses that looked like prisons
Because people lived behind those houses
People who don't know about the other world
The world with the pineapple patties
And the all-night buffets
And I would think
I'm getting out of here
I'm not staying
I am going to escape
And I did
I did
I signed up for the senior class trip to Spain
Chaperoned by Mr. Bob
He actually lets us call him Mr. Bob
How cool is that?
And I got on a flight
And I flew to Barcelona
And I got off the plane
And I threw up
I wanted to go back
So I managed to talk Brenna into lending me her dad's credit card
So I could buy a ticket home
I could have just asked my Mom to let me go home early
But she would have hung up on me
She doesn't go to much trouble
Where I'm concerned
I knew as soon as I stepped off the plane
That everything I wanted
Was a fantasy
I made up a place that couldn't exist
So that I had a reason to hate the place I'm from
But it doesn't make me love where I'm from
It just makes me wonder where the hell I'm supposed to go?
If where I am isn't the problem
Then...is it me?
Am I the problem?
And what do I do about that?
I can't move away from me
I guess I just have to go back to Providence
I mean, I'm not very old
And there's still college ahead of me
And I might love Boston
Maybe they have midnight indie flicks there on a Tuesday or something
It just sucks because I thought I had it figured out
I really did
I'm landing in Providence on a Tuesday
And somewhere in the world
Someone's living the life I want to live
But how do I find them?
How do I know where they are?
When you're actually landing in Warwick
From there, you can get a hotel room
Where you can watch tv
Go swimming in a hotel pool
Order room service
Or be brave and hop on the highway
See if you can find your way to Providence
There's a sign that says 'Welcome to Rhode Island'
And it's a Tuesday
You've landed here on a Tuesday
And in other places in the world
There are dynamic things happening
There is excitement
And as Tennessee's Tom would say--
Fuck, what did he say?
Oh well, he said lots of things
All very poetic
You're on a plane to Providence
You're not in Providence yet
But you're from Providence
You have Providence in your veins
Pushing out the blood
The two cannot coexist
One is life
One is a Tuesday night
And there are riots in Pakistan
And theater in New York
And a solar eclipse in Taiwan
Or there aren't
There isn't
There wouldn't be
It's a Tuesday
In Barcelona there are students
On a senior trip
And one of the students is missing
And his name is me
Dennis has disappeared
And the only one who knows is my friend Brenna
And she won't tell
Because I told her I'd come back for her
Because Barcelona fucking sucked
I mean, I guess it didn't, but--
I missed home
No, I did not miss Providence
Or maybe I did
I go back and forth--bashing it and loving it
I have an abusive relationship with my spot on the map
Up until this trip, I dreamed of escaping
I dreamed of a country
With never-ending buffet restaurants
Midnight showings of independent films
A burger joint where they'll cut up a pineapple in front of you
And slam one of the citrus slices
Right on the patty
Right in front of your eyes
I thought this place existed
And I would go home on the bus from school
Because my mother won't let me take Driver's Ed
Because I can't drive
Because her insurance rates would skyrocket
Because I'm going to school in Boston anyway
Why do I need to learn to drive
I would go home on the bus
And I would look out at the state passing by
The streets and the avenues
And the houses that looked like prisons
Because people lived behind those houses
People who don't know about the other world
The world with the pineapple patties
And the all-night buffets
And I would think
I'm getting out of here
I'm not staying
I am going to escape
And I did
I did
I signed up for the senior class trip to Spain
Chaperoned by Mr. Bob
He actually lets us call him Mr. Bob
How cool is that?
And I got on a flight
And I flew to Barcelona
And I got off the plane
And I threw up
I wanted to go back
So I managed to talk Brenna into lending me her dad's credit card
So I could buy a ticket home
I could have just asked my Mom to let me go home early
But she would have hung up on me
She doesn't go to much trouble
Where I'm concerned
I knew as soon as I stepped off the plane
That everything I wanted
Was a fantasy
I made up a place that couldn't exist
So that I had a reason to hate the place I'm from
But it doesn't make me love where I'm from
It just makes me wonder where the hell I'm supposed to go?
If where I am isn't the problem
Then...is it me?
Am I the problem?
And what do I do about that?
I can't move away from me
I guess I just have to go back to Providence
I mean, I'm not very old
And there's still college ahead of me
And I might love Boston
Maybe they have midnight indie flicks there on a Tuesday or something
It just sucks because I thought I had it figured out
I really did
I'm landing in Providence on a Tuesday
And somewhere in the world
Someone's living the life I want to live
But how do I find them?
How do I know where they are?
Talia and the Glow Sticks
Talia quit the Glow Sticks
It's not exactly news, per se
I mean, not really
You know?
Not really news
I mean, because, see
Talia was the last of the original Glow Sticks
Which means the Glow Sticks
As they were at their best
In the beginning
Which many people agree
Was their BEST
And which means
You see
That the Glow Sticks broke up
YEARS ago
The drummer left to become a magician
Talia used to catch him on the tour bus
Trying to pull a rabbit out of the snare
And it was rumored that she loved him
And that they had a thing
And she made him choose
Between her and magic
And he chose magic
Which you can't really blame him
Because magic is an intangible thing
Which means it might not even be real
Which means it's perfect
And Talia, though a lead singer
Was not perfect
She had that minor addiction to gambling
Which she kept in check
By playing Bingo on the bus
Using a small plastic ball dispenser
That the drummer made disappear into thin air
On a tour stop in Debargo
'Jesus, Kris! Where the hell are my balls?'
The guys started laughing
Until Talia punched the drummer in the stomach
And then the balls popped out of his mouth
Which made the guys laugh even harder
The Glow Sticks weren't the most serious rock band, after all
Their first album was titled 'Pop It'
And it was full of bubblegum drum beat hook chorus ditties
Like--
'He's Kinda Awesome'
And
'My Extra Value Meal'
Which actually was about an Extra Value Meal
And not some guy Talia liked
When the drummer left
To open a magic show in Vegas
Entitled
'Watch My Balls'
Talia enlisted her best friend, Skyper
To be the band's new drummer
This would have been fine
Except for the fact that Skyper
Couldn't form a grip
Due to a birth defect
And so he had to play with his feet
This led to the band's unique sound on their second album--
'Playing With Our Toes'
Arguably the most artistically successful
The band ever produced
It was gritty and raw
A far cry from their first album
And it included the now classic tracks--
'You Left Me for Your Vegas Balls'
And
'Get a Grip (Seriously, Why Can't You Get a Grip? Oh Right, Your Birth Defect. That's Messed Up.)'
The latter has the distinction of having the most words in a parentheses
In any song title
In history
Before they could record their third album
The guitarist and the bassist left the band
Over a dispute with Talia
Regarding money
Talia felt they should be paid three times less than her
Because they were--to quote her interview with Spin:
'Way less awesome than me.'
Some say Talia's ego was out of control
Because of the huge success that came with the release of the second album
Talia herself was quoted in Rolling Stone saying--
'My ego is totally out of control. It's because of success that came with the release of the second album. Plus, I'm really awesome. Way more awesome than the bassist and the guitarist.'
The aforementioned bassist and guitarist
Formed their own band, called--
Screw Talia
Which may or may not have been a reference
To their dispute with Talia
They released one album
A commercial and artistic flop
And then they moved to Nevada
Where they raise iguanas
Talia chose not to replace them
But rather keep the band a trio
Unfortunately the sound of just a singer, a drummer who uses his feet
And a keyboard player who, it was discovered, was actually just a puppet
(Brought onboard when the drummer thought he might want to add ventriloquism into his act)
Did not light the charts ablaze
The Glow Sticks' third album
'Me, My Puppet, and the Foot'
Was a huge disappointment
And shortly thereafter
The puppet left the band
To join the drummer in Vegas
Now that the act was ready for him
The Foot stayed on
And Talia brought on a group of junior high students
To make up the rest of the band
In the hopes that it would appeal to the younger crowd
The Glow Sticks attempted to return to their roots
With their fourth album--
'We're Cool Again!'
But alas, twas a misnomer
The album charted at...
Well, actually, it didn't chart
Talia's mom bought one copy
And that was about it
Two of the junior high students admitted to Entertainment Weekly--
'We haven't even listened to it, because it's sooo lame.'
And so Talia quit the Glow Sticks
Or was thrown out
Depending on who you ask
The remaining members of the band
Held a reality show competition to find her replacement
But they ended up using the puppet
Who found Vegas to be a cruel and heartless town
After the drummer kicked him out of the show
The new Glow Sticks renamed themselves--
We Used to Be the Glow Sticks
But the new name didn't do much
To reignite interest
As for Talia, she released a few jazz albums
And a spoken word album entitled:
'Where the Hell is the Music?'
It would also become the title of her autobiography
There is a rumor that the Glow Sticks will be reuniting for a summer tour
(This rumor was most likely started by the Foot)
It's not exactly news, per se
I mean, not really
You know?
Not really news
I mean, because, see
Talia was the last of the original Glow Sticks
Which means the Glow Sticks
As they were at their best
In the beginning
Which many people agree
Was their BEST
And which means
You see
That the Glow Sticks broke up
YEARS ago
The drummer left to become a magician
Talia used to catch him on the tour bus
Trying to pull a rabbit out of the snare
And it was rumored that she loved him
And that they had a thing
And she made him choose
Between her and magic
And he chose magic
Which you can't really blame him
Because magic is an intangible thing
Which means it might not even be real
Which means it's perfect
And Talia, though a lead singer
Was not perfect
She had that minor addiction to gambling
Which she kept in check
By playing Bingo on the bus
Using a small plastic ball dispenser
That the drummer made disappear into thin air
On a tour stop in Debargo
'Jesus, Kris! Where the hell are my balls?'
The guys started laughing
Until Talia punched the drummer in the stomach
And then the balls popped out of his mouth
Which made the guys laugh even harder
The Glow Sticks weren't the most serious rock band, after all
Their first album was titled 'Pop It'
And it was full of bubblegum drum beat hook chorus ditties
Like--
'He's Kinda Awesome'
And
'My Extra Value Meal'
Which actually was about an Extra Value Meal
And not some guy Talia liked
When the drummer left
To open a magic show in Vegas
Entitled
'Watch My Balls'
Talia enlisted her best friend, Skyper
To be the band's new drummer
This would have been fine
Except for the fact that Skyper
Couldn't form a grip
Due to a birth defect
And so he had to play with his feet
This led to the band's unique sound on their second album--
'Playing With Our Toes'
Arguably the most artistically successful
The band ever produced
It was gritty and raw
A far cry from their first album
And it included the now classic tracks--
'You Left Me for Your Vegas Balls'
And
'Get a Grip (Seriously, Why Can't You Get a Grip? Oh Right, Your Birth Defect. That's Messed Up.)'
The latter has the distinction of having the most words in a parentheses
In any song title
In history
Before they could record their third album
The guitarist and the bassist left the band
Over a dispute with Talia
Regarding money
Talia felt they should be paid three times less than her
Because they were--to quote her interview with Spin:
'Way less awesome than me.'
Some say Talia's ego was out of control
Because of the huge success that came with the release of the second album
Talia herself was quoted in Rolling Stone saying--
'My ego is totally out of control. It's because of success that came with the release of the second album. Plus, I'm really awesome. Way more awesome than the bassist and the guitarist.'
The aforementioned bassist and guitarist
Formed their own band, called--
Screw Talia
Which may or may not have been a reference
To their dispute with Talia
They released one album
A commercial and artistic flop
And then they moved to Nevada
Where they raise iguanas
Talia chose not to replace them
But rather keep the band a trio
Unfortunately the sound of just a singer, a drummer who uses his feet
And a keyboard player who, it was discovered, was actually just a puppet
(Brought onboard when the drummer thought he might want to add ventriloquism into his act)
Did not light the charts ablaze
The Glow Sticks' third album
'Me, My Puppet, and the Foot'
Was a huge disappointment
And shortly thereafter
The puppet left the band
To join the drummer in Vegas
Now that the act was ready for him
The Foot stayed on
And Talia brought on a group of junior high students
To make up the rest of the band
In the hopes that it would appeal to the younger crowd
The Glow Sticks attempted to return to their roots
With their fourth album--
'We're Cool Again!'
But alas, twas a misnomer
The album charted at...
Well, actually, it didn't chart
Talia's mom bought one copy
And that was about it
Two of the junior high students admitted to Entertainment Weekly--
'We haven't even listened to it, because it's sooo lame.'
And so Talia quit the Glow Sticks
Or was thrown out
Depending on who you ask
The remaining members of the band
Held a reality show competition to find her replacement
But they ended up using the puppet
Who found Vegas to be a cruel and heartless town
After the drummer kicked him out of the show
The new Glow Sticks renamed themselves--
We Used to Be the Glow Sticks
But the new name didn't do much
To reignite interest
As for Talia, she released a few jazz albums
And a spoken word album entitled:
'Where the Hell is the Music?'
It would also become the title of her autobiography
There is a rumor that the Glow Sticks will be reuniting for a summer tour
(This rumor was most likely started by the Foot)
Wednesday, September 8, 2010
The Old Lady
The old lady's home
Sitting on her couch
Watching tv
Waiting to go to bed
She goes to bed late
For an old lady, that is
You gonna give me a drag of that smoke?
Fine, don't
Be a prick
I don't care how it looks
Who's going up to the door?
Who's going to the door, Jer?
You're lucky you have me
You better not go forgetting that
Who else do you know
Still looks young enough
To play the boy next door?
You know how to cry
And make a sour old bag
Want to come to your rescue?
Didn't think so
Never mind the smoke
I don't want her to smell it on my breath
The money's in the jewelry box
The one she keeps inside the drawer
Of her night stand
The bedroom's up the stairs
And to the left
I'll get her in the kitchen
Ask her for a drink of water or something
Maybe a cookie
What do you mean if it doesn't work?
It better work
Because if it doesn't I'm some poor kid
And you're a degenerate who used me
To get inside some old broad's house
That's why
Either that or you meet us in the kitchen
And we figure it out from there
Sitting on her couch
Watching tv
Waiting to go to bed
She goes to bed late
For an old lady, that is
You gonna give me a drag of that smoke?
Fine, don't
Be a prick
I don't care how it looks
Who's going up to the door?
Who's going to the door, Jer?
You're lucky you have me
You better not go forgetting that
Who else do you know
Still looks young enough
To play the boy next door?
You know how to cry
And make a sour old bag
Want to come to your rescue?
Didn't think so
Never mind the smoke
I don't want her to smell it on my breath
The money's in the jewelry box
The one she keeps inside the drawer
Of her night stand
The bedroom's up the stairs
And to the left
I'll get her in the kitchen
Ask her for a drink of water or something
Maybe a cookie
What do you mean if it doesn't work?
It better work
Because if it doesn't I'm some poor kid
And you're a degenerate who used me
To get inside some old broad's house
That's why
Either that or you meet us in the kitchen
And we figure it out from there
Johanna's Good News
Darling, I have fantastic news
We're going to have a child!
No, I'm not going to have one
Don't be ridiculous
Do you have any idea how long that takes?
Years, Maynard, years!
But I'm expediting the process
I've found the most fantastic person to be our surrogate
Her name?
Oh, well...it's not a her
Well, don't panic, Maynard
There is a her
There has to be
We're not having this baby in a science fiction novel after all
What I mean is that I haven't met the surrogate mother
Only the surrogate father
His name is Charles and he works at the coffee shop I go to
Well, Maynard, I would be happy to have you be the father
But Charles' girlfriend wouldn't be comfortable with it
She doesn't want to have your baby
She just wants to have his baby, then give it to us
Charles and I look so much alike I'm sure nobody will know that the baby isn't mine
I just hope Chuck's wife doesn't find out
Hmm?
No, Maynard, I said his girlfriend was going to have our baby
I didn't say anything about his wife
Well, darling, it's not our place to judge
Besides Charles said his wife would NEVER give us a baby
So we're very lucky that he has a mistress
Now, I'm going to start picking out colors for the nursery
Talk about this?
Maynard, darling, haven't you been listening?
It's all been taken care of
I don't see why you always have to make things so complicated
We're going to have a child!
No, I'm not going to have one
Don't be ridiculous
Do you have any idea how long that takes?
Years, Maynard, years!
But I'm expediting the process
I've found the most fantastic person to be our surrogate
Her name?
Oh, well...it's not a her
Well, don't panic, Maynard
There is a her
There has to be
We're not having this baby in a science fiction novel after all
What I mean is that I haven't met the surrogate mother
Only the surrogate father
His name is Charles and he works at the coffee shop I go to
Well, Maynard, I would be happy to have you be the father
But Charles' girlfriend wouldn't be comfortable with it
She doesn't want to have your baby
She just wants to have his baby, then give it to us
Charles and I look so much alike I'm sure nobody will know that the baby isn't mine
I just hope Chuck's wife doesn't find out
Hmm?
No, Maynard, I said his girlfriend was going to have our baby
I didn't say anything about his wife
Well, darling, it's not our place to judge
Besides Charles said his wife would NEVER give us a baby
So we're very lucky that he has a mistress
Now, I'm going to start picking out colors for the nursery
Talk about this?
Maynard, darling, haven't you been listening?
It's all been taken care of
I don't see why you always have to make things so complicated
Just Passing By
Stopped my bike at the corner
Saw your sign in the window
Should have let me in
Instead I saw you finger your cross
And your loss was apparent
But you still decided to keep me out in the dust
Where I couldn't bring my berries in
And it's because I had a bike, isn't it?
Or was it because you couldn't see me
Even when I was standing right in front of your mirror
You tasted my eyes before you felt my breath
You meant to say good-bye
But you climbed up instead
Wanted to ride my bike with me
Wanted to learn to ride with me
You were just gonna pass by me
Weren't you?
Instead you stand there
Behind your prayers
Waiting to go upstairs and kneel down
Not feel heat coming up from outside
Where me and my ride
Are just passing by
Just wanted to pick you up
And take you out
One last time
Saw your sign in the window
Should have let me in
Instead I saw you finger your cross
And your loss was apparent
But you still decided to keep me out in the dust
Where I couldn't bring my berries in
And it's because I had a bike, isn't it?
Or was it because you couldn't see me
Even when I was standing right in front of your mirror
You tasted my eyes before you felt my breath
You meant to say good-bye
But you climbed up instead
Wanted to ride my bike with me
Wanted to learn to ride with me
You were just gonna pass by me
Weren't you?
Instead you stand there
Behind your prayers
Waiting to go upstairs and kneel down
Not feel heat coming up from outside
Where me and my ride
Are just passing by
Just wanted to pick you up
And take you out
One last time
His Boyfriend
His boyfriend makes less money than him
He doesn't do his hair
He doesn't care
He doesn't dare wonder why I'm hanging around
He thinks he's grounded
But he's really surrounded by his man's past
When at last he realizes it
One of them is going to be ready to quit
His boyfriend is his Facebook pic
His boyfriend is his solar system
He plants candy hearts
In sallow ground
Thinking they'll grow
Into Hallmark cards
He doesn't know they talk about him at parties
He doesn't know he's one room away from the truth
He doesn't know about me or you or the parade going by
Nor does he wonder why he can hear whispers
Whispering that the ring on his finger
Has another man's name scraped off underneath
His boyfriend is his status
His boyfriend keeps him high
How many high fives 'til your hand gets sore
How many doors close because your boyfriend's scared of your success
How many messes do you have to clean up
Before the fucking doesn't measure up to the fucking up
Sucking up to his parents
Hoping they'll like you
More than the last guy he screwed
His boyfriend is his roommate
His boyfriend is his Marc Jacobs bag
All his friends are fake
All his waking hours are spent
Looking at the guys who came and went
And most are better looking than him
And he can trim himself down to a six pack and pecs
But he knows he's next and not next to last
Not even, not even close
All the clothes in the world
Wouldn't stop him from losing out
To a boy or a girl or a job
Or an idea or a theory
Or a good movie
Or an undiagnosed psychiatric condition
He makes videos to show that he's a star
And he goes viral while not seeing
That they get stoned and see him seeing himself
Ready to shelf him on the dusty edge
And hope that he'll fall down
His boyfriend is a series of nicknames
His boyfriend is a footnote
He'll gloat until the time runs out
Until another rung on a better ladder
Or a badder idea
Comes along
For a ride
Then he'll decide
If he was his boyfriend
Or something else entirely
He doesn't do his hair
He doesn't care
He doesn't dare wonder why I'm hanging around
He thinks he's grounded
But he's really surrounded by his man's past
When at last he realizes it
One of them is going to be ready to quit
His boyfriend is his Facebook pic
His boyfriend is his solar system
He plants candy hearts
In sallow ground
Thinking they'll grow
Into Hallmark cards
He doesn't know they talk about him at parties
He doesn't know he's one room away from the truth
He doesn't know about me or you or the parade going by
Nor does he wonder why he can hear whispers
Whispering that the ring on his finger
Has another man's name scraped off underneath
His boyfriend is his status
His boyfriend keeps him high
How many high fives 'til your hand gets sore
How many doors close because your boyfriend's scared of your success
How many messes do you have to clean up
Before the fucking doesn't measure up to the fucking up
Sucking up to his parents
Hoping they'll like you
More than the last guy he screwed
His boyfriend is his roommate
His boyfriend is his Marc Jacobs bag
All his friends are fake
All his waking hours are spent
Looking at the guys who came and went
And most are better looking than him
And he can trim himself down to a six pack and pecs
But he knows he's next and not next to last
Not even, not even close
All the clothes in the world
Wouldn't stop him from losing out
To a boy or a girl or a job
Or an idea or a theory
Or a good movie
Or an undiagnosed psychiatric condition
He makes videos to show that he's a star
And he goes viral while not seeing
That they get stoned and see him seeing himself
Ready to shelf him on the dusty edge
And hope that he'll fall down
His boyfriend is a series of nicknames
His boyfriend is a footnote
He'll gloat until the time runs out
Until another rung on a better ladder
Or a badder idea
Comes along
For a ride
Then he'll decide
If he was his boyfriend
Or something else entirely
Mercury
I'm Mercury
I'm the first planet from the sun
But I'm not the smallest
That would have been Pluto
But then scientists figured out
That Pluto was not a planet
But a comet, and so they renamed it Steve
After my friend Steve who is small
But acts like he's big
Even though I can beat him up
One time I punched Steve
And he cried
And I said I wouldn't tell anyone
But now he says he likes my sister
And that's so gross I threw up
But I did it in my mouth
So you wouldn't see
Because Mercury has an inner core
Made up of throw up
Because otherwise it would throw up on Venus
And then Venus would throw up on Earth
And we'd all be covered in throw-up
And life would be bad
The planet would be uninhabitable
Like my friend Steve's house
Because it smells
I am Mercury
And that means I go around the sun a lot
Which makes me tired
So then I have to go to bed at nine
Even though that's really lame
Because all the good shows come on at ten
But my mom mom says she doesn't care
And if I don't like it I can go live at Steve's house
Which I would because his parents let him stay up
But they also don't have a shower
So I don't know
A night on Mercury lasts forever
Like going to my uncle's house
Where you can't touch anything
Because it's all expensive
And he only has Diet Pepsi
Which tastes like pee water
Which I didn't even make up
My Dad did
But I get in trouble when I say it
Because Dads can't get in trouble
Because they lie better than kids do
If I were another planet, I would be
Because I hate Mercury
Because nobody writes about it
And I think it's unfair that I'm not Saturn
Which is super easy to do
And Steve gets to be Saturn
But he looks gay with that rainbow costume on
And all his mom's rings
Which are fake gold
And not real
Like he says he is
I couldn't dress up like Mercury
Because Mercury is just a rock
But it's close to the sun
So I had my mom put all her self-tanner on me
Because Mercury must be really tanned
But now I smell like a coconut
And I think for that I should get an 'A'
Thank you
I'm the first planet from the sun
But I'm not the smallest
That would have been Pluto
But then scientists figured out
That Pluto was not a planet
But a comet, and so they renamed it Steve
After my friend Steve who is small
But acts like he's big
Even though I can beat him up
One time I punched Steve
And he cried
And I said I wouldn't tell anyone
But now he says he likes my sister
And that's so gross I threw up
But I did it in my mouth
So you wouldn't see
Because Mercury has an inner core
Made up of throw up
Because otherwise it would throw up on Venus
And then Venus would throw up on Earth
And we'd all be covered in throw-up
And life would be bad
The planet would be uninhabitable
Like my friend Steve's house
Because it smells
I am Mercury
And that means I go around the sun a lot
Which makes me tired
So then I have to go to bed at nine
Even though that's really lame
Because all the good shows come on at ten
But my mom mom says she doesn't care
And if I don't like it I can go live at Steve's house
Which I would because his parents let him stay up
But they also don't have a shower
So I don't know
A night on Mercury lasts forever
Like going to my uncle's house
Where you can't touch anything
Because it's all expensive
And he only has Diet Pepsi
Which tastes like pee water
Which I didn't even make up
My Dad did
But I get in trouble when I say it
Because Dads can't get in trouble
Because they lie better than kids do
If I were another planet, I would be
Because I hate Mercury
Because nobody writes about it
And I think it's unfair that I'm not Saturn
Which is super easy to do
And Steve gets to be Saturn
But he looks gay with that rainbow costume on
And all his mom's rings
Which are fake gold
And not real
Like he says he is
I couldn't dress up like Mercury
Because Mercury is just a rock
But it's close to the sun
So I had my mom put all her self-tanner on me
Because Mercury must be really tanned
But now I smell like a coconut
And I think for that I should get an 'A'
Thank you
Willa and the Heat
Marjana, I am not going out with him again
I am not
Because he talked about his poop
He did, his poop
He talked about it
Brought it UP, Marjana
Brought IT UP to ME
Uh uh
Not having that in my life, Marjana
Not having it at ALL
Said it was healthy
What do I care that it's healthy?
Nice hair means you're healthy
Why couldn't he talk about his hair?
By God, it's hot
I wouldn't have gone out with him
But I had to get out of my house
Because I can't have a.c.
Because a.c. kills bluebirds
It hurts the environment
They said that on the Fox, Marjana
On the Fox news
They said the scientists are bullshitting about Global Warming
But then they got a breaking bulletin
That all these bluebirds are dying in Vegas
Because they use so much a.c.
Or because God is smiting them
Because it's a town of whores and lies and gambling
God, I'm so hot
I wish I could shove a fan up inside myself
And cool myself down from the inside out
Oh that is not DIRTY, Marjana
What's dirty is that man you set me up
Mr. Poop
He's the dirty one
I wouldn't even shake his hand at the end of the date
Well, a peck on the cheek isn't a handshake, Marjana
His poop doesn't go anywhere near his cheek
At least, I hope not
And you WORK with this man!
You better use that hand cleanser you keep at your desk more often
Because you are working with a feces fetishist
That's a word
That's a WORD, Marjana
Add 'ist' to anything and it's a word
It's how you make words
God, I am sweating like a heifer at a Wendy's
Well, maybe the heifer would be curious, Marjana
It's just an expression
I am sitting here at my kitchen table
Fanning myself with Harper's Bazaar
Legs spread out like I'm ready to receive Jesus
Oh, the heat, Marjana, it is stifling
And every man in this town has gone crazy because of it
Every man I've met in the past three weeks
Have been depraved lunatics or poop lovers
Last week I let Dara Lee set me up with a man named Clint
Nice name, I know? Right
He SPANKED me
On the way into the restaurant
He SPANKED me
Right on the bottom
Like he was trying to get me to cry out after birth or something
Like my behind needed testing
I turned around and I slapped his crotch
Oh, I most certainly did
And let me tell you something
My ass has more bounce in it than his crotch, Marjana
Down he went, like the Titanium
It was a sight
It was a SIGHT to BEHOLD
I don't know who raised him
But there was clearly a lot of abuse
Because he has fetishized violence
Marjana, if you add an 'ized' to it, it's a word
It's a double word
Like a double word score
God, it is too hot to argue with you
My hair is coming down onto my face like wet noodles
Down the outside of a whore's pocketbook
EXPRESSION, MARJANA, EXPRESSION!
Maybe you need to get your head spanked
Maybe I oughta call up Clint for you
Oh dear Lord, screw the bluebirds, I'm turning on the a.c.
They're probably just dying because they're outside where there's no a.c.
And I can't help that
I can't invite all the bluebirds into my house
I just put down new linoleum
No, no, no
No more dates, Marjana!
It's too hot to date
And men get the wrong idea
You take your panties off during dinner
And toss 'em on the table
Because your stomach sweat's pooling in your lap like a puddle
And suddenly they think you're ready to go
Well, I can't have that
It's too hot, Marjana
It's just too damn hot
I am not
Because he talked about his poop
He did, his poop
He talked about it
Brought it UP, Marjana
Brought IT UP to ME
Uh uh
Not having that in my life, Marjana
Not having it at ALL
Said it was healthy
What do I care that it's healthy?
Nice hair means you're healthy
Why couldn't he talk about his hair?
By God, it's hot
I wouldn't have gone out with him
But I had to get out of my house
Because I can't have a.c.
Because a.c. kills bluebirds
It hurts the environment
They said that on the Fox, Marjana
On the Fox news
They said the scientists are bullshitting about Global Warming
But then they got a breaking bulletin
That all these bluebirds are dying in Vegas
Because they use so much a.c.
Or because God is smiting them
Because it's a town of whores and lies and gambling
God, I'm so hot
I wish I could shove a fan up inside myself
And cool myself down from the inside out
Oh that is not DIRTY, Marjana
What's dirty is that man you set me up
Mr. Poop
He's the dirty one
I wouldn't even shake his hand at the end of the date
Well, a peck on the cheek isn't a handshake, Marjana
His poop doesn't go anywhere near his cheek
At least, I hope not
And you WORK with this man!
You better use that hand cleanser you keep at your desk more often
Because you are working with a feces fetishist
That's a word
That's a WORD, Marjana
Add 'ist' to anything and it's a word
It's how you make words
God, I am sweating like a heifer at a Wendy's
Well, maybe the heifer would be curious, Marjana
It's just an expression
I am sitting here at my kitchen table
Fanning myself with Harper's Bazaar
Legs spread out like I'm ready to receive Jesus
Oh, the heat, Marjana, it is stifling
And every man in this town has gone crazy because of it
Every man I've met in the past three weeks
Have been depraved lunatics or poop lovers
Last week I let Dara Lee set me up with a man named Clint
Nice name, I know? Right
He SPANKED me
On the way into the restaurant
He SPANKED me
Right on the bottom
Like he was trying to get me to cry out after birth or something
Like my behind needed testing
I turned around and I slapped his crotch
Oh, I most certainly did
And let me tell you something
My ass has more bounce in it than his crotch, Marjana
Down he went, like the Titanium
It was a sight
It was a SIGHT to BEHOLD
I don't know who raised him
But there was clearly a lot of abuse
Because he has fetishized violence
Marjana, if you add an 'ized' to it, it's a word
It's a double word
Like a double word score
God, it is too hot to argue with you
My hair is coming down onto my face like wet noodles
Down the outside of a whore's pocketbook
EXPRESSION, MARJANA, EXPRESSION!
Maybe you need to get your head spanked
Maybe I oughta call up Clint for you
Oh dear Lord, screw the bluebirds, I'm turning on the a.c.
They're probably just dying because they're outside where there's no a.c.
And I can't help that
I can't invite all the bluebirds into my house
I just put down new linoleum
No, no, no
No more dates, Marjana!
It's too hot to date
And men get the wrong idea
You take your panties off during dinner
And toss 'em on the table
Because your stomach sweat's pooling in your lap like a puddle
And suddenly they think you're ready to go
Well, I can't have that
It's too hot, Marjana
It's just too damn hot
Tuesday, September 7, 2010
This Puppy
Mrs. Maguire, I'd like to sell you this puppy
Now, I know what you're going to say
You already have a dog
But Mrs. Maguire, if you had a nickel
And someone offers you a hundred dollar bill
Do you say--
Oh, sorry, I can't
I already have a nickel
I don't have room for that much more money
No, Mrs. Maguire, you don't say that
Because you can never have too much money
And you can never have too many dogs with an IQ over one sixty
Living in your house at one time
A dog like this puppy
Is the reason I got out of the car business
And went into the pet business
That and the lawsuit, of course
But let's not talk about me
Let's talk about your new puppy
Mrs. Maguire, this puppy is only four years old
Now, I know what you're going to say
Four years old is no puppy
But this one has barely been played with
The woman who had it before
Used to pet it twice a day
Feed it, then put it back in its crate
Look at its paws
They're like pincushions!
Without the pins, of course
I never put pins in a dog's paws
Not like SOME pet shops I could tell you about
That might or might not
Be across the street from my shop
This puppy is efficient, it's clever
Just last week I saw it reading Atlantic Monthly
Plus it's lovable
Oh sure, it bites occasionally
But what dog doesn't?
Besides, it's not like it has any teeth left
And who doesn't love the feeling of a puppy
Gnawing at your face while you sleep
That's love, Mrs. Maguire, in its purest form
What can I say to put this creature in your heart today?
Now, I know you're wondering whether or not
You want to take a chance
On a beautiful, affectionate, James Beard award-winning puppy
Like this one
And all I have to say to that is--
Just last week I sold four puppies just like this one
And three of those owners
Won the lottery the next day
I'm not saying God sent me these dogs, Mrs. Maguire
But I certainly wouldn't want to walk out of this store without one
Plus, if you want
I'll take off that price I shaved into its fur
And shave out another one
On its other side
So what do you say?
Do we have a deal?
Now, I know what you're going to say
You already have a dog
But Mrs. Maguire, if you had a nickel
And someone offers you a hundred dollar bill
Do you say--
Oh, sorry, I can't
I already have a nickel
I don't have room for that much more money
No, Mrs. Maguire, you don't say that
Because you can never have too much money
And you can never have too many dogs with an IQ over one sixty
Living in your house at one time
A dog like this puppy
Is the reason I got out of the car business
And went into the pet business
That and the lawsuit, of course
But let's not talk about me
Let's talk about your new puppy
Mrs. Maguire, this puppy is only four years old
Now, I know what you're going to say
Four years old is no puppy
But this one has barely been played with
The woman who had it before
Used to pet it twice a day
Feed it, then put it back in its crate
Look at its paws
They're like pincushions!
Without the pins, of course
I never put pins in a dog's paws
Not like SOME pet shops I could tell you about
That might or might not
Be across the street from my shop
This puppy is efficient, it's clever
Just last week I saw it reading Atlantic Monthly
Plus it's lovable
Oh sure, it bites occasionally
But what dog doesn't?
Besides, it's not like it has any teeth left
And who doesn't love the feeling of a puppy
Gnawing at your face while you sleep
That's love, Mrs. Maguire, in its purest form
What can I say to put this creature in your heart today?
Now, I know you're wondering whether or not
You want to take a chance
On a beautiful, affectionate, James Beard award-winning puppy
Like this one
And all I have to say to that is--
Just last week I sold four puppies just like this one
And three of those owners
Won the lottery the next day
I'm not saying God sent me these dogs, Mrs. Maguire
But I certainly wouldn't want to walk out of this store without one
Plus, if you want
I'll take off that price I shaved into its fur
And shave out another one
On its other side
So what do you say?
Do we have a deal?
Monday, September 6, 2010
Jenna in New Orleans
There's a girl being reborn
In New Orleans
Her name is Jenna
She's a waitress
At a nice restaurant
Perched atop a garbage heap
Down at the bottom
The dwellers crawl up
Looking for something to eat
And she throws them down scraps
On her break
On her break
She smokes and stares out
Over the city
As it pulses
Still wet
From birth
From rebirth
She tries not to get ash
On her nice black pants
And she thinks about the men
She used to fuck for money
And how they paid her less
Than what she makes now in tips
She thinks of the man who left her in Chicago
And the man she left in Chicago
And the girl she left in Vegas
The one she got high every night
Just to see another person happy
She cut off her hair
And half her jeans
And she doesn't wear make-up
Because she wants her skin
To look hard
But the innocence she tried so hard to destroy
Creeps back through her pores
And paints her a lovely color
Her apartment has windows
With black duct tape over them
Because she doesn't like natural light
It comes when you don't want it to
And she doesn't like waking up to it
She spends too much time
Looking at her fingernails
Wondering when she can start biting them again
She quit all her bad habits
On a lay-over in Atlanta
Looking out the window of the plane
Talking to some kid
Heading to Providence
Jenna doesn't tell him
That she lived there for years
When she went to Brown
She doesn't mention it at all
But she thinks about the bad October
When she got drunk every night
And slammed her car into a pole
Thankful it wasn't a tree
She remembers the Halloween party
When she slapped some girl
Because of a comment she made
That turned out not to be about Jenna
She remembers her mantra
The only thing that kept her going--
'Can't wait to get the fuck out of here. Can't wait to get the fuck out of her.'
She wanted to move
At least that's what she thought
It never occurred to her that moving wouldn't be enough
That what she needed was a rebirth
Outside her apartment
There's a woman named Osa
Who came to New Orleans from Uganda
To live a better life
When Katrina hit
She got raped by a guy in the Ninth Ward
Who left her pregnant
And a chain smoker
She kept the baby
But she kept smoking throughout the pregnancy
And nobody told her to stop
Osa doesn't remember the rapist
But her daughter Ana is half-white
So Osa knows one thing at least
Jenna likes to sit with Osa on the stoop
And trade cigarettes and stories
Osa's are true
But Jenna makes hers up
To make Osa laugh
What does she need to hear the truth for?
When Osa told her about the rape
Jenna thought of the bad October
At a house party in Newport
How the fuck she got to Newport is anybody's guess
She remembered walking in on three guys
And a girl on the bed
The girl didn't look any older than Jenna was
But she was crying
And the guy on top of her
Had her hand over her mouth
Jenna remembered switching places with that girl
Going inside her body
Feeling the push
And the struggle
The tears going back into her own eyes
Burning them up
Knowing there were two other guys
Going to do the same time
Her skin going hard then harder
Then becoming a wall
An impenetrable wall
Then one of the guys called her a nosy bitch
And slammed the door shut
Jenna stumbled out of the house
And landed in the driveway
She woke up the next day in her dorm
One of her friends had brought her home
She never knew who the girl was
She didn't even know what street the house was on
Or why she was there in the first place
But she remembered the burning tears
And the hardening of that girl's skin
While she was inside her body
Instead of telling anyone about it
Jenna learns to run
She stops drinking
And becomes strong
Strong against the softness
She still feels inside her
She pushes herself
To do well in school
To find a good boyfriend
To become a positive force within the world
And still she can't go to parties
And still she can't listen to loud music
And still when she finds a boyfriend
And he wants to make love
She has to be on top
And close her eyes
Then she goes to London
And meets Robert
And he's so decent
Being with him
Is like rubbing balm on your skin
Finding him is like finding forgiveness
And so she stops running
But she doesn't stop moving
Because London is still too loud
And Providence is too close
And New York is too dark
And L.A. is too bright
And when they get to Chicago
Robert tells her he's sick of moving
And can't they stay still
And she walks to
But she can't
And he can't understand
So he leaves
Everything after that is a rebirth
Falling in love with a boy waiting for his flight
Running around the airport
Like characters in a short story
Going to Vegas and meeting Emma
Sleeping next to her every night
Counting out how many times she'd reach for Jenna
Only to have Jenna move back a few inches
When she got on the flight for New Orleans
She had no fingernails and no hair
But she did have eight grand shoved in a cheap purse
She bought right before she left
Flying over the city
She was disappointed at not seeing water
Even though the flood was years ago
She wanted to dive into the water
And come out of it reborn
Ready to live in a new city
As shiny and fresh as she would be
Instead there was dirt
And stories from strangers
People like Osa
Who still couldn't believe
How sharp history in its present form
Could be
Jenna sits outside the restaurant
And plays with new names
Maybe she'll call herself Emma
After the girl she left in Las Vegas
Lying on a bed
Reaching for her
Jenna remembered thinking she looked like the girl from Newport
Back in the bad October
When the break is up
The cigarette still has some breath in it
So she decides to quit the restaurant
And stay out here
Until the manager hires someone new
She'll have to move again
Whatever money she has
She'll give to Osa
In a blank envelope
The city's not new enough
And the people are all old
Still clinging to their old culture
Trying to dig it up
Out of the rubble
She wonders where she'll go next
And whether or not her feet will stick this time
She'll bite her nails again
She'll fuck men again--for money, for free
She'll get high again
And give up God again
And believe again
But tonight she's old
Tonight her only home
Is the cigarette
And the view from above
Looking down on the poor helpless people
Wondering how much longer she can look at them
Before she runs
In New Orleans
Her name is Jenna
She's a waitress
At a nice restaurant
Perched atop a garbage heap
Down at the bottom
The dwellers crawl up
Looking for something to eat
And she throws them down scraps
On her break
On her break
She smokes and stares out
Over the city
As it pulses
Still wet
From birth
From rebirth
She tries not to get ash
On her nice black pants
And she thinks about the men
She used to fuck for money
And how they paid her less
Than what she makes now in tips
She thinks of the man who left her in Chicago
And the man she left in Chicago
And the girl she left in Vegas
The one she got high every night
Just to see another person happy
She cut off her hair
And half her jeans
And she doesn't wear make-up
Because she wants her skin
To look hard
But the innocence she tried so hard to destroy
Creeps back through her pores
And paints her a lovely color
Her apartment has windows
With black duct tape over them
Because she doesn't like natural light
It comes when you don't want it to
And she doesn't like waking up to it
She spends too much time
Looking at her fingernails
Wondering when she can start biting them again
She quit all her bad habits
On a lay-over in Atlanta
Looking out the window of the plane
Talking to some kid
Heading to Providence
Jenna doesn't tell him
That she lived there for years
When she went to Brown
She doesn't mention it at all
But she thinks about the bad October
When she got drunk every night
And slammed her car into a pole
Thankful it wasn't a tree
She remembers the Halloween party
When she slapped some girl
Because of a comment she made
That turned out not to be about Jenna
She remembers her mantra
The only thing that kept her going--
'Can't wait to get the fuck out of here. Can't wait to get the fuck out of her.'
She wanted to move
At least that's what she thought
It never occurred to her that moving wouldn't be enough
That what she needed was a rebirth
Outside her apartment
There's a woman named Osa
Who came to New Orleans from Uganda
To live a better life
When Katrina hit
She got raped by a guy in the Ninth Ward
Who left her pregnant
And a chain smoker
She kept the baby
But she kept smoking throughout the pregnancy
And nobody told her to stop
Osa doesn't remember the rapist
But her daughter Ana is half-white
So Osa knows one thing at least
Jenna likes to sit with Osa on the stoop
And trade cigarettes and stories
Osa's are true
But Jenna makes hers up
To make Osa laugh
What does she need to hear the truth for?
When Osa told her about the rape
Jenna thought of the bad October
At a house party in Newport
How the fuck she got to Newport is anybody's guess
She remembered walking in on three guys
And a girl on the bed
The girl didn't look any older than Jenna was
But she was crying
And the guy on top of her
Had her hand over her mouth
Jenna remembered switching places with that girl
Going inside her body
Feeling the push
And the struggle
The tears going back into her own eyes
Burning them up
Knowing there were two other guys
Going to do the same time
Her skin going hard then harder
Then becoming a wall
An impenetrable wall
Then one of the guys called her a nosy bitch
And slammed the door shut
Jenna stumbled out of the house
And landed in the driveway
She woke up the next day in her dorm
One of her friends had brought her home
She never knew who the girl was
She didn't even know what street the house was on
Or why she was there in the first place
But she remembered the burning tears
And the hardening of that girl's skin
While she was inside her body
Instead of telling anyone about it
Jenna learns to run
She stops drinking
And becomes strong
Strong against the softness
She still feels inside her
She pushes herself
To do well in school
To find a good boyfriend
To become a positive force within the world
And still she can't go to parties
And still she can't listen to loud music
And still when she finds a boyfriend
And he wants to make love
She has to be on top
And close her eyes
Then she goes to London
And meets Robert
And he's so decent
Being with him
Is like rubbing balm on your skin
Finding him is like finding forgiveness
And so she stops running
But she doesn't stop moving
Because London is still too loud
And Providence is too close
And New York is too dark
And L.A. is too bright
And when they get to Chicago
Robert tells her he's sick of moving
And can't they stay still
And she walks to
But she can't
And he can't understand
So he leaves
Everything after that is a rebirth
Falling in love with a boy waiting for his flight
Running around the airport
Like characters in a short story
Going to Vegas and meeting Emma
Sleeping next to her every night
Counting out how many times she'd reach for Jenna
Only to have Jenna move back a few inches
When she got on the flight for New Orleans
She had no fingernails and no hair
But she did have eight grand shoved in a cheap purse
She bought right before she left
Flying over the city
She was disappointed at not seeing water
Even though the flood was years ago
She wanted to dive into the water
And come out of it reborn
Ready to live in a new city
As shiny and fresh as she would be
Instead there was dirt
And stories from strangers
People like Osa
Who still couldn't believe
How sharp history in its present form
Could be
Jenna sits outside the restaurant
And plays with new names
Maybe she'll call herself Emma
After the girl she left in Las Vegas
Lying on a bed
Reaching for her
Jenna remembered thinking she looked like the girl from Newport
Back in the bad October
When the break is up
The cigarette still has some breath in it
So she decides to quit the restaurant
And stay out here
Until the manager hires someone new
She'll have to move again
Whatever money she has
She'll give to Osa
In a blank envelope
The city's not new enough
And the people are all old
Still clinging to their old culture
Trying to dig it up
Out of the rubble
She wonders where she'll go next
And whether or not her feet will stick this time
She'll bite her nails again
She'll fuck men again--for money, for free
She'll get high again
And give up God again
And believe again
But tonight she's old
Tonight her only home
Is the cigarette
And the view from above
Looking down on the poor helpless people
Wondering how much longer she can look at them
Before she runs
Sunday, September 5, 2010
You Gotta See This Town
You gotta walk down the street
Where the sidewalk meets the heat
And see if you can breathe in
The Saturday night lights
Shining from two days away
You got kissed tonight
You did all right
You forgot to pay
So you have to run back
And apologize to the waitress
As you're running
You see spots where old friends
Broke up and choked up
And got into fights
And stood beneath the lights
You should be standing under now
But somehow they're different lights
And not just the bulbs
Instead they seem to sense
That you were on the fence about moving
Because at one point
You were the only guy left in the joint
From the original crew
And did you want to be that guy?
So the lights said--
'Stick around, kid, you're not done here yet.'
You got hammered tonight
Shit-faced
Wonderful
Drunk
Sincere
Stupid
Amazing
You finally told the truth
About who you are and what you want
And you want to eat pizza at 2am
And call your aunt in New Mexico
Just to say thank you
For being the coolest person I knew growing up
You got balls now
You got a soul
You're in control over how bad you feel
And really, you've always been in control
You like the smack of the sidewalk
As you hit each crack
And pass by hotels you've never stayed at
And restaurants you've never eaten at
And people you haven't met yet
But you bet you will
You bet you will
You imagine writing letters
To the friends who've left
Telling them they missed the town
They lived in for years
Letting them know they didn't really see it
Because you didn't either
Until tonight
Until someone grabbed you
And planted a new perspective
On the edge of your lips
Now you write an imaginary postcard
To everyone who left
Telling them to come back down
Saying you didn't see it
You never see it
And you gotta see this town
Where the sidewalk meets the heat
And see if you can breathe in
The Saturday night lights
Shining from two days away
You got kissed tonight
You did all right
You forgot to pay
So you have to run back
And apologize to the waitress
As you're running
You see spots where old friends
Broke up and choked up
And got into fights
And stood beneath the lights
You should be standing under now
But somehow they're different lights
And not just the bulbs
Instead they seem to sense
That you were on the fence about moving
Because at one point
You were the only guy left in the joint
From the original crew
And did you want to be that guy?
So the lights said--
'Stick around, kid, you're not done here yet.'
You got hammered tonight
Shit-faced
Wonderful
Drunk
Sincere
Stupid
Amazing
You finally told the truth
About who you are and what you want
And you want to eat pizza at 2am
And call your aunt in New Mexico
Just to say thank you
For being the coolest person I knew growing up
You got balls now
You got a soul
You're in control over how bad you feel
And really, you've always been in control
You like the smack of the sidewalk
As you hit each crack
And pass by hotels you've never stayed at
And restaurants you've never eaten at
And people you haven't met yet
But you bet you will
You bet you will
You imagine writing letters
To the friends who've left
Telling them they missed the town
They lived in for years
Letting them know they didn't really see it
Because you didn't either
Until tonight
Until someone grabbed you
And planted a new perspective
On the edge of your lips
Now you write an imaginary postcard
To everyone who left
Telling them to come back down
Saying you didn't see it
You never see it
And you gotta see this town
Marty Mishlin's Acting for the Soaps
All right everyone
Let's save all that chatty energy
For the stage
Where we will channel it
Into theatrical magic
I am Marty Mishlin
And this is Acting...for the Soaps
Now, as someone who has been on over three episodes
Of General Hospital
I can think of no one better
To guide you through the intense
Emotional process
That comes from playing one of those tortured souls
Known as a soap opera character
Let's begin with a scenario
Your father has just confessed to you
That your mother, who you thought was dead
Only adopted you after she stole you
From your biological mother
Who happens to be both the mayor of Port Charles
And a serial killer
What do you do?
How do you express all the emotions
That are coursing your veins?
Speaking of courses
I'll be offering my 'Vowels--Don't Let Them Get U You Down' class
This spring
So sign up now
Because it usually gets cancelled
When nobody shows interest
That's why you all walk around
Sounding like Marlon Brando
After his tongue turned to cheesecake
BACK TO THE SCENE!
Now, you could think about your mother
But which one?
The dead one who died
In a freak explosion at the power plant
That may or may not have been
Because of your biological mother
Who used to be a terrorist in the 70's
Before she met her twin sister
And figured out what it was to love?
There's an easier way, class
Watch me
. . . . .
See what I did there?
I lifted up my chin
I let my lip quiver
I had my eyes say 'You bitch, you killed Spencer, my niece who may or may not have been my boyfriend!'
That's how you win a Daytime Emmy, kids.
Susan Lucci used to beg me for acting tips
And do you know what I'd say to her?
'You're not on General Hospital, you're on that trash heap known as All My Children. Get out of my shared dressing room!'
Ohhh...
Do you see what I did there?
I expressed rage at Susan Lucci
Whom I've never actually met
I needed a scenario
To teach you all about soap opera rage
I pulled back the corners of my lips
I squinted my eyes
I reared back my hand
As if to say--I will smack you down, you raven-haired vixen!
That children, is what the soaps call for
Passion
Intensity
And above all--
Eyebrows
Lots of eyebrows
All right, pair up
I want you to practice mirroring each other
By saying--
'I'm having your baby and it might be an alien.'
Let the acting begin
Let's save all that chatty energy
For the stage
Where we will channel it
Into theatrical magic
I am Marty Mishlin
And this is Acting...for the Soaps
Now, as someone who has been on over three episodes
Of General Hospital
I can think of no one better
To guide you through the intense
Emotional process
That comes from playing one of those tortured souls
Known as a soap opera character
Let's begin with a scenario
Your father has just confessed to you
That your mother, who you thought was dead
Only adopted you after she stole you
From your biological mother
Who happens to be both the mayor of Port Charles
And a serial killer
What do you do?
How do you express all the emotions
That are coursing your veins?
Speaking of courses
I'll be offering my 'Vowels--Don't Let Them Get U You Down' class
This spring
So sign up now
Because it usually gets cancelled
When nobody shows interest
That's why you all walk around
Sounding like Marlon Brando
After his tongue turned to cheesecake
BACK TO THE SCENE!
Now, you could think about your mother
But which one?
The dead one who died
In a freak explosion at the power plant
That may or may not have been
Because of your biological mother
Who used to be a terrorist in the 70's
Before she met her twin sister
And figured out what it was to love?
There's an easier way, class
Watch me
. . . . .
See what I did there?
I lifted up my chin
I let my lip quiver
I had my eyes say 'You bitch, you killed Spencer, my niece who may or may not have been my boyfriend!'
That's how you win a Daytime Emmy, kids.
Susan Lucci used to beg me for acting tips
And do you know what I'd say to her?
'You're not on General Hospital, you're on that trash heap known as All My Children. Get out of my shared dressing room!'
Ohhh...
Do you see what I did there?
I expressed rage at Susan Lucci
Whom I've never actually met
I needed a scenario
To teach you all about soap opera rage
I pulled back the corners of my lips
I squinted my eyes
I reared back my hand
As if to say--I will smack you down, you raven-haired vixen!
That children, is what the soaps call for
Passion
Intensity
And above all--
Eyebrows
Lots of eyebrows
All right, pair up
I want you to practice mirroring each other
By saying--
'I'm having your baby and it might be an alien.'
Let the acting begin
Saturday, September 4, 2010
That Depends on You
If we kiss tonight
Or we dance or whatever
You better tell me
Or warn me or you know
Cause I'm used to going at my own place
And your place is probably cleaner than mine
And you're fine where you are
But you'd be better off far away
Staying clear of a girl with a broken heart
And new theories on men
That all end with 'they suck'
Fuck, I'm so fucking drunk
You wanna fuck?
Is that what you want?
You new men say you want more
And more I can't guarantee
The gender roles have switched permanently
And I'm just a victim of progress, you see
Do you like me?
I'm lovable, aren't I?
This is when you say 'Yes'
Let me tell you when to agree
And you'll do much better with me
If you wanna marry me
Let me know now
So I can shave my legs
And pick out a gown
I am not afraid
I am not a virgin
I am not a healer
I am not repaired
I am not prepared either
I am not perfect
I am not sure I'll be me in five months
If you bite
I'll bite back
If we fight
Let's do it right
And make love after
Like, immediately after
I want to put my hands on your chest
To steady myself
While I slide you inside me
And ride you in a daze
Like I'm half-asleep
If you're sure of me
Then why are you blushing
Am I rushing things
By talking dirty?
Fuck
Me
Tonight
Is that all right to say?
Or are you planning on running
Away?
We can be here all day
Asking questions
Answers, questions
Answers, queries
Problems, solutions
We can have it all
And if we do, well--
That depends on you
Or we dance or whatever
You better tell me
Or warn me or you know
Cause I'm used to going at my own place
And your place is probably cleaner than mine
And you're fine where you are
But you'd be better off far away
Staying clear of a girl with a broken heart
And new theories on men
That all end with 'they suck'
Fuck, I'm so fucking drunk
You wanna fuck?
Is that what you want?
You new men say you want more
And more I can't guarantee
The gender roles have switched permanently
And I'm just a victim of progress, you see
Do you like me?
I'm lovable, aren't I?
This is when you say 'Yes'
Let me tell you when to agree
And you'll do much better with me
If you wanna marry me
Let me know now
So I can shave my legs
And pick out a gown
I am not afraid
I am not a virgin
I am not a healer
I am not repaired
I am not prepared either
I am not perfect
I am not sure I'll be me in five months
If you bite
I'll bite back
If we fight
Let's do it right
And make love after
Like, immediately after
I want to put my hands on your chest
To steady myself
While I slide you inside me
And ride you in a daze
Like I'm half-asleep
If you're sure of me
Then why are you blushing
Am I rushing things
By talking dirty?
Fuck
Me
Tonight
Is that all right to say?
Or are you planning on running
Away?
We can be here all day
Asking questions
Answers, questions
Answers, queries
Problems, solutions
We can have it all
And if we do, well--
That depends on you
The Villain's Missing Hurricane
Hello?
Yes, I'd like to speak to whomever is in charge
Of predicting the weather
Provided he still has a job
In which case
I'd also like to talk to the moron
Who hasn't fired him yet
Yes, I'll hold
...Is this Dean Martin?...
Yes, this is the Villain
No, the is just before the Villain
It's not my first name
V-I-L-L-A-I-N
...But it's not--
Ugh
T-H-E
Okay, fine
Now, could I please--
Yes, I'll hold
...Maybe it's Tony Bennett...
...I got you...under my--
Yes, I'm here!
Well, I'm just a little perturbed, you see
Because I was supposed to blow up the East Coast tonight
But I couldn't
Because nobody would have noticed
Because allegedly there was going to be a hurricane
That would do its own form of destruction
And then nobody would notice my hard work
And so instead I rented 'You've Got Mail'
Stocked up on bottled water
And spent the evening in with my koala bear, John Tesh
J-O-H-N T-E-S-H
Well, what am I supposed to do with all this bottled water???
I can't DRINK it!
Don't be insane!
My bladder is the size of a thumbtack!
Well, WHY did you predict a hurricane
When there wasn't one?
You know why I think you did it?
Because you're a liar
And let me tell you something, liar
I may blow up small islands
I may shave poodles for no reason
I may have been indirectly responsible for the break-up of The Wallflowers
But at no time, have I ever LIED ABOUT THE WEATHER!
Only a sicko would do something like that
A SICKO!
Yes, I'll hold
...Okay, this sounds like Bing Crosby, I'm just totally confused...
Hello?
Yes, I'm here
Not an exact science?
Neither is shooting secret agents
But I somehow always manage to get it right
Except when John Tesh accidentally gnaws on the bars on their cage
And lets them out
He's teething...again
What?
No, I do not want a weather boy badge!
I'm not a boy!
I mean, I am a boy
But I'm not--
Oooohhhh, hang on
I'm getting in my swivel chair
I am going to swivel this out with you
All over your face!
...It doesn't mean anything! It's just something you say while you're swiveling!
Oh yeah? Well you're a LIAR!
WELL THE FROWNY FACE CLOUD DOESN'T STICK ITSELF TO THE MAP NOW DOES IT, YOU LIAR?
LIAR LIAR LIAR--
...He hung up
Well, that's fine
He probably has to rush home
Then again, with that rabid otter in his car
I'm not sure how far he thinks he's going
Maybe next time
He'll wait to use the frowny face cloud
And not jump to conclusions
That ruin perfectly good weekends
When certain Villains could be out
Partying with his henchmen
Wouldn't that be nice, John Tesh?
Wouldn't that just be fantastic?
Yes, I'd like to speak to whomever is in charge
Of predicting the weather
Provided he still has a job
In which case
I'd also like to talk to the moron
Who hasn't fired him yet
Yes, I'll hold
...Is this Dean Martin?...
Yes, this is the Villain
No, the is just before the Villain
It's not my first name
V-I-L-L-A-I-N
...But it's not--
Ugh
T-H-E
Okay, fine
Now, could I please--
Yes, I'll hold
...Maybe it's Tony Bennett...
...I got you...under my--
Yes, I'm here!
Well, I'm just a little perturbed, you see
Because I was supposed to blow up the East Coast tonight
But I couldn't
Because nobody would have noticed
Because allegedly there was going to be a hurricane
That would do its own form of destruction
And then nobody would notice my hard work
And so instead I rented 'You've Got Mail'
Stocked up on bottled water
And spent the evening in with my koala bear, John Tesh
J-O-H-N T-E-S-H
Well, what am I supposed to do with all this bottled water???
I can't DRINK it!
Don't be insane!
My bladder is the size of a thumbtack!
Well, WHY did you predict a hurricane
When there wasn't one?
You know why I think you did it?
Because you're a liar
And let me tell you something, liar
I may blow up small islands
I may shave poodles for no reason
I may have been indirectly responsible for the break-up of The Wallflowers
But at no time, have I ever LIED ABOUT THE WEATHER!
Only a sicko would do something like that
A SICKO!
Yes, I'll hold
...Okay, this sounds like Bing Crosby, I'm just totally confused...
Hello?
Yes, I'm here
Not an exact science?
Neither is shooting secret agents
But I somehow always manage to get it right
Except when John Tesh accidentally gnaws on the bars on their cage
And lets them out
He's teething...again
What?
No, I do not want a weather boy badge!
I'm not a boy!
I mean, I am a boy
But I'm not--
Oooohhhh, hang on
I'm getting in my swivel chair
I am going to swivel this out with you
All over your face!
...It doesn't mean anything! It's just something you say while you're swiveling!
Oh yeah? Well you're a LIAR!
WELL THE FROWNY FACE CLOUD DOESN'T STICK ITSELF TO THE MAP NOW DOES IT, YOU LIAR?
LIAR LIAR LIAR--
...He hung up
Well, that's fine
He probably has to rush home
Then again, with that rabid otter in his car
I'm not sure how far he thinks he's going
Maybe next time
He'll wait to use the frowny face cloud
And not jump to conclusions
That ruin perfectly good weekends
When certain Villains could be out
Partying with his henchmen
Wouldn't that be nice, John Tesh?
Wouldn't that just be fantastic?
Thursday, September 2, 2010
Today I Stopped
Today I stopped
I quit
I gave it up
I threw it away
I tore up the number
That I wrote
On sheet metal
I burned the pack
I poured out the booze
I apologized
I gave away my shit
I acknowledged my shit
I stopped rolling around in my shit
Like a pig
With a personality disorder
I ripped my shirt off
I stopped saying nasty things to myself
I stopped saying nasty things altogether
I ate cake
I stuffed my face
With cake
Then I put the cake away
I looked in all my mirrors
I dug up the grave
I danced on the grave
I prayed on the grave
I played on the grave
I stayed on the grave
That grave belonged to me
And today it's just grass
With a stone on top
I paid all my bills
I wrote down my thoughts
I forgave myself
I forgave everybody else
I unpacked my boxes
I phoned my mother
I made bread
I screwed up
I screwed up
I screwed up
And I started
I started
And I failed
And I suck
And I'm wrong
And I'm worthless
And I'm mean
And I'm an asshole
And I should die
But instead
I'll stop
I'll just stop
And start again
I quit
I gave it up
I threw it away
I tore up the number
That I wrote
On sheet metal
I burned the pack
I poured out the booze
I apologized
I gave away my shit
I acknowledged my shit
I stopped rolling around in my shit
Like a pig
With a personality disorder
I ripped my shirt off
I stopped saying nasty things to myself
I stopped saying nasty things altogether
I ate cake
I stuffed my face
With cake
Then I put the cake away
I looked in all my mirrors
I dug up the grave
I danced on the grave
I prayed on the grave
I played on the grave
I stayed on the grave
That grave belonged to me
And today it's just grass
With a stone on top
I paid all my bills
I wrote down my thoughts
I forgave myself
I forgave everybody else
I unpacked my boxes
I phoned my mother
I made bread
I screwed up
I screwed up
I screwed up
And I started
I started
And I failed
And I suck
And I'm wrong
And I'm worthless
And I'm mean
And I'm an asshole
And I should die
But instead
I'll stop
I'll just stop
And start again
Emma in Las Vegas
We had the same professor of writing
And he knew we were soul mates
Before we did
He read my writing
And told me to find her
He told me to find Jenna
But Jenna is not easy to find
I am from Poland
She is from Everywhere
I couldn't find her on a map
But my professor found her
And we spoke on the phone
She had a voice like sugar on baked bread
You taste her and you sense
So much more
I was Anna from Poland
When I spoke to her
Now I am Emma in Las Vegas
I traded identities with a girl from my class
Who needed to disappear
I needed to disappear also
I needed to come to Las Vegas
To see Jenna
To be with her
She was ready for me
And when I arrived here
I found her outside a casino
Smoking and talking to a man
About taking him back to her room
This was not what I was promised
I slapped her across the face
And started to walk
Away from the lights
But the lights follow you everywhere
And so does Jenna
She met me at a bar
Where I was hired to be a waitress
She ordered a drink
Then another drink
Then she took me to her apartment
Outside the city
We made love while the light that was the city
Crawled into the bedroom
And crawled into us
I fell in love with her
I fell in love with Las Vegas
With its neverending light
Where I come from
Light is temporary
Always temporary
Before I left home
My father said to me
'Remember who you are every time you start to impress yourself'
In my house
You had to steal happiness from others
And then you were looked at
As a thief
Jenna steals too
But I have enough of what she steals
So I let her
And I still feel happy
She gives me pills to take
And things to drink
And has men come over
And dance with us
While we kiss and make love
She is moving
She is always moving
The man she loved, Robert
He left her at an airport
And now she's afraid of planes
She sees one in the sky
And she buries her eyes against my cheek
Waiting until the plane goes by
Sometimes we spend all day
Wearing nothing but the sheet
That covers our bed
Sometimes we make dinner
Like we are adults
With jobs and success
Sometimes the men come back late at night
And pound on the front door
When they realize money was taken out of their wallets
More money than they agreed to pay
Jenna goes into the city
But I stay here
And watch coin jars
We keep in the closet
I watch to make sure
They don't escape
That nobody comes and takes them
I like the way the carpet feels
On my back
I start to feel good
And then my father's voice rings out
From the coins in the jars
He reminds me that I'm a book
That nobody ever finishes
They get bored and shove me away on a shelf
Forgetting I'm even there
Jenna doesn't come home
I know she's gone
But I still have to look for her
But I don't know how to put on my own clothes now
Jenna used to dress me
In her t-shirts and her dresses
She threw out everything that was mine
And I became her and hers
And now I'm naked
And none of her clothes
Seem to fit me
I go out into the street
Wearing a bathing suit top
And black dress pants
Sandals, not shoes
I do put on her sunglasses
To keep out the light
Because I know that's where she is
I know she's in the light
I take a taxi and pay in coins
I hope she's not mad
I go to the bars
I go to the clubs
I go to the spot
Where I slapped her
And I cry because I want to see her
I want to see her there
Even if she's with a man
Even if she's with a thousand men
I have to see her
I go to the airport
And try to buy a ticket
To her
I say 'Jenna, Jenna, Jenna'
And the woman at the airport
Calls security
They pull at me
And push me towards a room
Where they will ask me questions
I've been in those rooms before
And I don't want to go back inside them
The light there is harsh
It's too much
I can't find her sunglasses
Wasn't I wearing them?
I point to the planes outside
And I scream--
'She's afraid of planes! How can she move so fast when she's afraid of planes?'
I wake up in a bed
Next to a desk
Where a nurse sits looking at me
Like in school
I am calm
I feel calm
My stomach hurts
I throw up
The nurse brings more nurses
A doctor
I see a policeman
Where's Jenna?
Did they find Jenna?
Where is she?
They find the number to my writing professor
Because I've written his name on my stomach
They call him
And he calls my father
And my father says he will not come here
That I can take care of myself
And my own disgrace
And so my professor flies to Las Vegas
And takes me back to Providence himself
I'm on the plane looking out the window
At the light
At all the light
And I could see Jenna moving around in the light
Dancing with men in the light
Dancing by herself in the light
Looking around for me
Wondering why I left
Wondering and dancing
And slowly going out
And he knew we were soul mates
Before we did
He read my writing
And told me to find her
He told me to find Jenna
But Jenna is not easy to find
I am from Poland
She is from Everywhere
I couldn't find her on a map
But my professor found her
And we spoke on the phone
She had a voice like sugar on baked bread
You taste her and you sense
So much more
I was Anna from Poland
When I spoke to her
Now I am Emma in Las Vegas
I traded identities with a girl from my class
Who needed to disappear
I needed to disappear also
I needed to come to Las Vegas
To see Jenna
To be with her
She was ready for me
And when I arrived here
I found her outside a casino
Smoking and talking to a man
About taking him back to her room
This was not what I was promised
I slapped her across the face
And started to walk
Away from the lights
But the lights follow you everywhere
And so does Jenna
She met me at a bar
Where I was hired to be a waitress
She ordered a drink
Then another drink
Then she took me to her apartment
Outside the city
We made love while the light that was the city
Crawled into the bedroom
And crawled into us
I fell in love with her
I fell in love with Las Vegas
With its neverending light
Where I come from
Light is temporary
Always temporary
Before I left home
My father said to me
'Remember who you are every time you start to impress yourself'
In my house
You had to steal happiness from others
And then you were looked at
As a thief
Jenna steals too
But I have enough of what she steals
So I let her
And I still feel happy
She gives me pills to take
And things to drink
And has men come over
And dance with us
While we kiss and make love
She is moving
She is always moving
The man she loved, Robert
He left her at an airport
And now she's afraid of planes
She sees one in the sky
And she buries her eyes against my cheek
Waiting until the plane goes by
Sometimes we spend all day
Wearing nothing but the sheet
That covers our bed
Sometimes we make dinner
Like we are adults
With jobs and success
Sometimes the men come back late at night
And pound on the front door
When they realize money was taken out of their wallets
More money than they agreed to pay
Jenna goes into the city
But I stay here
And watch coin jars
We keep in the closet
I watch to make sure
They don't escape
That nobody comes and takes them
I like the way the carpet feels
On my back
I start to feel good
And then my father's voice rings out
From the coins in the jars
He reminds me that I'm a book
That nobody ever finishes
They get bored and shove me away on a shelf
Forgetting I'm even there
Jenna doesn't come home
I know she's gone
But I still have to look for her
But I don't know how to put on my own clothes now
Jenna used to dress me
In her t-shirts and her dresses
She threw out everything that was mine
And I became her and hers
And now I'm naked
And none of her clothes
Seem to fit me
I go out into the street
Wearing a bathing suit top
And black dress pants
Sandals, not shoes
I do put on her sunglasses
To keep out the light
Because I know that's where she is
I know she's in the light
I take a taxi and pay in coins
I hope she's not mad
I go to the bars
I go to the clubs
I go to the spot
Where I slapped her
And I cry because I want to see her
I want to see her there
Even if she's with a man
Even if she's with a thousand men
I have to see her
I go to the airport
And try to buy a ticket
To her
I say 'Jenna, Jenna, Jenna'
And the woman at the airport
Calls security
They pull at me
And push me towards a room
Where they will ask me questions
I've been in those rooms before
And I don't want to go back inside them
The light there is harsh
It's too much
I can't find her sunglasses
Wasn't I wearing them?
I point to the planes outside
And I scream--
'She's afraid of planes! How can she move so fast when she's afraid of planes?'
I wake up in a bed
Next to a desk
Where a nurse sits looking at me
Like in school
I am calm
I feel calm
My stomach hurts
I throw up
The nurse brings more nurses
A doctor
I see a policeman
Where's Jenna?
Did they find Jenna?
Where is she?
They find the number to my writing professor
Because I've written his name on my stomach
They call him
And he calls my father
And my father says he will not come here
That I can take care of myself
And my own disgrace
And so my professor flies to Las Vegas
And takes me back to Providence himself
I'm on the plane looking out the window
At the light
At all the light
And I could see Jenna moving around in the light
Dancing with men in the light
Dancing by herself in the light
Looking around for me
Wondering why I left
Wondering and dancing
And slowly going out
Wednesday, September 1, 2010
The Babysitter Called
The babysitter called
The children have taken over Guatemala
They have formed a drug cartel
And they are currently
Holding the President of Mexico captive
On a small island
Off the coast of Brazil
Our six-year-old has taken up gambling
And owes over eight hundred dollars
To the schoolyard hustler
Who bet him that Mrs. McGovern
Was going to give birth in April
Rather than in May
Our four-year-old has learned to swear
And now does it frequently
And with great vigor
She has told the babysitter to 'f' off
To go 'd' herself in the 'p'
And finish it off with a 'jdv'
She escaped from the babysitter
And is now doing stand-up comedy
At the Tickle Tower downtown
Finally, the babysitter informed me
That our one-year-old is now married
To a one-and-a-half-year-old named Chloe
Who he met on eHarmony
They already have matching tattoos
And they both love David Sedaris
The babysitter thinks they'll be very happy together
And she congratulated us on the new addition to our family
Now, that was the eighth time I've called the sitter
If you make me call her again
Or if she calls us
I'll come back and tell you
That the children have formed a singing group
Called 'Ritual Sacrifice'
Tonight is for us
That's why we got the sitter
That's why we're allowed to be grown-ups tonight
That's why we're going to enjoy ourselves
And if the children do a good job of running Guatemala while we're gone
Then I guess everybody wins, don't they?
Cheers
The children have taken over Guatemala
They have formed a drug cartel
And they are currently
Holding the President of Mexico captive
On a small island
Off the coast of Brazil
Our six-year-old has taken up gambling
And owes over eight hundred dollars
To the schoolyard hustler
Who bet him that Mrs. McGovern
Was going to give birth in April
Rather than in May
Our four-year-old has learned to swear
And now does it frequently
And with great vigor
She has told the babysitter to 'f' off
To go 'd' herself in the 'p'
And finish it off with a 'jdv'
She escaped from the babysitter
And is now doing stand-up comedy
At the Tickle Tower downtown
Finally, the babysitter informed me
That our one-year-old is now married
To a one-and-a-half-year-old named Chloe
Who he met on eHarmony
They already have matching tattoos
And they both love David Sedaris
The babysitter thinks they'll be very happy together
And she congratulated us on the new addition to our family
Now, that was the eighth time I've called the sitter
If you make me call her again
Or if she calls us
I'll come back and tell you
That the children have formed a singing group
Called 'Ritual Sacrifice'
Tonight is for us
That's why we got the sitter
That's why we're allowed to be grown-ups tonight
That's why we're going to enjoy ourselves
And if the children do a good job of running Guatemala while we're gone
Then I guess everybody wins, don't they?
Cheers
This Is When We Sing
When Pop died in '95
We spread his ashes
Over a lake in upstate New York
Me, Cork, and Ma
And when we were done
Ma had a hand apiece
From each of us
Plus Cork's wife Karen
And Ma said--
This is when we sing
My brother studied opera
When he was in school
But wrote letters back
Saying he was pre-law
Because he knew Pop would say
That opera won't pay the bills
Still, Ma says Pop knew all along
That their kid was meant to sing, not sue
And this is when we sing
We eat at the pancake place
Right by the lake
And Karen tell us her Pop story
Because everyone who ever met Pop
Has a Pop story
And Karen's Pop story
Is that when she met Pop
He made her sit down at the piano with him
And sing 'Spirit in the Sky'
Have you ever heard 'Spirit in the Sky' on piano?
It's perhaps the most awful sound in the world
And Pop wailed along
While Karen tried to keep up
She thought he was both insane
And extremely religious
And every time he wanted to cue her
He'd say--
This is when we sing
Ma says when me and Cork were born
Pop refused to admit
That we looked like him
Even though we both have his nose
And his chin, and his goofy grin
When the business closed
Ma locked herself in the bedroom
Convinced we were going to be on the street
And Pop picked the lock on the bedroom door
While holding me and Cork on each arm
And he picked Mom up too
I don't know how
And the next thing I knew
We were all in the living room
Around the piano
With Ma saying--
'Joe, we're going to be in the poorhouse next month'
And Pop saying--
This is when we sing
When my Pop got sick
He used to sing in the hospital
All his nurses used to make requests
And he'd sing
At his last breath
He was smiling
And singing
Ma was crying too hard to be in the room
Cork and I were looking down
And Pop was holding Karen's hand
And singing 'Spirit in the Sky'
When we all drove back
From spreading Pop's ashes
Ma put the radio on
Pushed back the tears
At the edge of her eyes
Looked at the three of us
And said--
'Okay, kids--'
This is when we sing
We spread his ashes
Over a lake in upstate New York
Me, Cork, and Ma
And when we were done
Ma had a hand apiece
From each of us
Plus Cork's wife Karen
And Ma said--
This is when we sing
My brother studied opera
When he was in school
But wrote letters back
Saying he was pre-law
Because he knew Pop would say
That opera won't pay the bills
Still, Ma says Pop knew all along
That their kid was meant to sing, not sue
And this is when we sing
We eat at the pancake place
Right by the lake
And Karen tell us her Pop story
Because everyone who ever met Pop
Has a Pop story
And Karen's Pop story
Is that when she met Pop
He made her sit down at the piano with him
And sing 'Spirit in the Sky'
Have you ever heard 'Spirit in the Sky' on piano?
It's perhaps the most awful sound in the world
And Pop wailed along
While Karen tried to keep up
She thought he was both insane
And extremely religious
And every time he wanted to cue her
He'd say--
This is when we sing
Ma says when me and Cork were born
Pop refused to admit
That we looked like him
Even though we both have his nose
And his chin, and his goofy grin
When the business closed
Ma locked herself in the bedroom
Convinced we were going to be on the street
And Pop picked the lock on the bedroom door
While holding me and Cork on each arm
And he picked Mom up too
I don't know how
And the next thing I knew
We were all in the living room
Around the piano
With Ma saying--
'Joe, we're going to be in the poorhouse next month'
And Pop saying--
This is when we sing
When my Pop got sick
He used to sing in the hospital
All his nurses used to make requests
And he'd sing
At his last breath
He was smiling
And singing
Ma was crying too hard to be in the room
Cork and I were looking down
And Pop was holding Karen's hand
And singing 'Spirit in the Sky'
When we all drove back
From spreading Pop's ashes
Ma put the radio on
Pushed back the tears
At the edge of her eyes
Looked at the three of us
And said--
'Okay, kids--'
This is when we sing
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