(Two phone calls.)
FRIEND: Hello?
VISITOR: Hey!
FRIEND: Oh hey! What's up?
VISITOR: I'm here.
FRIEND: Here where?
VISITOR: Uh, at the airport.
FRIEND: Which airport?
VISITOR: The one in Antarctica. The one down the road from you?
FRIEND: Oh, we don't have roads here, so--
VISITOR: Remember I told you I was--
FRIEND: Oh my gosh, you did, didn't you? Wait, is it Friday?
VISITOR: Uh, yeah it is.
FRIEND: Is it the 29th?
VISITOR: Yeah.
FRIEND: IS IT NOVEMBER?
VISITOR: ...Yes.
FRIEND: Wow, I am so sorry. I have just been--Wow, I've been swamped. Literally, we were looking at swamp samples the other day and--
VISITOR: They have swamps here?
FRIEND: No, but we're trying to create a swamp.
VISITOR: Why?
FRIEND: No idea. Bees or something. Science, right?
VISITOR: Um, so--but like--do you still want to get together?
FRIEND: Uhhhhhhh god, I mean, ugh, I know, you came all the way here--
VISITOR: Yeah.
FRIEND: --To Antarctica.
VISITOR: Yeeeeeah.
FRIEND: I just--God, I am so sorry. This week has just been--
VISITOR: Yeah, I mean, it kind of took me a week to get here.
FRIEND: I know.
VISITOR: But you said you'd love to see me--
FRIEND: I would! Oh my god, I would LOVE to see you.
VISITOR: Well. (A beat.) I'm here.
FRIEND: Yeah. How long are you here again?
VISITOR: Uh. Just, like, tonight. There really aren't hotels here or anything, so--
FRIEND: Yeah.
VISITOR: Didn't realize that when I planned the rest of the trip, so--
FRIEND: I should have mentioned--
VISITOR: No, it's totally not your fault.
FRIEND: Right, but--
VISITOR: I mean, if I could, like, I guess, crash at your place or--
FRIEND: Oh, yeah, you know, I don't know if you know this, but I live with the other scientists?
VISITOR: Right.
FRIEND: It's just, like, super awkward to have...non-scientists here.
VISITOR: I mean, I'm a botanist.
FRIEND: Yeah, that's not--I mean, that is a science, but it's not like the science we do, you know? Not that it's not a real science. It's just not a science anybody cares about.
VISITOR: I could crash on the couch--
FRIEND: We don't have a couch.
VISITOR: Where do you sit?
FRIEND: It's, like, really close quarters, so we just sit on the bed. The one bed. There are, like, five of us and we all--It's really weird, but, you know, it's the polar vortex or whatever--so we just all crash in the same bed together, and, like, sometimes stuff happens, but usually we don't, because it scares the penguins.
VISITOR: They have penguins here?
FRIEND: I think so? I can't remember which pole has which. Is this the one with the bears?
VISITOR: It's just--I mean, it's not a big deal, but you were kind of like--Oh, if you come here, you can stay with me--
FRIEND: Yeah, and I mean, I definitely FEEL that way? But, um, now that it's time to actually DO it? How I FEEL? Is like...It's like Ew, why did I say that? You know what I mean? Like, ugh, I'm so dumb. I have so much going on. Where would I put the swamp water while you're here? The entire residence is basically just swamp water and a bed with five scientists in it. And the pool table, but, like, obviously you're not going to sleep on that.
VISITOR: Okay, well, I guess I could just...go home.
FRIEND: Ugh, I feel so bad. Maybe you could like--hit me up again when you're back in town?
(A beat.)
VISITOR: You mean when I'm back in...Antarctica?
FRIEND: Yeah! Are you coming back anytime soon? Like in the near future?
VISITOR: Uh...No. Hadn't--hadn't planned on it.
FRIEND: Okay.
VISITOR: Did you really just ask me that?
FRIEND: I mean--
VISITOR: It took five planes and two boats to get here. And a dogsled, which I didn't even know was still a thing.
FRIEND: I get that you're mad, but, like, things come up, plans change--
VISITOR: I FLEW TO ANTARCTICA!
FRIEND: And that was so awesome of you, and, like, trust me, if I could go back in time and talk to the me who was like You should come here! I'd be like Why are you saying that you stupid idiot? You're going to be so tired next week doing all that swamp stuff and spooning the other scientists. Don't tell them to come visit. But, like, the me I was last week is not the me I am now, and I can only apologize on behalf of that me and not present me, because present me is innocent in all this.
VISITOR: Okay, well if I can't crash here, can you at least come to the airport and say hi?
(A beat.)
FRIEND: Ugh, I'm just...so beat, you know?
VISITOR: Um, so am I. I've been traveling for days.
FRIEND: Right, ugh, and like, I'm so sorry on your behalf, or my behalf, but, like, it doesn't change how I'm feeling at this moment, and today is sort of a self-care day for me so--
VISITOR: So you're not even going to do the bare minimum when it comes to--
FRIEND: I could, like, send you a selfie of me if that'll--
VISITOR: No.
FRIEND: Or we could Facetime?
VISITOR: No.
FRIEND: Do you want to maybe plan for next month provided I feel like it when the time comes which I really won't know about until a few hours before?
VISITOR: YOU ARE SO INCONSIDERATE.
(A beat.)
FRIEND: Okay, yelling is not called for and I hope there are no penguins where you are.
VISITOR: No, thank you.
FRIEND: I really don't want you to be mad.
VISITOR: Then let me sleep on your pool table and mildly inconvenience you.
FRIEND: Okay, I guess it's fine if you're mad.
VISITOR: Good-bye.
(VISITOR hangs up.)
FRIEND: Wait, are there flowers in a swamp?
The End
Monday, October 28, 2019
Saturday, October 26, 2019
Paint It Black
Gonna sit against this door
Until I know it’s quiet
I’ll know
When the car outside
Stops revving
Up
Its engine
I’ll know
When the low-flying planes
Finally land
I’ll know
When to inch my back
Up alongside
The red red door
And reach for the knob
And twist
They’re going to tell me
It’s already quiet
But if you don’t know
How to hear
How do you know
The difference
Between noise
And sound?
If you were never taught
To see
How can you tell a color
From the lost light
That takes it to blue
Or green?
If you’ve only ever been afraid
What would look
Like courage
To you?
I’m just going to sit
Against this door
And when I get up
I’ll look for
What looks like
Courage
In a world
Full of cowards
The other side of the room
Has another kind of door
That leads to a basement
Where I won’t know
My own home anymore
You live above ghosts
And they don’t bother you
Because there’s a door
And then there’s you
Funny what we think
A door can protect us from
We run from someone
And slam the door
And the lock goes down
And we’re safe
But it’s a few inches of wood
Or metal
Or steel
And other than that
It’s us hugging the thing
We don’t want to touch
Right now I’m sitting here
With back
Up against those inches
Telling myself
That I’m away from the harm
Separate from the danger
In the light
In the color
In the sound
But it’s…
You tell a story
And you take it
Take it back
Does that make it a lie?
Have I lied to you yet?
Upstairs I can’t go
There’s too much
To figure out
Up there
And whatever’s soft
Is to put you to sleep
And whatever’s warm
Is to burn you
When you get used
To the heat
And whatever’s love
Is just two ticks of a clock
That stopped working
A long time ago
I want to stay here
Where I can hear
The feet on grass
The safety off
The news report
The shoveled dirt
The hose
The flat tire
The gross misconduct
The accusation
The dented mailbox
The call to arms
And then--
A break
What will I hear then?
It won’t matter
By then I won’t know
What sound is
But maybe courage
Maybe
Maybe courage
Maybe
Something
Like that
The Hansel and Gretel Press Roll-Out
You’re doing 60 Minutes
In two days
I think you’re in the A Block
But I might be wrong about that
It depends on what happens
Between now and then
Two kids exiled by their parents
Into the woods
And kidnapped by a pagan
Living in a diabetes hut
Is good
But these days…
Your father was on The Today Show
He was saying that you’re not being truthful
About why he kicked you out of the house
He says your stepmother had nothing to do with it
That you were--
That he just suggested
You go for a walk
And the only reason he didn’t call the authorities
When you didn’t come back that night
Was because he thought a wolf ate you
Your stepmother is saying that both of you
Are making up your story entirely
Even though we have the gingerbread samples
You provided
And they do match bits of other kinds of bread
We’ve collected near the bodies
Of other murdered witches
Your stepmother is also insinuating
That you two had an...inappropriate relationship
For two siblings
Although the media doesn’t want to go anywhere near that
Not the reputable media, anyway
The fringe circuit is eating it up
Reddit is exploding with theories
That the real Hansel and Gretal were killed in the woods
And that you two are changelings
Sent back from the forest
To destroy humanity
Someone even recreated the breadcrumb trail
And determined that it was impossible
For all those crumbs to be eaten by birds
But obviously we’re going to refute that
We’re going to refute all of it
And as long as you two stay on message
I think we’ll be fine
You’re survivors
You’re victims
You’re heroes
Just keep falling back on the talking points
And do not admit that you willingly entered the house
And do not admit that you willingly entered the house
Because the focus group says if you went in voluntarily
Sympathy for you goes down significantly
Nobody cares if you were cold or hungry
People want to believe that they would have the good sense
To recognize a witch’s house if they saw one
And you not knowing what it was
The minute you saw it
Means people think you’re dumb
And nobody feels bad for dumb people
Even dumb children
Gretel, I need the pigtails back
They love you with the pigtails
Hansel, the overalls
That’s your look
We talked about this
You never take those off
You two are growing way too fast
For the narrative we’re trying to create here
And if we can’t do something about that
Then we’re in deep shit
Because ‘Teens Nearly Eaten by Candy Woman’
Is not a story I can run with
And I can run with just about anything
Do not talk about eating the candy
Everybody knows you don’t eat candy
Given to you by a stranger
Let alone a stranger in the woods
So if you admit to eating that candy
We are screwed
Because at that point
You’ve essentially confessed
To kind of maybe giving consent
Which is all the consent you need
For public damnation
And no, it doesn’t matter
That once you found out she was a witch
You wanted to leave
If you went in the gingerbread house
Of your own free volition
Then everything after that--
Including her trapping Hansel
And trying to fatten him up for consumption
--Is fair game
Speaking of which--
We need to talk about your weight
The both of you
How much you weigh
You’re entirely too skinny
Skinny is great
But too skinny isn’t fun to watch
And we need you to be
Fun to watch
So I’m going to ask you
To eat this bucket of chicken
And when you’re done
And when you’re done
I want you to stick out your fingers
And let me feel them
So I know you’re putting on some pounds
Because my eyes aren’t what they used to be
This is the price of fame, kids
If you want to eat the candy
You gotta get in the cage
Everything Bitter, Everything Late
How am I going to sleep
When across the street
The Wilsons are throwing a party
Vanessa Wilson called me this afternoon
To tell me all about the preparations
Only remembering to invite me
Just as the call was about to end
I told her about my headaches
And how I need to avoid
Too much social interaction
For the time being
She tried to catch her relief
The way one might stifle a yawn
But you can always tell
What was supposed to be there
Leaning against the stove
I notice a nickel-sized stain
On my otherwise undistinguished
Countertops
The loaded laughter from across the street
Makes its way through my poor insulation
And reminds me
That I’m neither for or of this world
The world being one or two cocktails
New dresses from a department store
A hairstyle maintained from Friday
Into Saturday evening
Everything bitter
Everything late
The itch at the back of my neck
Won’t go away
And I wonder what kind of illness
I might have
I refilled my glass for the first time
Just as the guests began arriving
At the Wilson house
They’re parked up and down the street
And a few are outside smoking
Speaking loudly but not angrily
Which is a fine trick
Only inebriated people
Know how to pull off
Inside my bathroom
The water runs
Because I couldn’t be bothered
Because I couldn’t be bothered
To turn anything off today
There is no religious reason for this
Just a lack of interest
In bringing anything
To a halt
Let the water run
Let the lights buzz
Let the currents run through
My empty, empty house
Let it feel alive
In whatever way it can
Laying on my bed
I tell myself a story
About a little girl
Who grew up
To be rich and popular
With so many friends
It was impossible to see them all
And so she died of sadness
Knowing that it was possible
To only truly love
A few people at a time
Maybe just one
And if you chose the wrong one…
The Wilson house catches on fire
Sometime around three am
The party had just ended
Less than an hour before
And so Vanessa and her husband
Were still awake
And able to flee their residence
Before it was reduced to ashes
Not all fires consume
But this one did
And it left nothing
Worth rebuilding
I was asleep
And so deeply
That not even the whining sirens
Of the fire engine
Could rouse me
Upon waking the next day
I found that I now had a view
Of Porter Street
That had never been there before
And this tickled me
Before I realized
Why it would be so
Shortly after finding yourself envious
You will occasionally find yourself
Pitying those who you envied
I pitied the Wilsons
And their grand and garish home
That would never be so again
That night, Vanessa Wilson slept on my couch
And I had to do all my drinking
And I had to do all my drinking
Alone in my room
With the door locked
As if she would try to get in
Were I to let her
But Vanessa just lay there on the couch
Her husband downstairs in my basement
Finding himself aroused
At the thought of a fire
That couldn’t be put out
While his wife tried sleeping
In a room meant for living
Telling herself a story
Not even she could believe
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