(The
hospital. HOWARD is sitting down in a
waiting room. CINDY enters.)
CINDY: Hello.
(HOWARD
looks at her.)
HOWARD: Hi.
CINDY: My name’s
Cindy. I’m assuming you’re Howard?
HOWARD: Hi.
CINDY: Hi! I know I should call you Mr. So-and-So but I
find it’s better to be as casual as possible if you want to put people at ease.
HOWARD: Hi.
CINDY: Hello
there! Sooo I’m here to talk to you
about the impending evacuation.
HOWARD: Huh?
CINDY: We’re
evacuating the hospital. In case the
comet does hit. We just want to be
prepared. We’ll be sending most of the
staff home over the next few hours.
HOWARD: Where?
CINDY: What?
HOWARD: Where—are you
evacuating everybody to?
CINDY: Oh, well—funny
story. We’re not actually evacuating
everybody TO somewhere. We’re just, sort
of, evacuating.
HOWARD: So you’re
fleeing?
CINDY: Well, I wouldn’t
say—Yes. Fleeing. Yeah, I guess that about sums it up.
HOWARD: What about
the patients?
CINDY: Well, that’s
what I’m here to talk to you about.
HOWARD: Who are you?
CINDY: I’m a social
worker here at the hospital.
HOWARD: What are you
like twelve?
CINDY: I’m—no. I’m not twelve. I’d appreciate it if you talked to me like an
adult.
HOWARD: What’s your
name?
CINDY: Cindy.
HOWARD: Cindy? Like from The Brady Bunch?
CINDY: There are
other Cindy’s. Cindy Lauper, Cindy—
HOWARD: Nobody
serious has ever been named Cindy. You
should have gone into a different line of work like pet grooming or designing
bubble gum wrappers.
CINDY: I realize you’re
only saying hurtful things because you’re scared. That’s totally normal. I understand your mother has been
unresponsive for quite some time—
HOWARD: If you’re
here to tell me that you’re leaving my mother to die—
CINDY: We’re not leaving
anybody—
HOWARD: So somebody’s
going to stay here with her and make sure she doesn’t die?
CINDY: …Well…in the
event that the comet doesn’t hit—
HOWARD: But if it
does?
CINDY: Look—
HOWARD: Because it’s
probably going to.
CINDY: Howard—
HOWARD: There’s an
eighty percent chance.
CINDY: I—
HOWARD: Eighty
percent.
CINDY: I realize—
HOWARD: And please
don’t call me Howard.
CINDY: We’re
leaving. We’re all leaving. People…doctors and…everybody wants to be home
with their families when and if this thing hits. So…we’re all just going to—Well, I can’t say
this for the hospital, but…I’m going to pray.
And…that’s the best we can do right now.
HOWARD: So you came
to tell me you’re quitting. Great. Thanks.
See you on Monday if this thing is a big miss. At which point, I’ll be moving my mother to
another hospital where they actually give a damn about their patients.
CINDY: First of all,
there isn’t a hospital in this state, probably this whole country, that isn’t
doing the exact same thing we’re doing.
Second of all, though I can appreciate how tired and stressed out you
must be, there is a very good chance we are all about to die, so you can find
somebody else to lay all your attitude on, because you’re the 100th relative
I’ve dealt with today, so I’m officially out of kindness and patience. And finally, I’m not here because of your
mother. I’m here because of you.
HOWARD: I’m sorry?
CINDY: Your mother is
being prepped as we speak.
Theoretically, if nothing goes wrong, or any more wrong than it is
already, she should be fine for the day or so the hospital will be…vacant. There’s a very good chance that if she dies,
she’ll just be dying with the rest of us.
The reason I’m here is because we’re trying to convince people’s
relatives and friends that they should maybe consider, uh, going home?
HOWARD: You want me
to leave her?
CINDY: I want you to
consider it.
HOWARD: She’s my
mother.
CINDY: I get that.
HOWARD: She’s my mother.
CINDY: Do you think
she’d want you dying in a hospital staring at her hoping she’s going to wake up
in time to run for shelter?
HOWARD: Are you
listening to yourself?
CINDY: Yes, and
everything I’m saying to you right now would normally get me fired, but things
are a little wacky right now, so I’m just going to go for it. You need to get out of here.
HOWARD: Would you
leave your mother here?
CINDY: Yes, but we
have a very complicated relationship.
HOWARD: Is that what
you’re telling the mothers in the natal care unit to do? Leave their premature babies behind?
CINDY: Your mother is
not a premature baby. She’s a woman who’s
been in a coma for a significant amount of time.
HOWARD: I—
CINDY: She’s not
going to wake up. Chances are she was
never going to wake up. She’s
comfortable. Or maybe she’s not, I don’t
know. There’s really no way of knowing,
but what we DO know is that whether you’re here or not—
HOWARD: But what if I’m
not? What if she wakes up and I’m not
here?
CINDY: It—
HOWARD: The Walking
Dead.
CINDY: What?
HOWARD: On The
Walking Dead, Rick wakes up and nobody’s there.
They left him. They just left him
there. And he could have been eaten—by zombies.
CINDY: Nobody’s
predicting zombies.
HOWARD: I don’t want
her to die alone!
(A
moment.)
CINDY: Then you need
to make another decision.
(A
beat.)
HOWARD: What?
CINDY: You…just think
about…alternatives.
HOWARD: You’re not—
CINDY: Do you have
any other family?
HOWARD: Uh, my
brother, he—He’s an actor. He was
supposed to—He had a show today, but I think it was cancelled. He’s on his way.
CINDY: Okay, well…When
he gets here, maybe you should have a talk with him about…options.
HOWARD: This is…surreal.
CINDY: You need to
really concentrate on the facts. At a
time like this, it’s easy to slip into…denial or…a sort of blind hope. And hope is okay, it’s fine to have hope, but
you also have to really look at and digest the facts, and the facts are—This hospital
is going to be a ghost town pretty soon, so time is…
(A
moment.)
HOWARD: Right.
CINDY: Can I help
with anything? Do you want me to wait
with you until your brother gets here?
Like I said, you’re my last consultation of the day so—
HOWARD: I’ll be all
right.
CINDY: Are you sure?
HOWARD: Well…No. But…Go home. Call your mom.
CINDY: (Scoffs.) Like I said, my Mom and I are more—
HOWARD:
Complicated? Trust me. It’s not that complicated.
CINDY: Right.
(A
moment.)
Right.
(Short
pause.)
It was nice meeting you, Howard.
HOWARD: You too,
Cindy.
(She
puts her hand on his shoulder, and then exits.
HOWARD sits.)
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