(CORA
and EVELYN are at a pub in Dublin.)
CORA:  Between
you and me, I’m looking forward to going back.
EVELYN:  I
thought you loved it here?
CORA:  Oh, it’s
beautiful.  But it’s not where I
grew up.  You’ll see when you’re
older.  You want to die where you
were born.  Life is cyclical.  It’s how things are.  You go back to the beginning.
EVELYN:  You all
packed?
CORA:  I’m
leaving everything.
EVELYN:  You’re
serious?
CORA:  What do I
need?  I got a friend in Hawaii
right now with nothing but a bathing suit to her name and she’s having the time
of her life.
EVELYN:  Her
kids excited about taking her home?
CORA:  She’s not
going home.
EVELYN:  Why
not?
CORA:  Not
everybody misses their old lives.
EVELYN:  I
cleaned the house for you. 
Everything’s ready for you.
            (A
beat.)
CORA:  You
didn’t have to do that, you know.
EVELYN:  I don’t
think you understand how messy a house can get in five years.
CORA:  I’m glad
it’s messy.  That means you’ve been
having fun.
EVELYN:  That’s
the thing about messes, Ma.  You
don’t have to create them.  They
show up one way or another no matter what you do.
            (A
beat.)
CORA:  You
better not be drinking again.
EVELYN:  Are you
aware we’re in a pub in Dublin?
CORA:  And
you’re sitting here not drinking and I’m proud of you.
EVELYN:  How
many years sober do you think I am?
            (A
beat.)
CORA:  Seven and
a half years.
EVELYN:  You
really think that, Ma?
CORA:  I’ve been
gone five.  You were two and a half
years in when I left.
EVELYN:  And you
think I’ve been good all this time?
CORA:  You
trying to tell me something?
EVELYN:  A lot
happens in five years.
CORA:  You
telling me I’m coming home to you starting up again?
EVELYN:  Not
starting anything.
CORA:  Good.
EVELYN:  Maybe
resuming, but—
CORA:  Don’t make
jokes.
EVELYN:  Sorry.
CORA:  Not about
that.
EVELYN:  Ma—
CORA:  You
remember how bad it was?  How bad
it got?
EVELYN:  You
think I’d forget?
CORA:  Then
don’t make jokes.
            (A
beat.)
EVELYN:  It’s
not fair.
CORA:  What?
EVELYN:  That
you’d leave.  That you’d leave me
and then tell me I have to take care of myself while you’re gone.
CORA:  I didn’t
leave, Ev.  They made me leave.
EVELYN:  They
tried making Lisa’s mother leave. 
She wouldn’t go.  She
wouldn’t leave her family.
CORA:  And they
threw her in jail.  Sixty-three and
she’s in jail.  That’s what you
wanted for me?
EVELYN:  I
wanted you to try—something.  Not
just get on a plane with a smile on your face.
CORA:  I make
the best of things.  You know that.
EVELYN:  Oh, I
know.
CORA:  If you’re
going to say something, say it. 
Don’t bury it like that. 
Under all that inflection. 
You know I don’t go for that.
EVELYN:  Maybe
you wanted to get away.
            (A
beat.)
CORA:  From
you?  Is that what you’re
saying?  From you?  My daughter?
EVELYN:  I
wouldn’t blame you.  I would have
loved to get away from me.
CORA:  Pity
party, pity party.
EVELYN:  I hate
when you say that.
CORA:  I’ve been
saying it since you were a kid.
EVELYN:  Yeah,
and I’ve hated it every single time you’ve said it.
CORA:  You’re
always the first person to cry for yourself, Ev.  You don’t even give anybody else a chance.
EVELYN:  So did
you?
CORA:  Did I
what?
EVELYN:  Leave
to get away from me?
CORA:  They.
Made. Me. Leave.
EVELYN:  Did
they make you go across an ocean?
CORA:  I tried
to look at it as an adventure.  I
tried to—
EVELYN:  --Make
the best of it.
CORA:  I had to
be strong.  For you.  For your sisters.  I couldn’t go off kicking and
screaming.  I tried to make it seem
like no big deal.  And now look—I
can come home, and everything’s fine.
EVELYN:  Are you
kidding me?  Nothing is fine.
CORA:  Why?  What’s not fine?
EVELYN:  I’m a
drunk.  That’s what’s not fine.
CORA:  You’re no
drunk.
EVELYN:  I’m a
drunk, Ma.
CORA:  You’re
not a drunk!
EVELYN:  I had a
drink yesterday.  And the day
before that.  And the day before
that.  Want me to keep going?
            (A
moment.)
CORA:  Why?
EVELYN:  One
drink every day.  Just
because.  Just because I feel like
it.
CORA:  You
trying to hurt me?
EVELYN:  Yes, Ma.  It’s all about you.
CORA:  I
can’t.  I can’t—
EVELYN:  Can’t
what?  Can’t come home to this?
CORA:  I was
looking forward to—
EVELYN:  No, you
weren’t.  Who are you kidding?  You were dreading having to come home.  Even if you thought I was still sober,  you know what it’d be like—sitting at
home alone, every night, all weekend, watching tv with me, watching me while I
watch tv, watching me like a hawk to make sure I don’t screw up.  That’s what you were looking forward
to?  That’s what you were going to
make the best of?
CORA:  I…
            (A
beat.)
EVELYN:  I don’t
want you to come back.
CORA:  it’s not
your decision, Ev.
EVELYN:  But
it’s what you want.  I’m just
telling you it’s okay.  Don’t come
back.  Stay here.  Enjoy the adventure.
CORA:  If you
didn’t want me to come back, why did you come all the way here?
EVELYN:  Because
I thought I would see you and you’d see what was going on.  I didn’t think you’d just—smile and
start talking about how long the flight home was going to be and how much did
the tickets cost and should you get a book to read for the plane.  I didn’t think you’d make the best of
it, I thought you’d step up and do something.  I thought you’d be a mom for once.  I can’t…I can’t have you home.
CORA:  What?
EVELYN:  I’ve
been drinking every day—nervous about the day when you’d be back.  Nervous about messing up in front of
you.  But if I knew you weren’t
coming back—I don’t know.  Maybe I
could get my life together.  Maybe
if I wasn’t waiting for the other shoe to drop, or…
CORA:  You don’t
want me back.
EVELYN:  It’s
not about what I want, Ma.  I
promise.  It’s not about that.
CORA:  Well…
            (CORA
thinks about saying something, but then changes her mind.)
            I
don’t mind it here.
EVELYN: 
Good.  I’m glad.
            (A
beat.)
            It’s
a beautiful place.
            (They
sit in silence.  Neither says a
thing.)
 
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