Our concern for Mrs. Wembley
Resides in silence
The silence of garden doors
And doors leading into gardens
And secret doors
Leading to secret gardens
Like the children's book Mrs. Wembley reads
Before she goes to bed at night
Our concern delivers itself
Like morning mail
To our front doorstep
Did you hear about Mrs. Wembley?
Well, honestly
Who hasn’t?
Her husband shutters their life
With blackened glass
And church bells
He sings low, listless tunes
As he wanders the property
And prays far too much
For a man whose wife
Has not been seen
In days and weeks
The flowers grow, untended
The vegetables rot
The roof sails off
To disrepair
Gossip grows
And nursery rhymes are written
About what might have happened
To the woman who lives
At 444 Fingerton Lane
And why nobody’s doing
Anything
About it
Our concern for Mrs. Wembley
Leads us to meetings
Where we discuss what we baked
For the meeting
And only an hour later
Do we get around
To discussing the missing woman
And her oddity of a husband
Some suggest pitchforks and fire
--An old-fashioned approach
When dealing with abnormality
Others prefer
A more subtle
And neighborly response
A knock on the door
An offering of cake or pie
A request to tour the grounds
And--
Oh yes, how is your wife?
We’ll peek around the husband
And see if we can spot
A doorway with light underneath it
Or a shadowy figure
Lurking at the top
Of a winding staircase
A dark stain of something
That might be blood
A dark stain of something
That might be blood
But after what seems like hours of debate
Pitchforks and politeness and pie
Will all fall by the wayside
As we decide
To do a considerable nothing at all
Folding chairs are put away
And chitchat is conducted
Regarding the new traffic light
At Fields and Franke
Our concern for Mrs. Wembley
Concerns us
In that for all we know
We are in the moment
When action
Could lead to prevention
And yet, we are inactive
We are indecisive
We are inert
We write letters to Mrs. Wembley
Inquiring as to her safety and security
But ultimately
We do not send these letters
Instead we tuck them away in a drawer
With spare pens
And fobs
Of different colors
Terrible nightmares rock our rest
At all the worst hours
In many of the worst ways
Corpses buried in a garden
Legs tumbling down sinister staircases
Fire consuming everything but a wedding ring
Belonging to a loving wife
Who only asked for the silence
Of garden doors
And for a friend or two
To mind her
When her back was turned
And though silence
Comes freely
Friends are fickle
And hard to find
Oftentimes sympathy
Is all you can muster
For others
And all you can want for yourself
When you feel someone behind you
In the darkest parts of the garden...
Though you want someone to cry out
The rose may drop
Before you hear their voice
Assuming they can raise it
Faster than they raise
Their concern
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