She checks the showtimes
While he grades papers
While he grades papers
A movie at noon
Another at six
Another at six
Two tomorrow
She’d like to see
Elliot’s looking at nouns
Waiting for them to introduce themselves
So they can have a proper relationship
Her husband is surrounded by paper
And pens
And pencils
And more pens
Black and red and blue pens
But he only uses the red
Professor Elliot Brattle
One t’ in the first name
Two in the last name
And the middle name is silent
Who knows what it is?
Even she doesn’t
Even she doesn’t
She bought him a mug once
That he never uses
There aren’t many things he does use
Except a tone
And sigh
And a wayward glance
At the window
There’s a novel he’s writing
But then again, who isn’t writing a novel?
She has four novels she’s working on
And all of them
Are about wars
World War I, World War II
The Civil War
And a war she made up
Between the French
And the Canadians
His novel is about a child
They’re never going to have
They’re never going to have
Named Steven
And all the things Steven
Will never do
Because he’s never
Going to exist
Elliot tells her that he doesn’t feel comfortable
Writing fiction
That non-fiction is more his style
And so, could they have the child?
To make his work flow a little better?
But she says ‘No’
And she understands what this means
And she understands what this means
It means he’ll never finish the book
And he’ll hate her for that
But it also means
She’ll never be stuck with a child
Who belonged in a book
Instead of in her kitchen
Throwing pureed food
At the wall
At the wall
He looks up from grading papers
And asks her what movie
She’s going to see that afternoon
And she says she’s going to see a comedy
But it’s the furthest thing from the truth
She’s going to see a documentary
About poachers
Because she loves watching movies
About people
Who hurt animals
Because then she can fantasize about hurting them
Without feeling guilty
For her own deep-seated violent tendencies
The other night, she grabbed a carving knife
On the way out the door
For her evening job
And wound up at the neighborhood playground
Carving an obscene word
Into the side of a swing-set
I am not a well woman, she thinks
Not at all
Her husband holds up a paper
And asks her to come over
So she can take a look at it
When she arrives at the kitchen table
Which serves as his desk
She sees that the paper—or packet of papers, as it were
Is really just several blank sheets
Stapled together
With the student’s name on top
‘Somebody handed this in,’ her husband says
‘Just like this. Can
you imagine?’
She takes the paper in her hands
And looks at the name on the top
Tess Tater—one t in the first name
Two in the last name
No middle name that she can see
And four blank pages
Instantly, she found herself liking Tess Tater
Liking her quite a bit
And she looked down at her husband
And he was smiling
Clearly, in spite of himself, but still—
Smiling
Then laughing
Then she was laughing
Then he was laughing even harder
Then she picked up a red pen
One of the many red pens
And wrote a great, big ‘A’ on the paper
And that only made her husband laugh harder
He picked up another red pen
And wrote a plus sign next to the A
And this rendered them hysterical
And she was on the floor of the kitchen
Holding her stomach
Trying to remember when the last time was
She laughed this
And then her husband was right next to her
Having fallen off his chair
Still holding the four stapled-together blank pages
With the A+ on it
And burying his face in her shoulder
The laughter burned down
Into embers of soft breath
And then they were just…
Laying together
‘I miss you every day,’ he said
Biting his lip
Reintroducing his hand
Into hers
‘Elliot,’ she says,
Daring to take a step
Into the fog
‘What’s your middle name?’
And somewhere in Canada
A Frenchman fires a gun
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